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If album prices remain at $9.99, I can see more people buying the whole album instead of buying individual higher-priced tracks.

I can see pricing so that the 2-3 "hit" songs on the album are more expensive and the rest are cheaper. Kind of how like it used to be when you bought an album for a few good songs and got the rest effectively for free.
 
What about Mike Oldfield's Amarök? Or Jethro Tull, "Thick as a brick"?

It seems that longer songs haven't been available on itunes individually. Maybe with variable pricing, they will be willing to sell these longer songs. This could be one positive for the customer. Personally, I prefer the sound quality of CDs, but more choice for the customer is always good.
 
Ya... It'd be nice to hear the explanation for how Supply/Demand logic actually applies to 'infinite' supply of digital downloads.

The same way it applies to software sales right now. Pricing doesn't reflect only the marginal cost of making another copy of the song, which is basically zero, it includes the costs of development.

If demand is higher, the price can be higher and the artist will increase revenues. that's because songs aren't all in perfect competition for each other. If you want Jonas Brothers, U2 isn't going to be a substitute. Yes, at large you may have money to buy only $20 of songs, so higher prices mean less songs, but it's not like you're going to buy what you don't want because it's 30c less.
 
The way I look at it is... Given the state of music today, this is an "idiot tax".

Those who don't support mediocre, mass-marketed music (I swear I was not attempting alliteration... oops, I did it again... I'm not trying to reference Britney Spears, either)... will be rewarded with lower prices as they always have been, by and large. Those who absolutely need to have the latest pop crap available will pay a premium. Or not, if they end up pirating them.

Either way, it suits me just fine. Most of the music I've been buying is either back catalog stuff or new unpopular music.

This is great news for independent distribution and the continued trend toward leveling the playing field for obscure artists who would not stand a chance in the old physical distribution paradigm. Their production, promotion and distribution costs are lower, and they can profit more than the artist locked into serfdom whereby they must repay the advance loan given by the record company before they see a dime of royalties.

This will only drive the nail even further into the coffin of overexposed, overproduced mass garbage... especially in current economic conditions where people have next to no disposable income.

As an independent artist who has a record on iTunes, I'd like to share a couple of things about how it works now.

You have to go through a company like Tunecore or CD Baby to even get a record on iTunes. Apple will not deal directly with you. You pay a small amount for this service, but you get to keep all royalties you get from Apple (with Tunecore). That is $7 per album sold and $.70 per song sold. Apple keeps the rest.

You have no control over the price. Apple sets the price however they want. But you get paid the same no matter what they charge for it. On Amazon, I had several choices. I wonder if this will now change. I'd love to be able to lower the price of our record on iTunes.

Currently I tell everyone that our album is cheaper on Amazon and they should buy it there.

So unless Apple changes their policy and allows independent artists to set their own price point, I see nothing here that benefits or hurts independent artists.

And let's be honest here. This is a price increase. Anyone that thinks there is going to be as many $.69 tracks as $1.29 tracks is crazy. Popular stuff will be priced higher. Both new releases as well as popular catalog stuff. Does anyone think "Dark Side of the Moon" is not going to go up in price?

Now I generally buy the whole album and I only use iTunes when it is not on Amazon, so I don't care that much, but this is a price hike, plain and simple.

And let me be clear, it is their right to raise the price, especially if the market will continue to pay. That just means the price was too low to begin with. But if revenue drops because of the price hike, they will lower it. If you don't like it, vote with your dollars. Buy from Amazon! That is what I do.
 
If the record companies are setting the prices we are going to see 0.1% of the store at $0.69, 20% at $0.99 and 79.9% of the store at $1.29.

Probably at first, but given how much purchase data they'll be getting, if demand doesn't support those prices, you'll see prices drop.

I would guess it will settle out, and you'll see new singles for real cheap at first, but with the price increasing after a few weeks after it's become "#1 hit" and then eventually dropping back down after a while when it's no longer a hit.
 
mp3s age like a fine cellared wine?

Just so I understand, mp3s now age so well, they begin to go up in price as time goes by...?

:confused:

I'm a huge :apple: guy, but it's been a long time since I bought anything from the iTunes store - there are so many better alternatives. My choice is Amazon - they have everything, it cost less, the tracks are better quality, and there hasn't been any DRM for some time.

I think Apple needs to be very careful how they let the record companies shape their product offerings - they will start losing to more flexible competition.
 
Phil Schiller has stated at MacWorld that there will far more songs at 0.69 than at 1.29, but naturally these will be all those songs that hardly anybody is buying anyway.
 
