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To be honest, I've never found the 5D's AF system to be *that* bad. In good light, the outer points are perfectly fine. In low light, you either use the centre point and focus/recompose, or use some kind of focus aid, like an ST-E2 or a Speedlite.

Like I said, it would have been nice for Canon to at least use the 40D/50D AF system in the 5DmkII, but the existing system isn't that bad (and the rest of the camera is terrific).

I'm sure it will work out just fine, but I am going to be using it primarily for weddings, so the light will more often than not be low. I will, however, be using fast glass though so that should help.

Does the ST-e2 shoot out a visible light to help with AF?
 
I'm sure it will work out just fine, but I am going to be using it primarily for weddings, so the light will more often than not be low. I will, however, be using fast glass though so that should help.

Does the ST-e2 shoot out a visible light to help with AF?

From the way some people go on about needing an ultra high end AF system with a million cross points, etc. and can track flies in the dark it's a miracle that wedding photographers in the past ever got any usable shots with their low ISO frainy film and, you know, manual focus lenses (gasp! horror!)

they even got by with the crude and rudimentary AF systems of the early AF bodies with no problems...
 
I am planning on getting a 5DMKII very soon, and the more I read on Nikon's d700, the angrier I get. Canon could have made an AWESOME camera with the 5DMKII, but they didnt. They kept the same archaic AF system which is absolutely dwarfed by Nikons, they jammed more mega pixels in (WHY?????), and countless other blunders.

If you don't know why someone might need 21.5MP, then you probably don't need a 5D Mark II. There are those of us who make great use of that resolution, but for some it's just too much to work with on the computer. Clearly Nikon recognizes the need for higher resolutions too, since they also have a very high resolution camera body on offer (D3x) and are packing more megapixels into other cameras as new releases come out.

When you get the marvelous image quality that you do with the 5D2, I don't see why you would complain about megapixels, unless your computer just gets bogged down with large files. Canon hit a beautiful balance between resolution and noise with that camera. But if its big files are really a problem for you, then maybe going with Nikon would be a better route. I have no idea what the "countless other blunders" you speak of might be, but if you're that down on the camera, don't plunk down $2500 on it!! :rolleyes:
 
If you don't know why someone might need 21.5MP, then you probably don't need a 5D Mark II. There are those of us who make great use of that resolution, but for some it's just too much to work with on the computer. Clearly Nikon recognizes the need for higher resolutions too, since they also have a very high resolution camera body on offer (D3x) and are packing more megapixels into other cameras as new releases come out.

When you get the marvelous image quality that you do with the 5D2, I don't see why you would complain about megapixels, unless your computer just gets bogged down with large files. Canon hit a beautiful balance between resolution and noise with that camera. But if its big files are really a problem for you, then maybe going with Nikon would be a better route. I have no idea what the "countless other blunders" you speak of might be, but if you're that down on the camera, don't plunk down $2500 on it!! :rolleyes:


I do not mean to come off as one of those "Gotta have it all" gear-head people, I just really can not understand why Canon made some of the choices they did. I also realize that I have a minimal understanding of the tech that goes into all of it, so I may be way off base.

-It seems that canon has pushed more MP into their cameras. This is great, and I think that as long as it does not detract from other features, the more the better. If ones computer or storage cannot handle it, shoot sRAW or JPEG. However, when you contrast the 5DII to its closest competitor, the D700, I really fail to see why canon would keep the same AF from the 5DI when they could have at least implemented the 50D's multiple cross points AF. I would imagine that most people would have no problem paying the slight extra for the improved AF. I also do not understand why Canon chooses to not implement many very rudimentary/firmware based features, such as an improved bracketing function. The nikons bracketing functions are ten times better, and it just seems like this feature would cost next to nothing to include.

Granted, I understand and appreciate Canon maintaining their line differentiations, I still don't really understand.

That being said, I still can't wait to get my hands on the 5DII!!!! All things considered, it is the camera for me
 
-It seems that canon has pushed more MP into their cameras. This is great, and I think that as long as it does not detract from other features, the more the better. If ones computer or storage cannot handle it, shoot sRAW or JPEG. However, when you contrast the 5DII to its closest competitor, the D700, I really fail to see why canon would keep the same AF from the 5DI when they could have at least implemented the 50D's multiple cross points AF. I would imagine that most people would have no problem paying the slight extra for the improved AF. I also do not understand why Canon chooses to not implement many very rudimentary/firmware based features, such as an improved bracketing function. The nikons bracketing functions are ten times better, and it just seems like this feature would cost next to nothing to include.

