In a $3,499 system, so his question of where is the other $1,500 going still stands.
WOw first of all you didn't read my post. That parts list is for the single socket config. Second a sandy bridge i5 walks all over those aging 2008 nehalam that the single socket mac pros use. Third you have no idea the difference between a xeon and the core i series do you.
450? ehh?
http://www.newegg.com/Product/Product.aspx?Item=N82E16813131378
You can do movie edits on an iMac as long as you have storage through TB. You can easily cut a 4K movie on an iMac, the processing power is more than enough.
If you notice, people have been cutting movies on Macs for a long time, when the most powerful Mac Pro or G5 was 1/4 the speed of the current iMac.
But here's the thing. Apple requires you to own a Mac product to publish apps for the iDevices. Yet if things continue they way they are (or seem to be going, rather), then developers will have to buy a Windows machine to make their stuff. This adds extra, unnecessary complications to the process. Complications that the creative professional might not be willing to put up with, specially when the competition makes the process of making and distributing apps so much easier. They'll think "why should I have to buy a workstation AND spend extra money on a Macbook Air that's only good to me for getting my apps on the app store, when they other guy allows me to develop and publish everything from the same machine. Give me an ecosystem That Just Works".
Take away those creative professionals, and you don't have your apps. If you don't have your apps, then all those millions of consumers will flock to the platform that does. So small though they may be, they are a key demographic to the continued success of the iDevices.
Your idea of professionals is highly limited. Many desktop publishing / graphic design houses don't use Mac Pro's, nor do they need to anymore. Not to mention journalists, writers, software developers, which wouldn't ever need a Mac Pro to do their job.
You are incorrect about one thing though. If Apple EOL's Mac Pro, at first nothing will happen. Mac Pro's are not machines people upgrade each cycle. Most people would wait several years to see if Apple offers anything for their market later on. And then, only then, if they don't find anything they like, will they migrate to either Win/Linux, or to iMac/Mini.
Exactly.
When all that is left is talent that is the deciding factor, then the market for that talent will decide its worth and value. Cut out all the technical barriers and you have talent that is able to express itself on a larger scale.
This is pretty exciting.
Anyone catering to this reality will realize expansive gains and serious material advantages. It's smart strategy. Not to mention that over the long term, it might very well be the only sustainable one.
Thank you for such a clear example of the danger of destroying an ecosystem by making the "apex predator" extinct.
You most certainly can NOT cut a 4K movie on an iMac. I work at a movie studio, even at 2K which is not much larger than HD 8-core Macs start to chug. Unless your movie is a single stream and 30 second long demo it just isn't happening.
We often do render flip-books that are anywhere from 2K-6k and current Mac Pros can struggle under the load. So don't make statements about things you know nothing about.
Then how were people cutting feature length Hollywood films 7 years ago on G5's?
I'm not saying that it'd be a easy workflow, but you can theoretically cut a 4k film as long as you have enough RAM. CPU only speeds it up. It doesn't make it possible or impossible.
Apple Profit =)
the high end market has always been high margin.
Then how were people cutting feature length Hollywood films 7 years ago on G5's?
I'm not saying that it'd be a easy workflow, but you can theoretically cut a 4k film as long as you have enough RAM. CPU only speeds it up. It doesn't make it possible or impossible.
In general, I agree with this statement.
However, some may make a reasonable argument that the Mac Pros haven't had a substantial upgrade since March 2009 (the July 2010 update being rather minor, without USB 3.0 or BD support).
Those people may have started their "wait several years" timer a couple of years ago.
Then please tell me, why does my iPhone freeze and melt when I edit 4K videos on it?
Hopefully Apple Insider are wrong
Now that's just obvious. Apple's pockets, of course.
Seems you haven't read my post at all and are too lazy to do simple math.
a. I stated that the Mac Pro is overdue for a refresh, that cost should not rise when they receive the extremely powerful new Xeons in Intel's pipelines. To put this in perspective, these will probably beat Ivy Bridge Extreme processors by a mile.
b. You have $2000, subtract $400, and what do you get for a single CPU quad-core Mac Pro? $1600! Which means a $900 profit margin.
