I'm not overly fussed about the single speaker, just as long as it's really loud
I do think you can shoot RAW with third party apps still, just not built in Photos.But... if you're a photographer who's fussy about color and getting the most from your images by post processing them in Adobe Lightroom, you may be disappointed that the 17 Air does not have an option to shoot in RAW.
While I was set on wanting a 17 Air for its thinness, recently learning that it does not support RAW made it a deal killer for me. Looks like I'll be keeping my 16PM for another year.
I do think you can shoot RAW with third party apps still, just not built in Photos.
Hard to avoid compromises, I believe, given how it’s severely size-constrained.I think around 899-949 would be more enticing. The price is too close to the pro. It could definitely go either way depending how it sells. I suspect the next gen will have less compromises.
Yes. Kind of perplexing though how they’ve given it a Pro chip.The market segment the Air is targeting is more than likely not going to push the phone to the point of thermal throttle. Otherwise, there are the Pro models.
The Hermès watch isn’t an engineered product in its own right though.That's true, but using the Hermes, as an example, that is the most expensive Apple Watch you can buy. The most expensive iPhone you can buy is $1000 more than the Air.
have you ever played with HEIF? Obviously I don't know your post workflow, just an idea. and yes, I know it's compressed but retains more detail compared to jpg
makes total sense. I shoot in RAW with my Canon DSLR, on the iPhone, I tried ProRAW but couldn't bother with the post processing requirements I consider those photos more "snaps", though there have been occasions where in hindsight I wish I had turned ProRaw on.I have, since it was introduced (around 2017 ?). It was a decent step up from jpg. But... as soon as Apple introduced ProRaw (around 2020?) and really liking the results, I switched and never looked back. Thus I never did a careful HEIF - ProRAW comparison.
My *recollection*, going back five years, is that ProRAW had greater dynamic range than HEIF, when using Lightroom (which I've been using since around 2007).
I guess what I'm saying is I really want to stick with Apple's RAW. It just works so well post-processing in Lightroom. To the point my post-processing is something I don't have futz around getting my images looking the way I want them. Seems to happen almost automatically from muscle memory (if that makes any sense).
But... if you're a photographer who's fussy about color and getting the most from your images by post processing them in Adobe Lightroom, you may be disappointed that the 17 Air does not have an option to shoot in RAW.
While I was set on wanting a 17 Air for its thinness, recently learning that it does not support RAW made it a deal killer for me. Looks like I'll be keeping my 16PM for another year.
It’s thinner and it looks better. I’m not sure why you would think that people who value these attributes want to “show-off they have money” any more than those who would buy, say, the more expensive iPhone Pro.I don't see one single reason to get the Air... except being thin and being the same reason people get an Hermes Apple Watch; to show-off they have money; which, it doesn't make sense; but even with that, seems like a silly purchase. Maybe I'm missing something
I'd like to know, why people will get it, I'm very curious.
Did anyone ask for thinner (with a massive camera "plateau")...?
I can assure you... as a photographer, that if I cared about color and getting the most from my images, I would not use anything with a sensor smaller than 36mm x 24mm. Regardless of whether it's an iPhone or otherwise. So having RAW from a phone is like having RAW in a compact camera to me. Nice to have but absolutely not required.
Am I a sensor-size snob? Yes. Actually, I am a film snob. Digital sensors, while excellent these days, pale in comparison to the resolution and color depth that film could get way back in the days. Especially when it comes to bigger film sizes. So 36mm x 24mm (what people call "full frame" nowadays) is the absolute minimum for me.
Thus as a photographer, I really just want a phone that's...
1. Won't add any extra weight to the amount of stuffs I have to carry.
2. Won't make me think about having to process even more RAW files from another ecosystem.
3. Good enough for an occasional snapshot (hey, it's got a 48MP sensor).
4. Basically is just an accessory for my bigger camera.
iPhone Air is thus perfect for me.
Can I shoot professionally with an iPhone? Yes. Actually, I could. Would I? No. That would be unprofessional of me. Why? Because deep down, I know for a fact that the iPhone pales in comparison to my other cameras and even with RAW files from the iPhone, I'm missing details that may or may not be important to my client. If I've got the time to whip out the iPhone for a shot, I've also got the time to bring up the second/third camera I've already got on me.
Now if you're not someone who is fussy, and you're learning, then sure, having RAW access on an iPhone does allow you to get the most out of it. But just don't conflate having RAW files from an iPhone as having RAW files from say... a Hasselblad or any random Sony mirrorless cameras these days.
If you take your phone with you when you run then you are connected.
I think this is a good point that will probably translate to consumers that want to see/hold the device in store before buying. I’ve seen a lot of tech reviewers that usually aren’t big Apple fans find the form factor pretty impressive.Oh come on now. Very few people have even seen the Air in person so it's not fair to judge it's top leading protrusion. 😊 I mean most people that have put hands on the Air have actually been overly impressed with its design. In fact that aspect of there Air seems to be fairly universally positive. I have my own concerns and criticisms about the Air, mostly it's lack of a few features I really like and can't part with, but its design is not one of them.
Hard to avoid compromises, I believe, given how it’s severely size-constrained.
I think it might rather come down in price, not dissimilar to “Air” MacBooks and iPad.
Potentially even replacing the standard iPhone model.
