Does it also calibrate the stand to ensure it is perfectly level to within 0.0001 degrees?
that requires a starrett granite surface plate
Does it also calibrate the stand to ensure it is perfectly level to within 0.0001 degrees?
Kinda... but it's more like flat response monitoring speakers used in recording studios. Those speakers have "uncolored" sound response, but they need calibration (frequency response adjustments) depending on the room acoustics they will be used in, so the mix and mastering engineers have an accurate representation of the sound they are getting. This allows them to take decisions that affect how music or film will sound on PC speakers, cell phone speakers, high-end audio systems, headphones, etc.
I'd bet the calibration done in the factory to the XDRs (they are individually calibrated) will be better than what an el-cheapo calibration device will be able to do. Esp. Considering these displays can output 1500 nits in HDR.And no, you don't need to spend $15,000 on these calibration devices to achieve "good enough for most production" calibration. There are many colorimeters in the hundreds that can do pretty good job.
Let's not forget the XDRs come calibrated from the factory already. They will not lose that calibration just because you get them (old CRTs needed to be recalibrated after being shipped due to differences in magnetic field of the earth, but the LCDs don't use magnetic fields like a CRT does.For the price and for the target audience shouldn't this have been available day 1 and not almost a year later?
Over the years I've had many MBPs sitting right next to one another doing things and I can assure you that even those bought together in the same batch with nearly sequential serial numbers still do have slightly different color temperatures when showing things in the very same manner (even on brand new machines fresh out of the shrink-wrap)Shouldn't my iMac/MacBook and yours show the same colors? I would assume the same to be true with the XDR since it's an apple product
Yeah, the 5K iMac is an incredible deal considering the computer and screen you get for the price. I have been looking at stand alone models, and the options are limited and costly.I don’t think Apple displays were ever reasonably priced. They’ve always been priced at a premium in the market. In the Cinema Display era, you could get Dell monitors with the same LCD panel for less than half the cost. That’s a heavy premium for design and OS brightness control. The 5K iMac remains an outlier in this, which is a relative bargain considering the dearth of options and cost for stand-alone 5K displays.
I wonder if Apple has any agreement with LG for being the main supplier of iMac screens that is holding then from releasing a stand-alone version. The LG displays sells at the Apple Store and maybe that's why we don't have an Apple branded one.Not a hint, though there have been people asking for it.
I think the main drawback is Apple doesn't believe there is enough of a market to offer it (which implies there is enough of a market to offer the Pro Display XDR).
yeah, wrong. A comparable display to the XDR runs upwards of $15k. For people who actually know what this is and have a need for it, it's a bargain. If you're just going to use it post on MR, then it's a complete waste of money.
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+1Now release this for the iPhone ASAP
And then there's print, inks, etc. etc. and that's very important.Because like TVs
For some reason, and I personally don't understand why.
Every manufacturer seems to think they need to make the display show colors in a different way to every other screen.
You'd think after all these year's you#d not need to calibrate anything as all screens/projectors/tv's would show colours the same.
But no.
IT's why people buy equipment then, pay someone else to come round and calibrate it.
It’s not just a matter of “some people are richer”. If you’re using the monitor for web surfing, then it’s not $7k good for your uses. If you’re working on, say, filmmaking, where your color/brightness/etc has to be exactly the same as everyone else who’s working on the production (producers, editors, special effects artists, etc.), then it’s much more than $7k good - it doesn’t need to be just pretty, it needs to be crazily accurate. For the intended audience this monitor is a bargain. But the general consumer isn’t the intended audience for this monitor. Some understand that, and others get outraged / offended.
I wish Apple would make a $1k-ish monitor as well as this one - it’d be a lovely pairing with a M1 Mac Mini - but they haven’t, yet.
And no, you don't need to spend $15,000 on these calibration devices to achieve "good enough for most production" calibration. There are many colorimeters in the hundreds that can do pretty good job.
