From the downhillbattle skreed:
Instead of creating a system that gets virtuall all of fans' money directly to artists--finally possible with the Internet--iTunes takes a big step backwards.
Economies don't just spring up out of nothing, you know. They're created out of the culmination of lots of market forces all acting independently. Basically, economics is a lot like the theory of natural selection. If a given economic niche
can be filled, it
will be filled... and if a hypothetical niche isn't being filled right now, then it almost certainly can't be right now.
In other words, if a system like the one the author rants on about could actually work, somebody would either have built it or would be building it right now. That's not what's happening.
If you don't care about liner notes, you can burn the CD from a friend for 25 cents and send the musician a buck.
That's like saying it's okay to squat in an unsold house and send the architect a dollar. A CD, or even a song, isn't the work of just the artists who performed it. Some artists write their own songs; many don't. So in many cases there's the artist and the songwriter. Then there's sound engineer who physically recorded the music. Then there's the producer who mixed it. Then the guy who holds the mortgage on the studio where it was recorded. Then there's the bank that owns the title to the studio that the studio owner mortgaged.
It's not as simple as "artist, consumer." It's far more complex than that. If you send the artist a buck, you're not paying for the work on the other people who went into making the recording. Just like if you pay the architect, you're not paying the builder or the contractors or the lumber yard or the logging company.
Copying a friend's CD and sending the artist a buck is still stealing, dude. You're just stealing from people you don't know. So that's okay. Right?
The majority of those people (the sensible ones) choose peer to peer filesharing programs like Kazaa or Acquisition to get their mp3s. Downloads are fast, there's a bigger selection, and peer to peer sharing doesn't prop up the music industry. Plus it's free.
Now we finally get right down to the meat of this guy's argument: yes, downloading music is stealing, but that's okay, because it's stealing from the music industry. And we don't like the music industry.
Sorry, but I just refuse to accept that reasonable people hold this view. Stealing is wrong no matter who you're stealing from. If we were talking about stealing food, then we'd have an argument. If we were talking about African countries buying AIDS drugs on the black market, then we'd have an argument. But we're talking about popular music, for crying out loud. There is no moral system that could possibly justify stealing something you don't need just because you don't want to pay for it. That's just wrong, period, full stop.
It's all summed up in this last quote:
Thanks to peer to peer filesharing, we finally have a chance to break the major record label system-- but every iTunes user who pays 90 cents on the dollar to middlemen props up the old regime and delays the day when corporations finally lose their stranglehold on music. Now that's something to feel guilty about.
Jesus, that's just nuts. I mean seriously nuts. Dude, the way to show that you're opposed to the record label system is not to steal music! That's just monstrous.
Reading this rant made me sick to my stomach. If there's anything I regret about the emergence of the Internet, it's that sociopaths like this now have an outlet to spread their diseased ideas. It's the Fallacy of Democracy writ large: a slick web page (with a stolen look-and-feel, but that's neither here nor there) makes truly monstrous ideas seem somehow less insane. In the good old days, this guy would have been standing on a street corner, wild-eyed and screaming. Ordinary people would have just walked by in a hurry without making eye contact and not given him a second thought beyond, "Oh, that poor man. What a shame."