I still don't have one but, to reiterate...
**Spoiler alert!!** This post is a little off topic and will add fuel to the fire.
I still don't understand why the photo editing 'pros' hate the gloss*. You have more contrast and dynamic range with clear glass than matte plastic. The matte, by definition, absorbs some of the light, reducing your contrast. To edit photos and adjust colors/contrast/color fields, your eyes need to adjust to the monitor, not a bright room you're working in.
What if the room is bright and has colored walls? If you have green walls and the sun is beaming in, reflecting the green all over the place and onto the screen, your eye will make adjustment to the green the same way your eye adjusts to colored sunglasses. Well,. not the exact same, but the principal is the same. If you can't see it, that's because you eye has already adjusted to the room (it only take about a minute to adjust....when I go skiing, I wear goggles with orange UV lenses and after a minute or so, the orange snow looks white and later, when I take off the goggles the snow is a SUPER BRIGHT shade of blue for about a minute).
If you're a real photo pro or colorist, your monitor is in a low-light room. If it's not, than I'm not hiring you. I've shot 3 music videos on super 16 and went to 3 different post houses, ranging from crappy-free at my school to the best post house in the Bay Area, and in the telecine rooms, (where they scan the negative and adjust colors/brightness/contrast/hue/primary and secondary color fields and output to digibeta, beta sp, hard drive, and/or HD), every room was very dark. Why dark? So the colorist's eyes can adjust to the monitor so he/she can see the whole gamut of colors and dynamic range with no problems or strain or reflections to deal with. I'm sorry, but if you're editing photos and really need to be very specific about the color, hue, and/or contrast, I firmly believe that the room has to be dark or you're doing it wrong, matte or glossy, it doesn't matter.
I'm sorry about the rant, but I'm really passionate about this. This is not a diss for matte screens because they definetly serve a purpose and help millions of people out with glare in their homes and offices. It's a diss towards pros and how can a pro be a pro is they're not worries about contrast/color/hue. Once I get one of the new iMacs and Final Cut Studio, I'm gonna start doing my own color correction with Color and I can't wait. I'm told that the controls are pretty similar to the DaVinci, which excites me greatly.
As per the requirements of the OP, I went to my local Apple Store and messed around in Final Cut with one of the new 24" iMacs and it was a dream. I can't wait to own one.
*- What does a photo editor do? Since photo and film/video share a lot of the same principles, I'm assuming color, hue, and contrast are very very important. If this is not the case, than please disregard my entire rant.