These guys are gonna shoot themselves in the foot with these unrealistic prices. $8 is about what I'd pay for this max.
I was addressing the issue with bundling and paying for unwanted channels.
So true! And I agree, crap is king and you agree with me by saying, it's unfortunate. My point was, I don't care about WHICH CHANNEL it is on.
I don't like to pay for bundles and channels I don't watch.
I want a-la-carte and pay an appropriate amount for that alone.
"We" ? You mean the US. MR is a global site and many other countries have fewer legal choices and usually pay higher prices for those.
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Let's not have the wealth debate. If it's affordable for you, great, subscribe!
For most others,
$15 IS a lot for one channel with constant repeats.
It's $180/year to watch the 2-3 shows the average person likes, or you could buy the DVD seasons at the end of the year for a lot less and repeat ad-nauseum without added cost.
Netflix is $96/year and has thousands of shows and movies.
Too bad cutting the cord on FiOS doesn't really save you much when you still need internet service. It was about a $10 per month savings when I called to cancel TV service not too long ago.....
They offer Plex functionality through iTunes?
also by that logic why would Apple offer Netflix, or Hulu, or other streaming stations?
but to answer your question,
because it is functionality people want, and having it keeps people on their device instead of a Roku or other device, so Apple at least keeps the customer on a device that has the Apple Store on it instead if only competitors.
$15/mo is a lot of money. Sry. Love HBO, but wow.
So true! And I agree, crap is king and you agree with me by saying, it's unfortunate. My point was, I don't care about WHICH CHANNEL it is on.
I don't like to pay for bundles and channels I don't watch.
I want a-la-carte and pay an appropriate amount for that alone.
"We" ? You mean the US. MR is a global site and many other countries have fewer legal choices and usually pay higher prices for those.
Netflix is $96/year and has thousands of shows and movies.
So whats the endgame for Apple here? $15 a month for each channel is a complete ripoff when you can get full on satellite with hundreds of channels for like $45 a month.
That's about how much it costs to subscribe to it over cable.
Movies are filmed in 16:9, bro. They have been since the invention of movies.
Wrongest comment of the day. Congrats.
No they are not, girl. Most movies are filmed much wider, usually 1.85:1 or 2.39:1. When HBO or any other tv channel crops a movie like "2001: A Space Odyssey" to 16:9, it basically ruins it. So, you're wrong. Feature films have NOT always been filmed in 16:9. They are CROPPED to 16:9 to appease people who think it's more important to fill their tv screen than see the movie as it was intended. I avoid watching epic movies on HBO for this reason. I would rather pay to rent it than watch a cropped big movie on the HBO I'm already paying for.
But as far as my reply to user who doesn't know anything about ratios, It was correct enough.
So whats the endgame for Apple here? $15 a month for each channel is a complete ripoff when you can get full on satellite with hundreds of channels for like $45 a month.
I'm paying $150/month to DirecTV - $41 of which is for HBO,Max,and Showtime. So $15 sounds AWESOME if you ask me.
It has nothing to do with film differentiating itself from television.
4:3 (1.33:1) (generally read as "Four-Three", "Four-by-Three", or "Four-to-Three") for standard television has been in use since the invention of moving picture cameras and many computer monitors used to employ the same aspect ratio. 4:3 was the aspect ratio used for 35 mm films in the silent era. It is also very close to the 1.375:1 aspect ratio defined by the Academy of Motion Picture Arts and Sciences as a standard after the advent of optical sound-on-film. By having TV match this aspect ratio, movies originally photographed on 35 mm film could be satisfactorily viewed on TV in the early days of the medium (i.e. the 1940s and the 1950s). When cinema attendance dropped, Hollywood created widescreen aspect ratios (such as the 1.85:1 ratio mentioned earlier) in order to differentiate the film industry from TV. However since the start of the 21st century broadcasters worldwide are phasing out the 4:3 standard entirely, as technology started to favor the 16:9/16:10 aspect ratio of all modern HD TV sets, broadcast cameras and computer monitors."
