I appreciate the hardware/infrastructure argument but wasn't that already largely in place? Isn't the same hardware/infrastructure hosting and delivering the entire iTunes library, iCloud, etc already in place? Wasn't the same IT personnel managing all that hardware and software already in place running servers for iTunes, iCloud and so on. Could anyone point me to any reference anywhere on the Internet that conclusively shows that Apple had to make a HUGE investment in new servers and infrastructure and personnel to be able to support this new Apple Music service? Last I heard (which may not be true), Apple laid off a bunch of the Beats staff as redundant because they already had people with duplicate skillsets in place: http://www.businessinsider.com/apple-is-starting-to-lay-off-beats-employees-2014-7
As you say, "Heck all these songs are on iTunes", so it seems that Apple doesn't have to buy a bunch of new server farms and spend a bundle on new infrastructure beyond what is probably mostly already in place.
Relative to worrying about Apple's electric bill, isn't Apple very, VERY green when it comes to electricity usage? Have we not seen multiple stories about how Apple's server farms are running mostly (entirely?) on green sources such as solar? http://thenextweb.com/apple/2012/05...rth-carolina-data-center-on-renewable-energy/
And even if such a cite exists that shows this massive burden of new costs Apple is having to endure to pay for the backbone of Apple Music, Apple will write the whole cost off, reducing their tax liability on the profits they make from everything else they sell... just as they'll write the free trial costs off as promotional expense. The savings in not making those expenses- if of any real, tangible size- would be inconsequential to Apple's total revenues & profits for the year.
I never said the 28% was pure profit- just that it's probably the biggest slice of the whole pie. I can't prove that but it seems like a good guess for anyone who thinks it through. How many major labels are there? Isn't that 4 or 5? IMO, it seems reasonable to assume that those 4 or 5 would take most of the 72%. 72% / 4 = 18%. Maybe one of them is bigger than the other 3 or 4, so maybe one of them MIGHT get up to Apple's 28%. Maybe?
My point is richest (Apple), rich (labels & publishers) and poor (artists not named Swift, Perry, Bieber and a relatively small group of others who really could give their music away for 3 months and be fine) was to the point of Apple taking on all of the risk (for Apple's new service) implying that the artists should share in those risks as if each party is equal partners in this endeavor. They are not. If it is successful, Apple will make FAR more than any of the other players, the labels & publishers will take smaller slices out of the 72% and these "greedy" artists will get the scraps... for years and years to come.
In entrepreneurship, there is a saying: "to he who takes the bulk of the risk, goes the bulk of the rewards." As this is now unfolding, that's exactly what is happening here. If we actually expected the artists to fully share in the risks, where's their 28% cut right off the top?
I can almost guarantee you, Apple will barely break even with that 28% cut. While they might have already had the infrastructure to support Apple Music, they still need to spend money on the R&D for how it will all work with what they have, and to have engineers(not cheap) to continually monitor that everything is running well. They also have to fund future development and future negotiations and ideas in order to keep Apple Music interesting.
Oh and have we forgotten about the worldwide advertising campaign for it? That is not small change, even for a company as big as Apple. Again apple will make almost nothing out of the 28%.
Apple Music, like their iTunes, App store and all their other Software & services is there only as value added for the iPhone and MacBooks. They don't care about making pennies on these services, they Need them in order to sell more iPhones and MacBooks because at the end of the day that is where they make their money.
The first 3 months of Apple Music, will likely cost them close to 3 billion if they meet their expectations not to mention the fair amount of investment that is already likely a part of it.
It is hard to draw the line of what is who's responsibility in something like this. Sure the big giant corporation is easy to blame because they have the money but that big giant corporation is providing a service that benefits the artist just as much as it does them. If at the end of the day Apple decides that it was not successful and they can't afford to uphold the service, who loses out the most? To apple that is just another failed investment, that they can likely recover from, learn form and think of another great service they can offer as value added for their iPhone.
For the Artist, they lose out on what could be an Amazing way to get their music out. Without a doubt Apples massive budget and market share could make a pretty good dent again in the music industry. If Apple can continue to keep the music industry alive with this service, it is just as much in the Artist interest to see it flourish than to be upset about losing 3 months of pay from Apple.