I do not expect the iMac to significantly improve CPU-wise in the next year or so.He needs to upgrade, but can't afford $2500+ for a Mac Pro, and the iMac's mobile processor isn't powerful enough for Final Cut Pro work.
I do not expect the iMac to significantly improve CPU-wise in the next year or so.He needs to upgrade, but can't afford $2500+ for a Mac Pro, and the iMac's mobile processor isn't powerful enough for Final Cut Pro work.
Because some guy joined on a date close to when this thread started he's therefore me posting? Oh, I get it, I'm trying to pull a fast one by using a different name in order to have someone back up my point? In case you didn't catch it, there are a few people who agree with what I wrote. Oh wait, those are probably user names I created, right?
As such, a true graphics professional (and by this I am referring to the Liebovitz's, Ive's, etc of the world) buy EIZO or higher grade displays that start out at $1500 and go from there.
This is absurd, I am wasting my morning and now afternoon responding to people that write "LOL" and sarcastic comments on threads for what? If you don't agree, move on, but coming back time and time again to bait someone into childish arguments is "LOL".
You say you're a graphics/web designer. You don't check your finished websites on a PC with a different monitor? You would trust just your Cinema display? Because we all know that everyone in the world has your exact display and its setting? The point I'm trying to make here, is that you shouldn't fully trust any monitor you have, even if it IS the most "pro" model.
Wow, you have a ton of issues I don't even know where to begin. I feel sorry for you, really, I do. You're reading into a lot of what I wrote. I hope for your sake you grow up soon, or that you're a teenager using your parents' computer, otherwise, just... wow...![]()
Like I said before. You shouldn't be surprised. There are plenty of people here who think Apple can do no wrong. They'll discount your opinion, call you stupid or behind the times, and completley ignore any legitimate concerns you raise. It's best to ignore them.
If this isn't the most ridiculous thread I've ever seen on MacRumours, it's gotta be in the top ten. The complete ignorance of real facts by the OP is astonishing. Let me just set a few things straight for the record and he can then continue this thread with at least a modicum of real facts at his disposal.
Adding glass between the receiver (your eye) and the transmitter (your screen) does alter several things. No glass is 100% light transmissive, so you lose some amplitude (brightness). No glass is 100% colour traansmissive, so you lose some gamut (spectrum). All glass reflects, internally AND externally, which is where the loss of transmission and colour scattering occurs.
A glossy screen is JUST a piece of glass placed in front of a traditional matte-finished LCD - so it is a combination, an addition if you will, to the same old technology everyone is throwing around here with very little actual understanding. i.e. a piece of glass placed between the transmitter and receiver.
LEDs cannot produce a better black. Black, being the absence of any light - not a colour - can only be produced by turning OFF the illumination. CCFLs "produce" black the same way as any lamp - by being extinguished. If you want to see how black your screen really is, just turn it off and look at the screen - is it black? That's your black, and yes, the only improvement to the black being "produced" is to remove any external illumination.
White? Uh, what colour is that exactly? 6500K? 9300K? Paper white? Which paper? This speaks to an issue which has been woefully ignored by the OP and others - calibration.
No designer or photographer would ever trust what they see on their monitor 100%, in fact the true mark of the pro is being able to predict what the output will look like "in their head". Having a calibrated monitor doesn't mean you will be able to see everything just as it will appear on another computer screen or printer, it just gives you a baseline that is predictable, and most important - repeatable. The mere mention of "boosting" your monitor for different "effects" indicates someone is not too familiar with these issues.
Please, if you're going to discuss this subject rationally, then an "empirical" approach will get you nowhere. It's difficult to maintain one's objectivity in this verbal pissing match, so maybe, and this is just a suggestion, OP should go read up a little bit on the theories of light and vision before trying to re-invent what Newton, Helmholtz, Snellius and others already knew a hundred years ago and more.
dmz
It's a silly statement to say that because no Pro uses their screen to judge color that the color shouldn't be as close to representing the real thing as possible. Sure I could hit control+option+command+8 and do all my photo editing with my colors inverted as I'd have to print out the image to see the product but that would be counter intuitive. Apple's glass screens now exaggerate colors and cause a lot of eye strain as your eyes adjust to see the mirror image and back to what the screen displays, back and forth.
Either way I don't think the glass screens are a huge step back, but they can be problematic.
As for what color of white should you calibrate to, you should calibrate to the white of the paper you'll be printing on. That's a no brainer and a ridiculous question.
I'm sorry, but your same comment can be applied to your condescending remark regarding my age in an attempt to discredit my statement(s). Lord people, is everyone on Macrumors just full of angst, waiting to use those little quips on each other to make themselves feel superior??? I find it ironic that someone uses a juvenile tactic to call my age into question.
You're right. That's not really a no brainer anyway, most people don't even realize that there's more than one "white". It was rather rude on my part.The only ridiculous question is the question that doesn't get asked, Jim. Would it hurt to be a bit more civil?