This is a fair point. There's no excuse for Canon putting the 5D classic's AF system in the 5DmkII, when the 40D/50D AF system was just sitting there waiting to be used.

It's clear that Canon sees the 5D line as a potential threat to the 1D line, and thus feels it needs to withhold features to justify the price difference. But then again, Nikon do the same thing; why must I pay $7200 to get a FF Nikon with >12MP? Canon can do it, so from the point of view of a Nikon shooter, I've either got to give up resolution or money (or switch to Canon :)).

Again, not excusing the lack of a modern AF system in the 5DmkII; just pointing out that as good as the D700 is, there are areas where it cannot compete with the 5DmkII.

The grass is always greener...

Now, why oh why can't Canon make a wireless ETTL system as good as Nikon CLS???? ;)
 
But then again, Nikon do the same thing; why must I pay $7200 to get a FF Nikon with >12MP? Canon can do it, so from the point of view of a Nikon shooter, I've either got to give up resolution or money (or switch to Canon :)).
I don't think this is a fair comparison: the D700 does have a bigger brother, it's the D3(s) (not D3x) which is largely identical in terms of features.
Apparently Nikon still sells enough D3s -- at least I haven't heard complaints and rumors that sales of the D700 have killed sales of the D3/D3s.
 
This is a fair point. There's no excuse for Canon putting the 5D classic's AF system in the 5DmkII, when the 40D/50D AF system was just sitting there waiting to be used.

It's clear that Canon sees the 5D line as a potential threat to the 1D line, and thus feels it needs to withhold features to justify the price difference. But then again, Nikon do the same thing; why must I pay $7200 to get a FF Nikon with >12MP? Canon can do it, so from the point of view of a Nikon shooter, I've either got to give up resolution or money (or switch to Canon :)).

Again, not excusing the lack of a modern AF system in the 5DmkII; just pointing out that as good as the D700 is, there are areas where it cannot compete with the 5DmkII.

The grass is always greener...

Now, why oh why can't Canon make a wireless ETTL system as good as Nikon CLS???? ;)

Why cant either manufacturer manage to make a 11-300mm f/1.2 IS ??? :confused:


Seriously though, my main gripe is the AF. I see no reason they could not have implemented the 50/40D's AF. The 9 points of the 50D would hardly have cannibalized the 1D line's 45 point AF.
 
Seriously guys, all this whinging about AF on a camera that I'd wager most of you don't own, or even used for a decent period of time? It's funny how my 5D2 is a perfect professional workhorse, producing excellent images time after time - from everything on here I keep expecting it to melt in my hands and get punched in the face by a Nikon shooter.

You can argue the toss on cross-type AF until you're blue in the face, but really just learn to use your camera to it's max rather than getting worked up over spec sheets.
 
Seriously guys, all this whinging about AF on a camera that I'd wager most of you don't own, or even used for a decent period of time? It's funny how my 5D2 is a perfect professional workhorse, producing excellent images time after time - from everything on here I keep expecting it to melt in my hands and get punched in the face by a Nikon shooter.

You can argue the toss on cross-type AF until you're blue in the face, but really just learn to use your camera to it's max rather than getting worked up over spec sheets.

I use the 5D classic all the time, along with a 1DmkII and 1DsmkII. I know exactly what the advantages are of a pro-grade AF system are.

I know how to use my camera, and I know how to make great images with my 5D, but I'd still prefer a better AF system in it.
 
I use the 5D classic all the time, along with a 1DmkII and 1DsmkII. I know exactly what the advantages are of a pro-grade AF system are.

I know how to use my camera, and I know how to make great images with my 5D, but I'd still prefer a better AF system in it.
And I have a MarkIII, so what? You and I both know the 1 series cameras cost a lot more than a 5D, and can't expect to keep the AF system. Deal with what the camera has, and if you're that bothered then buy a 5D3 when they launch that will inevitably upgrade the AF, but even then it will be shy of what a 1 series offers.

My point is that people are banging on about AF, when the 5D is actually a reasonably old camera now - the only camera of its generation left is the 1DsIII - and expecting it to compete with the brand new 7Ds of this world, and even the D700/D3S that is a much more recent camera. At the time of its launch Canon's choices for AF on full frame were limited (you can't just lift the 40D system out and stick it in, coverage is totally wrong), and even then the system it has doesn't stop the camera from being an excellent workhorse.
 
And I have a MarkIII, so what?