Easy as pie. Because Apple uses the same custom motherboard across the entire Mac Pro line.
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I would be surprised to see the Mac Pro disappear. My 27" i7 iMac handles Photoshop, After Effects, and Maya pretty well. The attached 30" cinema display also helps.
If Apple does choose to update the Mac Pro, they need to have a massive push where they champion real world uses of these machines. They have to make people feel they need them. Maybe they buy up Mathematica or develop some super high end DNA sequencing software.
I know that Apple has been getting away from the high end hardware because they feel that their other popular machines can handle it, but what if they help redefine what high end is? This would be like car companies having a race car. A prestige line of showpiece science and data focused machines. They sell very few, but it could be a testing ground for their new ideas.
That 300 dollars I quoted for the xeon its using in the base model. I am not talking about the 12 core models. I am talking about the base model. EVen if it used the more expensive dual socket board, I allocated 200 for the case and 200 for the motherboard and still got 1000. So lets say they spend 400 on the motherboard. Its 1200 if the case is 200. 1100 if its 100. Doesn't add up anywhere close to 2500.
BTW
http://www.newegg.com/Product/Product.aspx?Item=N82E16813131378
doesn't look anywhere close to 400 to me.
How does dell manage to outspec it even with a real workstation card for half the price.
http://configure.us.dell.com/dellst...n&s=soho&cs=ussoho1&model_id=precision-t3500&
I suspect that a lot of creative content creators would find themselves in this boat (or Windows), as there wouldn't be a choice....if Apple did kill the Mac Pro we would have to move to Linux boxes.
I've run the comparisons, and if they truly are proper comparisons, the price differences are significant on the SP systems, as the difference was ~$1k USD more for the SP MP (SP MP vs. Dell T3500, and DP MP vs. Dell T5500). Not nearly as much (just a couple hundred) between the DP systems.Hmm, when I did comparison about a year ago, Dell & HP workstations (I think I was looking at the Dell T7500 & HP Z800) were roughly $500 to $1k more than comparably equipped Mac Pros... I suppose things could have changed dramatically since, but seems unlikely. Are you sure you are comparing Apples to Apples?
I call BS, iMac does NOT handle Maya well. Do a nparticles sim in Maya, Do DMM, do Bullet Physics, hair with collision, work on objects with millions of polygons, heck even just turn on Viewport 2.0 and watch you machine grind to a halt. Maya crushes our 16-core Mac Pros with 24GB of RAM. Our studio has been holding off for new Mac Pros and if Apple did kill the Mac Pro we would have to move to Linux boxes.
At home I have a i7 iMac, but I would never use it for professional work. Great for enthusiast photo work and basic video. But not for professional work.
Kudos for an excellent post!Here's my 2c.
I've been using Macs for over 25 years. I am a creative professional, using Logic, FCP, AFX, Color etc...
For me the the relationship with technology and the "liberal arts" that Steve was so passionate about was key over the past decades in artists, musicians and film makers helping to give Apple the marketing 'Halo' they deserved for making our lives so much easier.
Even if a new Mac Pro doesn't make much sense on paper, I'd hate to see a large proportion of creative pros moving away to windows boxes over the next months and years. I think Apple would loose something more important than profits and revenue from that - and I believe the 'liberal arts' intersection that Steve, and apparently Apple, were so passionate about would start to decay.
Sure, people will create albums and Mac Books and Cut movies on Mac Book Pros and iMacs... But there's a lot of people out there who have been key evangelisers for Apple over the years that require the horsepower that only a new Mac Pro line can deliver.
I personally don't think they will drop it.. I think the people in that market bring more to Apple than directly related revenue and bottom line, and I think Apple are smart enough to realise this..... I hope ;-)
We only ever really complain about the single socket Mac Pro.I've run the comparisons, and if they truly are proper comparisons, the price differences are significant on the SP systems, as the difference was ~$1k USD more for the SP MP (SP MP vs. Dell T3500, and DP MP vs. Dell T5500). Not nearly as much (just a couple hundred) between the DP systems.