Agreed! As a Nikon shooter, I cry at the fact that there's no 70-200mm f4 for $700 on the Nikon side. Our only option is a $2200+ lens.
Please don't read this the wrong way, but there has to be more to it than just the AF points the menu items. Those really don't make the difference in the bodies.
I say this because I've seen shooters jump from brand to brand based solely on features they thought they needed at the time of purchase, and sure, they used those features here and there, but eventually reverted back to their style of shooting and found that the brand they were currently with didn't have THE feature they actually needed, and switched again.
I went Nikon when I was in college because the F5 and F100 were kings in the AF space and the ergonomics were just what I liked. Those were important for us PJs then (and now) when you had to hold and use your body for the entire day and then some.
You really have to identify what key features you need that one body doesn't offer over the other. AF points may be different, but they don't determine AF speed and accuracy, and aren't important if you aren't shooting fast moving subjects like sports, racing, and editorial.
Build quality is always important, but will you be using your body in a harsh environment? By harsh I don't mean the Sahara, but I do mean tossing it around a bit while in or outside of a bag. Those features come in handy when dealing with shooting in a light rain:
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And we mean, where you HAVE to keep shooting.
Is video something you are looking to do? Fashion? What type of lenses are you looking to buy? Canon always has and always will make some of the best lenses in the industry . . . but there are some pieces of glass that are better on the Nikon side, so that's more a determining factor as well.
Do you know other shooters? Are they willing to let you borrow pieces of gear? Strobes, lenses, grips, brackets? If I had went Canon in college I wouldn't have been able to snap the 400mm f2.8 that the pros had onto my N80 then D70 at the time. I would've missed shots that went straight to the portfolio.
This writing is in no way meant to be read with a rude or arrogent voice, but a concerned one. Take your time with your purchase, and dig deep into what you need as a shooter. Ask tough questions, like what you plan on shooting, and what you need to be good at it. Is it better to get a better than D7000 body? Or a D5100 and a 17-55mm f2.8?
Good luck, and I really hope this helps.