You implied that because we were complaining about the AF system, we "don't own, or [have] even used [the 5D] for a decent period of time". That's simply not true. Many of us have used it, have found its AF system to be poor in some conditions, but still recognize that it does what it says on the tin, and does it very well (and offers a combination of things - notably high resolution, excellent IQ, for a low price - that there is no equivalent for).

You and both know the 1 series cameras cost a lot more than a 5D, and can't expect to keep the AF system. Deal with what the camera has, and if you're that bothered then buy a 5D3 when they launch that will inevitably upgrade the AF, but even then it will be shy of what a 1 series offers.

Not one person in this thread suggested giving the 1-series AF system to the 5DmkII. The main point was that Canon had an AF system in a previous lower grade camera (namely the 40D/50D), but chose not to use it in the 5DmkII.

My point is that people are banging on about AF, when the 5D is actually a reasonably old camera now - the only camera of its generation left is the 1DsIII - and expecting it to compete with the brand new 7Ds of this world, and even the D700/D3S that is a much more recent camera. At the time of its launch Canon's choices for AF on full frame were limited (you can't just lift the 40D system out and stick it in, coverage is totally wrong), and even then the system it has doesn't stop the camera from being an excellent workhorse.

I agree with you; the 5D/5DmkII IS a workhorse that is capable of pro-level results, though surely Canon could have engineered a 9-point, all-cross sensor AF system for the 5DmkII, based on the 40D's design. It's not as if they had never designed a modern AF system for a FF camera.
 
Seriously guys, all this whinging about AF on a camera that I'd wager most of you don't own, or even used for a decent period of time? It's funny how my 5D2 is a perfect professional workhorse, producing excellent images time after time - from everything on here I keep expecting it to melt in my hands and get punched in the face by a Nikon shooter.

You can argue the toss on cross-type AF until you're blue in the face, but really just learn to use your camera to it's max rather than getting worked up over spec sheets.

high_horse.jpg


No one said that it was not a fine camera.

No one said it would melt.

No one said it is not capable of great things.

People did say that they would have liked an improved AF system over the original 5D, ESPECIALLY considering that there were SEVEN YEARS between them.

The fact of the matter is that I am about to drop $2500 on a "pro" camera body that has worse auto focus than than the "consumer" body I am upgrading from. Excuse me for caring about my hard-earned dollars.

Also: You come off as extremely condescending suggesting that we don't know how to "use our camera to the max." It is very possible that we know how to use our camera, and would like more from our camera.

So, about your high-horse: Get off it.
 
... the only camera of its generation left is the 1DsIII - and expecting it to compete with the brand new 7Ds of this world, and even the D700/D3S that is a much more recent camera.
The 5D Mark II was released after the D700 and the D3 (the D3S is just a smaller upgrade from the D3), namely in 2009 as opposed to 2008.
At the time of its launch Canon's choices for AF on full frame were limited (you can't just lift the 40D system out and stick it in, coverage is totally wrong), and even then the system it has doesn't stop the camera from being an excellent workhorse.
Why not? The D300's AF system is a derivative of the D3's and D700's AF.

Also, your argument that we either don't have experience or that we shouldn't whine doesn't quite work. Of course we can go back so many years when cameras didn't even have reliable metering systems and were all manual focus. In fact, on my dad's 60-year old rangefinder you have to estimate the distance to the subject. Yet, `people still took great pictures back then.' But how is that relevant to the current discussion?

I think someone who intends to spend a four-digit amount on a camera can afford to be very critical. You shouldn't have to make compromises forced upon you by marketing rather than engineering -- especially if there is strong competition.
 
The 5D Mark II was released after the D700 and the D3 (the D3S is just a smaller upgrade from the D3), namely in 2009 as opposed to 2008.

Why not? The D300's AF system is a derivative of the D3's and D700's AF.

Also, your argument that we either don't have experience or that we shouldn't whine doesn't quite work. Of course we can go back so many years when cameras didn't even have reliable metering systems and were all manual focus. In fact, on my dad's 60-year old rangefinder you have to estimate the distance to the subject. Yet, `people still took great pictures back then.' But how is that relevant to the current discussion?

I think someone who intends to spend a four-digit amount on a camera can afford to be very critical. You shouldn't have to make compromises forced upon you by marketing rather than engineering -- especially if there is strong competition.


Exactly. It sucks we have to compromise, but unfortunately, we do.

I also realize that I can never make a camera, so I do have to be grateful for what there is on the table already. I just really, really, really, hate the fact that Canon seems to have intentionally left a severely outdated AF system on the 5DII just to push more people into buying a 1 series.

But I will make it work, as hundreds of thousands of other people do.

