I don't understand your argument, and I'm responding to it because it looks like a strawman fallacy.
Why would a person buy a CD to "share" if they can just download the tracks from somewhere?
How do you think all those tracks get "somewhere" ? People rip the discs and put them out on P2P networks. This behavior is rewarded on those networks, for example people who upload more stuff can get better download times.
"Fair use" doesn't mention friends and family....
But anyway - if your friend listens to and keeps the song that you bought, rather than buying his own copy - it's the artist that suffers from not being paid for her effort.
The "Zune" model of limited replay is better, and is like the shareware software model. Try it for free, but if you like it, you should pay.
For every mega-star with millions of bucks, there are hundreds of talented people trying to make each month's rent payment....
I donate about $10K per year to a couple of non-profit (and tax deductible) organizations in the Bay Area that support the performing arts, especially music. I buy the CDs at concerts, and feel obligated to ensure that any musician that I enjoy is compensated for her effort.
People who listen to (steal?) the music without paying the artist disgust me....
See post #169 this thread and let me know if there's other information you're looking for.I'm not convinced by MR's investigation. the only thing they are somewhat confident in is that there is no info hidden in the actual data (true steganography). I would still like to see a comparison of the meta data, with valid translation.
Can anyone do that?
I think it's a bit of a stretch to think that people who listen to music provided by a friend or family member is some artist killing parasite. There are people far worse off than the starving artists, and while I won't steal their content, my heart is not so ready to bleed for them, since they're still generally doing pretty well for themselves. I'm willing to bet that the ones that are struggling the most are not actually suffering from piracy or CD sharing.
To quote the Chihuahua from Disney's "Oliver & Company": "If this is torture, chain me to the wall."
If its there, I don't see the problem with it. The point of DRM free music is so that you can use it wherever, however you want... not to share it, right?
An old friend of mine let me listen to her Evanescense CD for a few days. Loved it! When she took it back I went out and bought the CD myself and got a bonus track that she didn't have. Artists whine a bit too much about pirating music, when it came to CDs (that were way too freaking expensive in the first place) I would either copy it then give it back to my friend, or buckle down and buy the album myself.
With digital tracks and albums, it is still the same way. If I hear a song on a friends iPod or computer, I will either copy the tracks to my thumb drive, or download the album. If I copy the songs and really like the band, then I am more likely to buy their next albums.
I disagree. Any time Apple drags the music industry kicking and screaming in a better direction, Apple deserves our outrage and fury for not dragging them further 😛
As for Apple saying "prove it's stolen"... two things: a) Apple won't care, it's the RIAA, and b) You are innocent until proven guilty, not the other way around.
Interesting scenarios though 🙂 I would prefer if Apple stated something in their fine print (which makes a better deterrent anyway) but I can think of a million things I care about a lot more, like getting more labels on board with iTunes Plus.
I'm ditching buying CD's now when there is iTunes Plus versions of songs. Why drive to the music store and pick up a CD when I can get the album on iTunes for the same (or cheaper) price?
Sorry about that, I have no problem with the people here who actually have a valid concern, I was only mocking the 'that makes files harder to share, Apple FTL!' comments.
I think it all depends on how much information is stored on these files. Only your username? What can an identity thief do with that? Also, if Apple really is encoding user names in these, they should tell the customers, that way if someone loses an iPod, they can treat it like losing a wallet and report the account being on the loose.
Yes, that's because the information is in the meta-data of the file, not the audio stream. That is not steganography as the info is not obscured or hidden. It's clear text located in the header along with the title, artist, etc.
$ strings 14\ Ber-Bop-a-Lula.m4a > ber.strings
$ strings 14\ Bub-Bop-a-Lula.m4a > bub.strings
$ diff *.strings
...
< name<ber's name here>
---
> name<bub's name here>
...
83c82
< <ber's store name here>
---
> <bub's store name here>
105c104
< 2007-06-02 03:09:28
---
> 2007-06-02 03:03:51
None of my concerns are around identity theft - that part doesn't make sense because of the reasons you state and others. I am more concerned about what happens if the RIAA gets tracks that weren't shared by the original owner. but someone sharing files from a lost or stolen iPod.
Nagromme's point of innocent until proven guilty isn't a very good point because that is for criminal law, civil suits don't have a very strong requirement like that. The RIAA can try to bleed you dry in a civil court to make an example of you, even if you've done nothing wrong, they have tried this several times before.
yeswas this a comparison of the orig $1.29 files which were not converted?
The data is the "Purchased Date", "Purchased by" and "Account Name" as you would see in Get Info from iTunes - I don't want to provide that all here. They are different like "John Doe" and "Joe Public". Similarly the Account Names are like "user13@mac.com" and "grouchy".What is the EXACT meta data for each one, and where are they different?
Correct. And I replaced some non-text data that was also different in that area of the file with ellipsis.the strings command looks for printable strings (ascii characters i'm guessing?)
btw - your iPod gets stolen, and you are worried about RIAA coming after you (assuming that the thief has the brains - or will - to steal and re-distribute your music - when odds are they just want a new iPod, or they want to sell an iPod) - file a police report, and while you are at it - contact apple itunes support.
Some people just don't get it.
Why should we now have to put up with companies surreptitiously tagging legally purchased digital tracks with personally identifiable information?
This is without doubt a sea change in the way business is conducted.
We must draw the line here. Our right to privacy is worth much, much more than the right of some greedy, nosy company to check and see if we have somehow "misused" our property. And a music track IS our property - we paid a dear price for it.
----
However as I and others stated earlier, there is not yet any proof or evidence that Apple IS placing personally identifiable information on iTunes tracks.
I think that this becomes the major piece of why Apple should disclose watermarking if it decides to use it. How much liability are you taking on by buying watermarked tracks? With lost/stolen iPods and hacked computers, certainly the amount of music stolen from people will go up as more and more people increase their digital music collections.
Tracking via watermarks creates this new issue since previously the non-DRM'd tracks couldn't be traced back to the original owners, and Apple assumes liability for cracked DRM associated with shared DRM'd files.
As JeffDM stated, in the US civil court, the bar is much lower. There isn't the doctrine of reasonable doubt. With the watermarks, defendents will find themselves in the unenviable postion of guilty until proven innocent. The question to ask yourselves is if some of your tracks get unintentionally leaked out onto the net, do you have the thousands of dollars laying around to defend yourself against an RIAA suit, or would you just say you were guilty and settle for the tune of $3000, assuming the RIAA doesn't increase their settlement fee?
crackpip