I am not sure whether FlandersScientific.com is considered legitimate, but it is selling CR-300 for $15,999.The listed compatible devices are not colorimeters, they are spectroraidometers.
And they cost approx. $50,000 each not $15,000
Agreed, the Mac Pro and the XDR monitor are anomalies compared to most of Apple’s offerings. They said very clearly, “we listened to a group of high-end (creative) professionals and made this system for them”, and a lot of consumers responded with, “but this system doesn’t cater to my needs”, and those paying attention are like, “...and? Did you listen to what Apple said? This system is not designed for you.”Now, in an era where Apple defines the mainstream, as opposed to bucking it, this monitor feels a bit of an anomaly. It’s back to a niche item, for a niche audience, in a company that has become the polar opposite of niche.
FSI is totally legitimate.I am not sure whether FlandersScientific.com is considered legitimate, but it is selling CR-300 for $15,999.
I stand corrected on spectroraidometer of course.
It’s not just a matter of “some people are richer”. If you’re using the monitor for web surfing, then it’s not $7k good for your uses. If you’re working on, say, filmmaking, where your color/brightness/etc has to be exactly the same as everyone else who’s working on the production (producers, editors, special effects artists, etc.), then it’s much more than $7k good - it doesn’t need to be just pretty, it needs to be crazily accurate. For the intended audience this monitor is a bargain. But the general consumer isn’t the intended audience for this monitor. Some understand that, and others get outraged / offended.
I wish Apple would make a $1k-ish monitor as well as this one - it’d be a lovely pairing with a M1 Mac Mini - but they haven’t, yet.
I probably fall into the category that most folks would love to hate, or make fun of. But I just bought an XDR and I'm definitely not a professional content creator, or similar.I’ve been using the the XDR pro display since June, and it’s the best monitor I’ve ever had.
I spend up to 10 to 12 hours a day in front of the computer doing mostly programming.
I also was looking for a midmarket display from Apple that would compete with the LG ultrafine series, in part because of the seamless interoperability with TB3 and macOS.
That failed to materialize however, and I decided to jump in. I’m glad I did.
I also have the pro display stand and it is great. The quality is very high.
If you’re considering getting a pro display please come check out the XDR pro display owners thread. You can learn a lot more about how and why people choose to afford these monitors.
I am not sure whether FlandersScientific.com is considered legitimate, but it is selling CR-300 for $15,999.
I think I had that same Toshiba. I remember removing the plastic/reflective/protective cover from it/the frame with an exacto knife and then calibrating it to ISF standards. It was great next to my Sony CRT projector.I probably fall into the category that most folks would love to hate, or make fun of. But I just bought an XDR and I'm definitely not a professional content creator, or similar.
I also waited years for a mid-tier monitor from Apple, and the 5K LG model underwhelmed me. After thinking about it for many months, I ordered the XDR (plus stand) for delivery next week.
I have been a "display nerd" for 20+ years, always interested in tech and color accuracy/calibration. Looking back, I bought one of the first widescreen standard definition RPTVs (a Toshiba 40") back in 1999.
I don't keep most computers/phones/iPads very long, but I plan to get 8+ years out of the XDR, which works out to about $2 a day. And considering how many hours a day I spend staring a my screen, especially now that I work from home, I felt more comfortable with the investment.
TBH, the probe choice is weird, to say the least, especially for HDR, as all have issues with low-light.
And to recommend 4 or 5nm, but not list the CR-250, which is 4nm (and 1/2 the price), but instead list the CR-300, which is 2nm, and a lot more expensive, is rather strange too...
It's as if they haven't really bothered to actually look into what's needed, but have just quickly decided to do something.
I think I had that same Toshiba. I remember removing the plastic/reflective/protective cover from it/the frame with an exacto knife and then calibrating it to ISF standards. It was great next to my Sony CRT projector.
So I'm surprised to see that for someone who cares about color accuracy and calibration as much as I do, that you went ahead with the XDR. You do mention you are not a pro content creator however, so that would make sense, but why not an Eizo CG319X for example?