The 1950s was a tumultuous time for film, the industry was forced to restructure and decade saw the rise of Films little brother Television. Since everybody alive at that time had been going to theaters and watching films in 4×3 aspect ratio- it was only natural that television would carry over that same screen shape. Like a new sibling in the Entertainment family, TV was getting all the attention and that reflected in smaller movie going audiences.
How could film get butts back into sets? By offering something they couldnt get at home.
Maybe I am wrong here but this seems a tad pricey. I can only imagine what they will charge if and when it comes to Canada.
Spoken like a true corporate believer.
"How the market works" ? You mean how corporate media is trying to milk the consumer for increasingly diluted crappy content ?
True consumer choice would allow crappy content to die sooner and excellent content to succeed faster. Increased bundling and price jacking is a desperate attempt to keep increasing profits for shareholders.
Furthermore, the conflict of interest between internet traffic and cable content offered by the same provider was just addressed in the net neutrality decision by the FCC that is drawing much flak from "industry experts" like you.
Same way how the insurance game is rigged. Trying to sell you on the solidarity model, when it's competing investor profitability that drives everything.
What we need is a Napster style revolution that worked well for the music industry resulting in the iTunes model, but so far Movie & TV media moguls have resisted this.
Back in 2011 we had a brief period of $0.99 TV show rentals, but the industry pulled that from Apple. Now the only "a-la-carte" option is the $2.99 purchase for a 43min. show or $40-50 season pass purchases.
I don't know about you, but back then I was spending a lot more on rentals and none on purchases today.
I think my point was more along the lines that people who want HBO are already paying $10-12/month to have it, along with the rest of the bundle. This allows you to get the channel, by itself, for about the same amount. If someone isn't interested in HBO, or if an additional $10-15/month is beyond their budget, they don't have it now and won't have it on Apple TV.
If you do like HBO (and I do), this may be a good chance to get it without the additional 200 channels of content that you may or may not be interested in. Personally, of the 200+ channels I get, I probably watch 6, 2 of which are HBO and SHO.
No problem. I wasn't critical of your personal choice. We essentially agree, I'm critical of paying for 200+ channels bundle when I also only watch around 6. HBO just isn't one of them.
So yes, it's better to pay for each channel per month without being tethered to a cable subscription, but I'd like to take it a step further, subscribe per show. Essentially, pay-per-view for TV shows. I was making the comparison earlier about iTunes allowing TV show rentals back in 2011 but not now.
Why can we rent Movies for $4-$5 costing hundred of millions to produce, but not TV shows costing only a few million per episode ? We have to buy those at $3 per 43min show instead of the initial 99c rental model proposed by Jobs.
Hulu Plus is the closest thing, but it's not legally available outside the US.
It is pricey when you consider almost no one ever pays the $15 rate for HBO.
Most people get a deal for it in a package... and when they cancel HBO when the deal expires, their cable provider offers it half price to get them to keep it.
Honestly, if you are paying $15 for HBO.... you're screwing yourself. Cancel it. They will discount it to get you to keep it.
With that in mind, $15 is too much.
If you truly want to cut cords...
$15 hbo
$7 netflix
$7 hulu
maybe $20 for that new direct tv streaming package to keep sports and a few other tidbits like food network, disney, some news....that's still $49 plus cost of broad band.
Quickly one is back to a cable package in price.
Even $29 plus broadband (which is a lot more money without a cable subscription) puts you at a cable package price almost.
Depending on where you live, you can get high speed for $20-$30, but usually dsl and not quite the reliable speed for good streaming.
Why can we rent Movies for $4-$5 costing hundred of millions to produce, but not TV shows costing only a few million per episode ? We have to buy those at $3 per 43min show instead of the initial 99c rental model proposed by Jobs.