:p
 
high_horse.jpg


No one said that it was not a fine camera.

No one said it would melt.

No one said it is not capable of great things.

People did say that they would have liked an improved AF system over the original 5D, ESPECIALLY considering that there were SEVEN YEARS between them.

The fact of the matter is that I am about to drop $2500 on a "pro" camera body that has worse auto focus than than the "consumer" body I am upgrading from. Excuse me for caring about my hard-earned dollars.

Also: You come off as extremely condescending suggesting that we don't know how to "use our camera to the max." It is very possible that we know how to use our camera, and would like more from our camera.

So, about your high-horse: Get off it.

What he said. ;)
 
At the time of its launch Canon's choices for AF on full frame were limited (you can't just lift the 40D system out and stick it in, coverage is totally wrong), and even then the system it has doesn't stop the camera from being an excellent workhorse.

To be fair to peskaa, this is a good point that nobody had yet raised--that the AF system from a crop camera won't have the right coverage for a FF one. I think at the time the 5D2 was released (September, 2008) Canon was very eager to be the first on the market with a full-frame video DSLR. They caused a huge splash in the video world with that camera, and they were successful in being the first out of the gate, netting them a lot of first-time DSLR buyers who are now invested in Canon lenses for videography.

The camera also brought high-quality, high resolution full-frame capabilities to market at the lowest price ever (its predecessor first came to market at $3,299, while the Mark II started out at $2,699). Sure, Canon could have stalled long enough to develop whatever AF system will probably be in the forthcoming Mark III/3D (or whatever it will be), but they would have missed a golden opportunity if they had waited much longer than they did.

I'll admit my 5D Mark II is no AF champ compared with my 7D--it's not even a fair comparison--but the kind of work I do with the 5D2 makes me prefer manual focus anyway. I'm probably exactly the target customer for shooting stills with that camera. If you don't need high resolution and do need superior AF, then something like the D700 will be more your flavor. That's the great thing about market diversity: there's something for everyone out there.
 
People did say that they would have liked an improved AF system over the original 5D, ESPECIALLY considering that there were SEVEN YEARS between them.

Seven years between what? The original EOS 5D was released in 2005. The 5DMk2 was released in 2008. That's 3 years, not seven.
 
Ahh, I love winding some of you up. Thanks for the horse picture, it's almost like 4chan.

[
People did say that they would have liked an improved AF system over the original 5D, ESPECIALLY considering that there were SEVEN YEARS between them.
Seven years? Really? My, that means the 5D came out in 2001? Awesome time machine you have there. Try three years.
The fact of the matter is that I am about to drop $2500 on a "pro" camera body that has worse auto focus than than the "consumer" body I am upgrading from. Excuse me for caring about my hard-earned dollars.
You're dropping money on a camera due for an update. You don't buy a Mac when it is reaching end of cycle, so don't buy a camera.

The 5D Mark II was released after the D700 and the D3 (the D3S is just a smaller upgrade from the D3), namely in 2009 as opposed to 2008.
My bad, the D3 managed to struggle in to retail channels at the tail end of 2008 (after an end of August announcement), and the D700 got to retail over the summer of 2008. 5D Mark II landed in October.

Why not? The D300's AF system is a derivative of the D3's and D700's AF.
Note, derivative. Not the same. The expectation in this thread is that you can seemingly lift the AF unit out of one camera and drop it in another, which is simply not that case. You can usually use the same CPUs, but the coverage and so forth are different between models, requiring the system to be re-worked. In the 5D Mark II's case, you simply cannot take an APS-C system (such as the 40D) and drop it in.

Also, your argument that we either don't have experience or that we shouldn't whine doesn't quite work. Of course we can go back so many years when cameras didn't even have reliable metering systems and were all manual focus. In fact, on my dad's 60-year old rangefinder you have to estimate the distance to the subject. Yet, `people still took great pictures back then.' But how is that relevant to the current discussion?

I think someone who intends to spend a four-digit amount on a camera can afford to be very critical. You shouldn't have to make compromises forced upon you by marketing rather than engineering -- especially if there is strong competition.
You can indeed afford to be critical, and also have a balanced view on why things are as they are, rather than raging on about how Canon crippled the camera. I accept my 5D has limitations, and deal with them, rather than whinging about them. I accept the next iteration of the camera will have a newer AF system (as well as a high MP count, blah blah) too.
 
