"Just a question, what kinds of stuff do you edit? It boggles the mind how you could use such old machines to do projects and still make profit..."
Heh. Well that's the hardest question to answer that I've seen on here. We do a little of dern near everything, focused mostly on higher end corporate type stuff. Vignettes for the United Way drive...Promo for the builder of a new neighborhood...sales hype for the annual meeting, that kind of thing.
But here's an important point...the old M100 can do almost anything a fancy new machine can do. Of course, when I do more layering & vertical editing, I go to the fancy box...but an old machine can still do a good percentage of the typical daily grind editing. If what you do is mostly Horizontal editing (this shot, cut to that shot, dissolve to this shot) a 10 year old system is 100% perfectly good. We charge $150 per hour for that room and do quite well.
I will admit to putting only low end "consumer" or unsupervised (no client present) edits in there, but a good bit of our work is unsupervised. In the end, they have no idea on which machine their work was done.
My favorite analogy, which i use often, is this...
Imagine you walk into the Sistine Chapel. You look at the walls, the cieling...you see an ablolute masterpiece of art. Do you find yourself wondering whose paintbrushes he used to paint it?
Of course not. The work is impressive because of the artist, not the artist's tools. Obviously great tools make the work easier to create, but great work comes from an artist, not from his "brush", which in our case is a computer/software.
Deep, eh?
Enjoy your camera dude.
Heh. Well that's the hardest question to answer that I've seen on here. We do a little of dern near everything, focused mostly on higher end corporate type stuff. Vignettes for the United Way drive...Promo for the builder of a new neighborhood...sales hype for the annual meeting, that kind of thing.
But here's an important point...the old M100 can do almost anything a fancy new machine can do. Of course, when I do more layering & vertical editing, I go to the fancy box...but an old machine can still do a good percentage of the typical daily grind editing. If what you do is mostly Horizontal editing (this shot, cut to that shot, dissolve to this shot) a 10 year old system is 100% perfectly good. We charge $150 per hour for that room and do quite well.
I will admit to putting only low end "consumer" or unsupervised (no client present) edits in there, but a good bit of our work is unsupervised. In the end, they have no idea on which machine their work was done.
My favorite analogy, which i use often, is this...
Imagine you walk into the Sistine Chapel. You look at the walls, the cieling...you see an ablolute masterpiece of art. Do you find yourself wondering whose paintbrushes he used to paint it?
Of course not. The work is impressive because of the artist, not the artist's tools. Obviously great tools make the work easier to create, but great work comes from an artist, not from his "brush", which in our case is a computer/software.
Deep, eh?
Enjoy your camera dude.