The Apple 24" LED LCD is HORRIBLE for imaging, you'd be insane to believe otherwise.
I never said I was right, I stated this was my opinion, and I posted this in order to learn more. Obviously I am not an expert, no where near it. I thought these forums were for teaching and helping others??? Everyone has to learn, we all start somewhere. I take issue with people reading into my tone and lashing out, seriously guys, if you are better at the field then educate others, don't berate.![]()
Incorrect
Wrong
Incorrect
Are you even reading what I wrote?
Again, please reread my explanation(s)
If you need to understand how that matters than there really isn't any way I can explain it better for you.
No offense, but you need to learn about how displays work, what panels are what, the differences between...
QFT. Brilliant.My comment on the glass "boosting" was that it "appears" to boost/over-saturate, it actually does not literally do so, but the comments that the Apple LED looks "crisper" and more "vivid" is what I was referencing.
bedifferent,
In the excitement of you outing yourself I forgot the actual content of my post. Here it is. You mentioned that you'd had a hard time on this thread, I agree you have.
I believe it's because you're coming across as very inflammatory. For example, your very first reply to the thread began with...
Oh really? Because your subsequent replies (your very first words in-fact!) to many other forum users have been;
and now you're upset about how others have 'treated you badly'?! Regardless of where you sit on the monitor issue, you've got to at least concede that you made your bed as to how you've been treated. If people want to throw you to the wolves, so be it as far as I'm concerned.
AppleMatt
edit:
QFT. Brilliant.
As for what color of white should you calibrate to, you should calibrate to the white of the paper you'll be printing on. That's a no brainer and a ridiculous question.
Really? Which paper?
That's a ridiculous comment - you calibrate monitors to a theoretical white point - not a piece of paper, typically, as has been alluded to by some other knowledgeable people, 6500K or 5000K for print purposes, but we're not all producing final output on the same piece of paper, are we? That's why you calibrate to a theoretical white point - so your colour management software knows how to display different colour spaces correctly. Soft proofing allows you to simulate the resulting output on many different media right on your screen. People are producing output for a wide range of media, but basically they all come down to two types - reflective or transmissive media, print or screen if you will. Your computer and monitor combination are part of a colour system, and when used properly with good colour management, can give you a pretty good idea of at least the differences you can expect to see as your file is rendered in different colour spaces or different media.
The science of colour is an exact one, and can be a cruel master for the novice, but a little application of knowledge and lots of experience will do more for you than any so-called "perfect" monitor. Its a poor craftsman who blames his tools...
dmz
ps: Please, excuse my sarcasm Bedifferent, but some of your replies have been less than civil. You say you want to learn from others, but so far you don't seem willing to take the lessons being offered. Research the topic - even wikipedia has some good content on this subject, the core of which is optical physics. When you have a better understanding of Colour Management, you will get a lot more out of threads like this. You have dangerously set out on this little tirade without the proper tools to even understand what you are attempting to argue.
Really? Which paper?
That's a ridiculous comment
Wait, what? I can't imagine how this could have ended more spectacularly.I removed all my posts
Having no axe to grind or position on this topic, I actually found it educational and amusing -- but my frank assessment is that you are no innocent in this thread....as this whole thread was innocently begun and has completely gotten out of hand.
You didn't exactly enter this debate under the pretense of trying to learn, or you have a funny way of eliciting information.I do have a good grasp regarding LCD displays, in fact I helped a few people out who didn't know that LED and CCFL were LCD backlighting panels. While my exact knowledge on LCD displays has not been stated and does not need to be, stating that I should read up on this issue and that I "dangerously set out on this little tirade without the proper tools to even understand what you are attempting to argue" is astonishing.
Again, this thread wasn't set up for polite conversation. But it did drive some entertaining debate.I didn't realize that posting a comment was dangerous on Macrumors, nor was it a "tirade", it was a comment that quite a few Apple users agreed on.
Yes there is too much ad hominem attacks -- including your first post which included a preemptive strike:Dismissing me as being uneducated and as a few read negative tone where there was none in my comments is disappointing. My recent comment that I am "learning" holds true for everyone, we are all constantly learning, which is why I try to hold patience for everyone. Unfortunately, even my patience was tested by a few people, and for that I apologize.
you'd be insane to believe otherwise.
EDIT:
I don't understand why you are attacking someone else with a post that begins "Another no brainer" and continues:
...
You lectured me about being rude, and yet you treat someone else rudely. Perhaps I'm unaware of the social norms that dominate the online "community", however I try to speak to others as I would in person, if I wouldn't say it to their face, I wouldn't write it.
what a $#@*-storm!
Apologies. I was going on memory and quoted another post which quoted you--someone has tampered with the record making primary quotes impossible.FTR, I "you'd be insane to believe otherwise" was not my first post, but in response to a rude poster.
Apologies. I was going on memory and quoted another post which quoted you--someone has tampered with the record making primary quotes impossible.