Note, derivative. Not the same. The expectation in this thread is that you can seemingly lift the AF unit out of one camera and drop it in another, which is simply not that case.
I'm aware of the difference. However, people seem to forget that Canon has built many, many fast full-frame AF modules before (the EOS-3, for example, had 45 AF points and a pretty modern AF system for its time). Sorry, but I don't buy the argument that a decent AF system would have made the camera that much more expensive.
You can usually use the same CPUs, but the coverage and so forth are different between models, requiring the system to be re-worked. In the 5D Mark II's case, you simply cannot take an APS-C system (such as the 40D) and drop it in.
Even though you cannot put AF modules for APS-C-sized sensors into it, it's not to hard to make a derivative of it for larger sensors. That's what I mentioned Nikon's Multi-CAM 3500DX/FX module where full frame and crop module are related.
You can indeed afford to be critical, and also have a balanced view on why things are as they are, rather than raging on about how Canon crippled the camera.
I don't think the two are mutually exclusive: I base my critique of Canon's decisions on facts and not on some irrational dislike.

Your arguments sound apologetic in comparison. These limitations are placed on one of Canon's most expensive bodies. Canon sells them to people who spend four, five digits on equipment. It's pretty stupid to tick these people off -- and most of them are knowledgable enough to see and understand them. Perhaps some of the limitations are only perceived limitations, but with the type of money they invest, I can understand very well that they demand perfection, that they demand Canon to make the camera as well as possible. I know I would.
I accept the next iteration of the camera will have a newer AF system (as well as a high MP count, blah blah) too.
I hope so, too, and I think Canon has little choice. They have maneuvered themselves into a corner with the last three releases of dslrs (5D Mark II, 7D and 60D). Part of it is marketing: if they had named the 7D 60D, the 60D 600D and pushed the 550D one notch down, people would be much less upset.
 
FWIW, back when Chuck Westfall was still posting on the Digital Journalist, he went on-record saying that the new AF sensor in the 40D was too big to fit in the 5DII as a result of the camera's huge viewfinder prism, so they had to go with the existing unit from the original 5D (or increase cost & development time by creating a custom sensor).

Honestly for a 4fps camera I don't think it's that big a deal, with the possible exception of low-light AF ability (as low-light imaging is one of the core features of this camera). If someone really has a problem with low-light AF on a 5D, a small flash or ST-E2 will solve it (a 220EX solved it on my 10D before I got a 40D, & it cost me $100).

Carrying a small flash is a good idea for 5D owners anyway as it doesn't have a built-in. A 220EX is a lot better than nothing when you really need a flash. It's wimpy & has no controls whatsoever, but it's great for fill (esp. w/ an off-camera cord) and fits in your pocket.
 
If they had named the 7D 60D, the 60D 600D and pushed the 550D one notch down, people would be much less upset.

And either

  • Canon would be broke, or
  • people would be upset because the cost of their preferred camera line went up 30-50%

Frankly I'm pretty happy with things the way they turned out. We wanted a straight-up D300 competitor, we got it, and it's great. Canon then repositioned the xxD line to the budding video-geek market & dropped the price a few hundred bucks. What's not to like? The only thing the 60D seems to be "missing" is AF calibration (which it may yet get in a firmware update if enough people ask for it).

Some folks seem to be droning on about how the various Nikon options are better, but the D300s is decidedly *not* better than the 7D, and that's the camera I'm interested in so for me the debate was over a year ago :).
 
I have been reading that a lot of photographers are saying it is a super rebel. I am glad i didn't wait and I bought the 7d at the beginning of the summer. They are saying the upgrade from the 50d is actually the 7d not the 60d
 
FWIW, back when Chuck Westfall was still posting on the Digital Journalist, he went on-record saying that the new AF sensor in the 40D was too big to fit in the 5DII as a result of the camera's huge viewfinder prism, so they had to go with the existing unit from the original 5D (or increase cost & development time by creating a custom sensor).
Huge prism? Canon has been building `full frame' cameras (analog slrs) for years, including some with very advanced AF systems. So they have the experience and even the technology to do it. Saying that the body is `too small' is perhaps an excuse for the 5D Mark I, but the fact that they kept the AF for the Mark II just shows Canon did not intend to upgrade it.
Honestly for a 4fps camera I don't think it's that big a deal, with the possible exception of low-light AF ability (as low-light imaging is one of the core features of this camera).
That (emphasis mine, of course).
And either
  • Canon would be broke, or
  • people would be upset because the cost of their preferred camera line went up 30-50%
The D700 didn't bankrupt Nikon, so why would you suggest such a thing would happen for Canon? If anything, Canon could rest assured that cannibalization is not an issue.
 
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