Courtaj, I'm starting to sound like you -- really on the fence with this one. I just didn't like the feel of the HV30 at the store, but PQ is why you buy one.
Starting to sound like me, eh? Exepect a request for royalties: I've trademarked my blend of petulance and indecisiveness, and it's mine, ALL MINE!
But seriously: I've seen the CCI review of the HV20 / HC7, too, and given that the HV30 and HC9 are basically an HV20 and an HC7 with new paint jobs, I can't imagine the situation has changed since last year.
However . . .
I think CCI went a little easy on Canon in some respects. As you've pointed out in this thread (I think) it's only in the extra 30p / 25p (or whatever - I'm so sick of numbers) mode that the Canon beats Sony with less noise in low light. But then there's the alleged "video look" which CCI attribute to the Sony but not the Canon.
Thing is, you'd lose count of the number of people with HV20s/HV30s if you go by the web fanclub, but there's nothing comparable for HC7s/HC9s.
Having said that, I've always favoured the underdog.
Having said that, I'm about this far away from saying "screw it" and getting a Panasonic HDC-SD100 whenever it arrives (not an HS100 - I have an inherent dislike for harddrives in cameras):
http://www.camcorderinfo.com/conten...HDC-HS100-and-HDC-SD100-Camcorders-35263.htm#. Mmm, focus ring. Focus RING. On a camera that records to SD cards. It almost seems too good to be true. (And no doubt I'm about to be told that it is too good to be true by all the AVCHD mockers out there.)
I still think the Sony is sexy, though. But once I've had her, I'm worried I'll be looking over my shoulder to see what's hap'nin with little miss HV30. Grass is always greener etc . . .