The problem with having a year of HD, is that no one really cares if their TV is a little bit sharper.
A "little bit" sharper? I've seen stunning demos of 720p and 1080i next to run of the mill NTSC. You are right, though, that most people think NSTC is good enough; they don't really see a problem with it. That will change just as surely as when people thought a 100MHz processor was good enough. After decades of stagnation with NTSC, change will be slow.broken_keyboard said:The problem with having a year of HD, is that no one really cares if their TV is a little bit sharper.
jayscheuerle said:Okay. Thanks.
What does one do with HD footage then? How would you play it on an HDTV? Or would this be something you'd only play from your computer?
Hopefully ATI and NVidia will be building specialized hardware H.264 decoders into their cards, including the mobile chips. Building in encoders would be even cooler, but I'm not holding my breath on that one. So far, I'm underwhelmed at the quality of much of the H.264 video I've seen. Yes, it is an improvement over other streaming codecs, and yes, you can see more detail. But look at any of the clips on the Apple QuickTime site. They all have very obvious and distracting compression artifacts (mostly of the "blocky" variety in continuous-tone areas, similar to what you see with high JPEG compression). I'd like to see some H.264 clips in the compression they'll be using for high-def DVDs.LethalWolfe said:What some people seem to be forgetting (or are too young to remember) is that when DVDs came out you could NOT play them on ANY computer w/o a dedicated, hardware MPEG card.
Capt Underpants said:Oh yes that was a great year.![]()
It took them until September of 2003 to get an Aluminum 15" powerbook.
And I mean... who could forget the overheating issues with the first revision 12" powerbooks, or the white spots on the 15" powerbooks.
In the context of applications like iMovie HD and FCE HD, I'm referring to consumer HD formats. There are 2 HD prosumer cams on the market today from Sony and JVC. Others are surely coming, but until new models debut with prices below US$1K I think consumer-level HD video editing will continue to be a non-event. We've got the software, but the rest of the pieces are missing.LethalWolfe said:ksz,
If you get into HD formats that are too big to get digitized via FW400 then you've entered the, "If you have to ask, you can't afford it" price range.Lethal
As was I. You asked if FW400 was enough or if there needed to be a move to FW800, and I was trying to say FW400 is enough. It's even enough for some professional applications.ksz said:In the context of applications like iMovie HD and FCE HD, I'm referring to consumer HD formats.
There are 2 HD prosumer cams on the market today from Sony and JVC.
HiRez said:So far, I'm underwhelmed at the quality of much of the H.264 video I've seen. Yes, it is an improvement over other streaming codecs, and yes, you can see more detail. But look at any of the clips on the Apple QuickTime site. They all have very obvious and distracting compression artifacts (mostly of the "blocky" variety in continuous-tone areas, similar to what you see with high JPEG compression). I'd like to see some H.264 clips in the compression they'll be using for high-def DVDs.
Are these models available in the US? That's the market that's relevant to me. I see that Sony has only 1 shipping HD prosumer cam (3 CCD) and a new model coming out mid-July for a retail price of $2000 (1 CCD).LethalWolfe said:Actually Sony has 2 HDV prosumer cameras (FX1, Z1U) plus 1 coming soon (A1U), JVC has 2 plus 1 coming out this summer, and Panasonic has a prosumer DVCProHD camera coming out before the end of the year.
jayscheuerle said:Okay. Thanks.
What does one do with HD footage then? How would you play it on an HDTV? Or would this be something you'd only play from your computer?
LethalWolfe said:As was I. You asked if FW400 was enough or if there needed to be a move to FW800, and I was trying to say FW400 is enough. It's even enough for some professional applications.
Actually Sony has 2 HDV prosumer cameras (FX1, Z1U) plus 1 coming soon (A1U), JVC has 2 plus 1 coming out this summer, and Panasonic has a prosumer DVCProHD camera coming out before the end of the year.
For the file size the quality is amazing. Compare the HD h.264 trailers to the full screen regular trailers. An HD trailer encoded like the non-h.264 would be massive. Huge. Ginormous even.
Lethal
While the sheer number of SD/HD formats is confusing, one thing is not: there is a little letter i or p next to the format names that tells you whether it's interlaced (i) or progressive scan (p).7on said:(though I don't know if HD is interlaced or not).
ksz said:Are these models available in the US? That's the market that's relevant to me. I see that Sony has only 1 shipping HD prosumer cam (3 CCD) and a new model coming out mid-July for a retail price of $2000 (1 CCD).
I also see that JVC has only 1 prosumer HD cam on the market right now.
Finally, I see that Panasonic has no prosumer HD cams on the market right now.
Post references as I am interested to check out the specs and prices (again, US market only).
7on said:HD is just like 1920x1080 pixels while NTSC is 720x480. Other than that it's pretty much the same (though I don't know if HD is interlaced or not).
HDVHS was an early HD attempt by JVC to court the hi-end home theater crowed. It's pretty much as dead as laserdisc.I believe some companies make HD VHS tapes.
What's really holding back HD is camcoders. HD camcorders are still like $5000 and rather large. Most people getting camcorders want small and sexy, not huge and look like it escaped from the 80s.
If you're talking about the HDR-HC1, it retails for about $2000 in the US. Still not exactly consumer level, but more affordable considering. And it's a little bigger than the standard MiniDV camcorders. We're getting there.LethalWolfe said:Actually you can get a consumer Sony HDV camera for less than $2000 (I think the list price is $1700) and it looks exactly like a MiniDV camera.
solvs said:If you're talking about the HDR-HC1, it retails for about $2000 in the US. Still not exactly consumer level, but more affordable considering. And it's a little bigger than the standard MiniDV camcorders. We're getting there.
Interesting why has there been no HD iSight yet?????????????????
HiRez said:Hopefully ATI and NVidia will be building specialized hardware H.264 decoders into their cards, including the mobile chips. Building in encoders would be even cooler, but I'm not holding my breath on that one. So far, I'm underwhelmed at the quality of much of the H.264 video I've seen. Yes, it is an improvement over other streaming codecs, and yes, you can see more detail. But look at any of the clips on the Apple QuickTime site. They all have very obvious and distracting compression artifacts (mostly of the "blocky" variety in continuous-tone areas, similar to what you see with high JPEG compression). I'd like to see some H.264 clips in the compression they'll be using for high-def DVDs.
theappleguy said:I guess it is possible we will see a 720p model this year but I highly doubt a 1080p model will be seen for at least a year or two. Remember that much of the world are still on dial-up or very slow "high speed" connections, not to mention the processing power required to process H.264 in real time...![]()
It's about that price in Japan, based on ~current exchange rate.LethalWolfe said:I don't know where I got $1700 from...
It's a little smaller than I thought it was after seeing that pic. Still bigger than the low end ones like the HC32, 42, 90, etc. But I guess about the same size as the high end consumer models.LethalWolfe said:It's certainly not "large" by any means.