Wow 2 Grand for a made in Asia product with 40-50 bucks worth of components slapped together and a buck fifty worth of labor.
"Designed by Denon in Japan. Assembled in China".
sound familiar?
Wow 2 Grand for a made in Asia product with 40-50 bucks worth of components slapped together and a buck fifty worth of labor.
...If these companies are really serious about being environmentally friendly they need to start making upgradable products. How hard would it be for them to just put HDMI in a removable card. New HDMI version, remove the old one, slip in the new. Upload new firmware. Same for something like Airplay. My receiver has built-in WiFi. I'm sure they could update it to be Airplay compat., b/c they had no prob issuing firmware that changed the built-in XM to Sirius.
"Designed by Denon in Japan. Assembled in China".
sound familiar?![]()
Don't forget the $2 chunk of lead in there to make it weigh 38.2 lbs.
Clueless noob!
Denon is not the be-all, end-all of audiophile gear, but it is pretty good stuff. And to integrate with yet another input format via a firmware upgrade is very convenient.
Wow 2 Grand for a made in Asia product with 40-50 bucks worth of components slapped together and a buck fifty worth of labor.
And, it is way better in quality than the Sony or Pioneer that he bought at BB for 179$ ( it was on sale) and the speaker package for $149.
And, unlike his BOSE, the Denon plays the highs and lows (industry joke about BOSE products not clearly playing the full sound spectrum)
back around 1998 i bought a DD 5.1 Pioneer receiver that had THX for $800. i junked a few months ago in perfect working order. only because i was moving and didn't plan on having the whole 5-6 speaker stereo set up again
So a ridiculously high-end receiver will incorporate this technology?
From one extreme to the other.
Just a little over budget. Nonetheless great to know that it can be added to already released players. Now we need everyone to email these companies and make this a standard feature...
Do their receivers already come with ethernet/wifi then?
What purpose does networking serve on them already?
I suppose the odd thing in this concept is that being able to stream what is on someone's iTunes to their receiver will not make it sound better. If you have the song in a less than superior format on your computer, a $2000 receiver can't make up for the lack of quality.
I have been wondering about the quality of the songs one can purchase on iTunes. Is it worthwhile? I have only ever purchased CDs and stored them in .wav, or just recently started using .aiff (which I know is theoretically the same but I appreciate my Apple products).
I can't find any analog amps that decode lossless 7.1 bitstream data - perhaps you can send a link?[/INDENT]
Ah, glorious 7.1 bitstream data. Because two channels of action movie explosions can't keep you properly distracted for 90 minutes? You need bang-bang to be bang-bang-bang-bang-bang-bang-bangPOINTone.
I actually own a solid state amp. But yes, tubes can sound nice with the right music. Music, mind you: not Hollywood drivel.
I do not think UPnP means what you think it means.This stuff has been possible to do with UPnP for almost 10 years. Hopefully Apple putting its Halo around its proprietary version of it will help it spread, but color me skeptical.
256kbit AAC is the format of all music on iTunes.As for the quality, I personally still buy CDs but only to rip directly to Apple Lossless or FLAC. The stuff on iTunes now can be had, I think, up to 160kb AAC, which isn't bad as far as download quality goes, but I still prefer lossless.
I do not think “UPnP” means what you think it means.
256kbit AAC is the format of all music on iTunes.
Of course other than for the novelty factor I don't use DSP processing when listening to music, I prefer the "direct" mode that bypasses all that wizardry. Also receivers, especially expensive ones, are likely to have better audio paths and better components, such as better DACs, that will indeed make things sound better than a computer would, and since the electronics aren't packed so tight there's less chance of RF interference as you get with a computer. That's without mentioning the speakers.
As for the quality, I personally still buy CDs but only to rip directly to Apple Lossless or FLAC. The stuff on iTunes now can be had, I think, up to 160kb AAC, which isn't bad as far as download quality goes, but I still prefer lossless.
What is the thought on FLAC? I have only seen it one place. The Beatles released their entire collection on an Apple shaped flash drive that held every song, and a good handful of videos, on a FLAC format. From what I read on wikipedia, it sounds good, but does it?
I have a hard time even accepting a "lossless" format in regards to music. I understand, and accept it, in movies, but music? I am not sold as of yet.
Wow 2 Grand for a made in Asia product with 40-50 bucks worth of components slapped together and a buck fifty worth of labor.
Let me answer in reverse.
Why lossless? It's the same as having the CD. When you make an MP3, did you ever wonder why the file size is so small? It does a bunch of tricks to eliminate things you aren't supposed to notice are gone, and it has to "quantize" down to the bitrate you choose -- that's why yes you can have a 96kbps MP3 and it doesn't sound as good as a 320kbps MP3 -- it's a tradeoff, and it's always lossy. What you get is not the same as the original source.
Given you can verify bit-perfectness of the rip (eac, etc.) then having the lossless version is equal to having the original CD bit for bit. Lossless codecs such as FLAC and ALAC work somewhat like ZIP does, it compresses but doesn't throw any information away. File sizes are bigger, but the original material is 100% preserved.
I would agrue that lossless sound in movies is close to irrelevant. Even the theatrical versions of Dolby, DTS, and SDDS are lossy (I'm not even sure the lossless versions of these codecs are in use in the average theater as we speak). I'm not even sure theatrically what the bitrate is, but I know in home theater applications the bitrate is poor (max 640kbps for Dolby, 1.4mbps for DTS). I'll definitely take the lossless 48-24 home versions, regardless.
As for the various lossless codecs (most popular are FLAC, Apple Lossless, and WavePack):
- ALAC is good because Apple devices support it. It's bad because it is proprietary and slightly worse performing than FLAC.
- FLAC is good because it's open and a wide variety of non-Apple devices support it.
The Beatles USB release that you are speaking of is even better than all of this, because not only is it lossless FLAC it is higher than CD quality. CDs quality is 44.1kHz sampling rate and 16-bit sample size. The Beatles USB has 24-bit samples instead of the normal 16-bit samples you get from a CD rip, and the result is -- it's the best the Beatles have ever sounded. I collect a lot of high resolution (greater than CD) music and the 24-bit sampling is what makes the biggest difference.
When (if) lossless music becomes in demand instead of iTunes, aside from the iTMS it will no doubt be delivered in FLAC. Some other places I've seen FLAC used commercially:
- I bought the Tom Petty Mojo music Blu-Ray. It had a code for a free 48-24 stereo download of the album, in FLAC.
- There are various high-resolution music stores such as HDtracks that sell high-res music and they use FLAC.
Let me answer in reverse.
Why lossless? It's the same as having the CD.
Given you can verify bit-perfectness of the rip (eac, etc.) then having the lossless version is equal to having the original CD bit for bit. Lossless codecs such as FLAC and ALAC work somewhat like ZIP does, it compresses but doesn't throw any information away. File sizes are bigger, but the original material is 100% preserved..