In other words: think of it more than glimpse, a sneak preview into the future of their standard phone - rather than an entirely new line of iPhones that’s for years to come.
Omg… that’s… concerning…Any charger for MacBook will definitely work to charge the phone. But, if you want the brand new "50% in 20 minutes" 40W wired charging, it will only come from a brick with the new PD spec. Even a 100W laptop power brick won't do it, because it doesn't have the right protocol. From other posters on the forums, it's a brand new PD spec that so far only the "40W Dynamic Power Adapter with 60W Max" from Apple can do.
I mean eventually there will be other PD 3.2 devices that are third party, they’re just not out yet. Not a huge loss IMO to just keep going with standard 30W charging via cable anyway… most times my charging is 25W MagSafe.Omg… that’s… concerning…
So basically Apple wants to tell us: buy bricks from us or you won’t get all the latest features of your latest devices. I guess there are engineering considerations prompting the change of PD protocol but still.
And since this is a brand new PD protocol, older devices won’t benefit from it as they don’t have the battery control board to understand it, meaning it is practically useless for faster charging for older devices.
Saving some money for me I guess.
But I swear when I use laptop charger my iPhone charges faster compared to… oh, oh I see. So 20W I think vs 30W.I mean eventually there will be other PD 3.2 devices that are third party, they’re just not out yet. Not a huge loss IMO to just keep going with standard 30W charging via cable anyway… most times my charging is 25W MagSafe.
I’ve never seen a charging brick that can update to a newer PD spec. So I think you’re right, until you get a new charger with the new spec, you will stick at the “slower” 50% in 30 minutes speed.But I swear when I use laptop charger my iPhone charges faster compared to… oh, oh I see. So 20W I think vs 30W.
Even so, unless older devices can be updated with firmware to support newer PD protocols which I doubt, my iPhone would forever be stuck at 30W fast charging. Not bad by any means but it does suck.
I wonder if the developers of Halide, say, might be able to provide RAW support in their own crafty fashion. The current Mark II version of the app seems to be able to sneak into the photo-capturing process before it gets to the multi-exposure, computational-photography stuff, in their "Process Zero" mode, which gives you a single exposure at full resolution. Maybe this sort of wizardry will be available for the Air.But... if you're a photographer who's fussy about color and getting the most from your images by post processing them in Adobe Lightroom, you may be disappointed that the 17 Air does not have an option to shoot in RAW.
While I was set on wanting a 17 Air for its thinness, recently learning that it does not support RAW made it a deal killer for me. Looks like I'll be keeping my 16PM for another year.
"But just don't conflate having RAW files from an iPhone as having RAW files from say... a Hasselblad or any random Sony mirrorless cameras these days."
Of course not. I *never* made that claim.
As a photographer, I also have so-called "real cameras." An Arca-Swiss F-Field 4x5 (not something you want to casually carry around with a sturdy Gitzo tripod and Arca-Swiss ballhead), a couple of Sony cams (A7RV, A7CII), a couple of compact Sony and Fuji cams, etc. And loads of other cameras over the years that I no longer have.
They're all great and produce great results.
But... as it turns out, some of my best/compelling photographs I've made were with iPhones as I don't carry my "real" cameras with me 24/7.
My various iPhones shooting in RAW have filled that need as I never know when I'll come across a scene that's worthy of making a photograph.
I don’t think you struggle to understand you’re just trying to bait me into some type of argument. But I’ll keep it simple. And if I see you try to bait me into something I’m gonna stop responding to you.I struggle to understand your point regarding gender.
I guess this is a matter of perspective.
I won't comment on your use case any more then, since it's clear the iPhone is well suited for that. For me, it's not sufficient. Aside from RAW files not having enough dynamic range, there are other issues such as:
1. It's very hard to pre-set exposure (ISO, shutter speed, white balance) for instant snap.
2. Also equally hard is to pre-set focus. Autofocus is basically required.
3. Some apps may be able to solve the above 2 problems but I can't adjust an app without seeing the screen. And to see the screen, I have to wait for Face ID to unlock. It's too slow.
4. I guess this is kind of an adjacent issue with RAW: HDR output is now always on and cannot be turned off. If I'm sending a photo I took from an iPhone to someone else who doesn't have an iPhone, the output is remarkably different. I always have to use Photomator now to re-export a photo to non-HDR first. It's not ideal if I want to take a photo of someone and then send it over to them.
From my perspective, iPhone is more of a videography tool. There are more controls for videography and more features to support videography. It's only missing pre-applied LUT. For photography, maybe it works for simpler use cases, but advanced use cases that require more controls are still too slow to even be "reasonable", and image quality IMHO is not up to par.
Again, to each his own. I'm glad it works for you. Unfortunately, I still find myself needing a separate camera, and the iPhone to me is thus just a phone.
So they won’t play games on it then? I find that hard to believe.The market segment the Air is targeting is more than likely not going to push the phone to the point of thermal throttle. Otherwise, there are the Pro models.
My perspective is... the strength of a photograph and its ability to communicate to viewers has little to do with gear and has much more to do with the photographer, his/her eye, ability to quickly read light, ability to compose and determine what should be in or out of the frame, ability to create mystery (if desired) by letting some elements drop into the shadows, a photographer's life experiences fostering the ability to help create a narrative (any narrative) to tickle a viewer's imagination by determining what should be in or out of the frame, and on and on and on. All within a very short period of time.