Movies and TV shows are monetized in different ways. This is oversimplified, but movies get revenue from consumers directly (movie tickets, DVDs, VOD, etc.,) while TV shows get revenue from advertisers, and the more people that tune in to FOX on Wednesday night at 9pm to watch Empire the more money FOX can charge advertisers. By offering a VOD option the TV channel is effectively competing with themselves. Not only can this impact ratings it also impacts the value of the show for syndication (and syndication is where shows really earn their profits). For example, there's much less motivation to watch reruns of Friends on channel XYZ since the entire series is now on Netflix. Since a VOD offering impacts both the short term and long term earning potential of a TV show the amount charged to the consumer has to be worthwhile and has to generate *more* revenue for the show than if the person had watched it on TV. What's the motivation for getting into a new distribution model if it doesn't generate more profit than the current distribution model?
Time also plays a factor in this. The movie you can rent for $5-6 today came out months ago and has been earning revenue since day 1. Some movies have released in theaters and on VOD simultaneously and if you want to stream those movies it'll cost around $15 (basically the same price as a movie ticket). If you want to stream a brand new TV show it will have a premium price attached. If you can wait until it's an 'old' TV show it will probably show up on Netflix or as free on Amazon if you are an Amazon Prime member. For example, last year I bought a season pass of Orphan Black season 2 on Amazon but now that season 3 is getting ready to air season 2 is free on Amazon (if you are a Prime member).
As far as budgets go, the average cost for a 1 hour drama in primetime on one of the Big Four networks (FOX, NBC, ABC, CBS) is $3-4 million per episode and most shows go for 20-25 episodes per season so that that's roughly $60-100 million per show per season. It adds up quick and this is a big reason why reality shows (which are dirt cheap by comparison) are so prevalent. The average Hollywood movie budget in 2007 was about $65 million, and while I'm sure that's gone up, the cost difference between a feature film and a season of a primetime drama isn't that great. Budgets for cable shows (Madmen, Walking Dead, Justified, etc.,) are generally lower but the ratings and earning potential are lower too compared to broadcast TV.
Movies and TV shows are monetized in different ways. This is oversimplified, but movies get revenue from consumers directly (movie tickets, DVDs, VOD, etc.,) while TV shows get revenue from advertisers, and the more people that tune in to FOX on Wednesday night at 9pm to watch Empire the more money FOX can charge advertisers. By offering a VOD option the TV channel is effectively competing with themselves. Not only can this impact ratings it also impacts the value of the show for syndication (and syndication is where shows really earn their profits). For example, there's much less motivation to watch reruns of Friends on channel XYZ since the entire series is now on Netflix. Since a VOD offering impacts both the short term and long term earning potential of a TV show the amount charged to the consumer has to be worthwhile and has to generate *more* revenue for the show than if the person had watched it on TV. What's the motivation for getting into a new distribution model if it doesn't generate more profit than the current distribution model?
Time also plays a factor in this. The movie you can rent for $5-6 today came out months ago and has been earning revenue since day 1. Some movies have released in theaters and on VOD simultaneously and if you want to stream those movies it'll cost around $15 (basically the same price as a movie ticket). If you want to stream a brand new TV show it will have a premium price attached. If you can wait until it's an 'old' TV show it will probably show up on Netflix or as free on Amazon if you are an Amazon Prime member. For example, last year I bought a season pass of Orphan Black season 2 on Amazon but now that season 3 is getting ready to air season 2 is free on Amazon (if you are a Prime member).
As far as budgets go, the average cost for a 1 hour drama in primetime on one of the Big Four networks (FOX, NBC, ABC, CBS) is $3-4 million per episode and most shows go for 20-25 episodes per season so that that's roughly $60-100 million per show per season. It adds up quick and this is a big reason why reality shows (which are dirt cheap by comparison) are so prevalent. The average Hollywood movie budget in 2007 was about $65 million, and while I'm sure that's gone up, the cost difference between a feature film and a season of a primetime drama isn't that great. Budgets for cable shows (Madmen, Walking Dead, Justified, etc.,) are generally lower but the ratings and earning potential are lower too compared to broadcast TV.