I’m sorry, but there is no such thing as “remastered for lossless”I’m all for giving people the option. I’ve just never seen any evidence that anyone can actually discern a difference with lossless formats. I do understand that when music is remastered for lossless they often clean things up and improve mix, but that would be available for lossless or lossy.
The audio in any professional studio setting is always lossless. No matter whether it is being mastered the first time around or all over again. And it goes out in a lossless form either on CD/DVD/Blu Ray, or on higher quality streaming/download providers.
It only ever gets compressed and downgraded to lossy formats for online distribution on services that are stuck in the standards of 2003, when broadband internet speeds were not common and lossy compression was a necessity.
Device audio also gets encoded with a lossy compressor with Bluetooth headphones (AAC in the case of AirPods) because Bluetooth simply lacks the bandwidth to transmit the audio at its original quality. It has to be degraded or the whole system would fall apart. Bluetooth was only ever intended to be a dictation quality standard, we are now trying to force a 25 year old communications protocol to do things it was never designed to.
As for people being able to discern the difference; listening is a skill. Once you know what to listen for, you can’t “unhear” it. Many people can’t even distinguish between entirely different mixes or masterings of a recording, let alone the same exact audio file put through both lossy and lossless encoders. Good listeners can hear it, do hear it, and tend to not like it.
If the technology can support lossless, why should we even need to keep lossy encoders around? We should be pushing to maintain performance wherever possible, not degrade it just because some tin ears won’t be able to tell the difference.