That said, iTunes is actually fairly decent at letting the little guy sell his album. It'll never be spotlighted, but at least it's available in the same store.


so true but brings up a point of dose this mean i have to contact my distrabuter and say i want my tracks increased or decreased. As i have an album on the itunes store and as a little guy id like to know were i stand (note iam not that small just in the eyes of record labels)
 
Ya... It'd be nice to hear the explanation for how Supply/Demand logic actually applies to 'infinite' supply of digital downloads.

It still applies because while you can download a song an infinite number of times, there is not an infinite number of songs available on the store. And the utility of each each song is not the same for each consumer.

In this example, the supply is the music on the store. What the record companies are doing is assuming (probably correctly) that demand is greater for some artists on the store over others. If that is true, then they should be able to charge more for these songs because people are not likely to pick a similar song by a different artist because it is cheaper. They want that song.

This is really no different then it is now with CDs. They can essentially print an infinite number of CDs. As someone pointed out, the costs are essentially the same anyway. My band printed 250 CDs of our record and it cost about $2.30 per disc. I can only imagine how cheap it is to print 100,000. All the cost is in recording and producing the music, and this has not really changed much. Although it is much cheaper now than it was ten years ago.
 
There will be more at 69 cents

Phil Schiller has stated at MacWorld that there will far more songs at 0.69 than at 1.29, but naturally these will be all those songs that hardly anybody is buying anyway.

Like a lot of things in life, the 80/20 rule will apply here, or in this case even more likely it will be closer to 90/10. 10% of the 1,000,000 plus songs in iTunes are responsible for 90% of the revenue, and likely the bottom 60 or 70% are just there to boost the numbers and have a complete library, and help make iTunes a 1-stop shopping experience, and they are rarely sold. I'll wager that Apple could lower the slowest selling 50% of the iTunes library to 69 cents, and increase revenue on that segment, and raise only the top 5 or 10% of the best sellers to $1.29 and again increase revenue in this segment as well. Sales may slow in the $1.29 segment, but as long as revenue is up, Apple wins.

Just my 2 cents.
 
Can't Get Away With That

Hey, you can't get away with your drive-by troll attempt without someone correcting your FUD. I see you're new here (joined just this month!) so you'll get off easy this time.

1. Mac Mini price did NOT go up. It stayed the same while the specs went up. Now, in Australia and maybe elsewhere it might have, but it had to due to the dollar exchange rates. In US dollars it's the same.

2. OSX is slow? Where on earth did you get THAT from? OSX runs fine on ancient hardware, and on every release it just gets faster & faster (OK, except ONE, and I forget the exact version). And OSX runs just dandy on an ARM processor.... you know, the portable chip in the iPhone. Try THAT with Windows.Anything.

3. I happen to agree with you on that one.

4. So Dell has a 15 and 17" laptop for under $1k, is THAT the ONLY spec you use to compare? If you price out an EQUIVALENT laptop from Dell & HP vs the MacBook, they are within spitting distance of each other. Google for price comparisons and you'll see. But you must have done that already, right? If not, try this one chosen at random:
http://technologizer.com/2008/10/19/is-the-new-macbook-expensive/

5. Don't know about this. Do you? Give us some links.

6. You said Pro Apps, plural, but you only mention Logic. As for the other pro apps I see updates for them at a fairly regular rate. Is it just Logic that you have a complaint about? And what exactly is your complaint? Is Logic lacking is some specific feature update that you're wanting, or you just want to see generic updates at a faster rate? And Apple's Pro apps are anything but a joke. Ask channel 12 in my home town. They couldn't live without em.


Yes, ominous signs indeed. If you want to see signs of a giant corporation starting to fall apart, I suggest you look at Microsoft.

Wow, the downfall of Apple is upon us.

Ominous signs that Apple are falling apart:

1. They are increasing the price of everything: mac mini, mac pro, now itunes songs when the competition is decreasing the price - eg. Dell Intel i7 Desktops for just over $1000 dollars.

2. Windows 7 - it is getting rave reviews and works on sub-standard Netbooks, whereas OSX is slow and needs at least a core 2 duo to run well.

3. There is a huge gap between Mac Pro and iMac; a mid-level desktop is seriously needed.

4. The Macbooks Pro are severely over-priced and underpowered. Dell have 15inch and 17 inch laptops for under $1000, that means the equivalent Apple laptops are 100% more expensive. And where are the quad core laptops?

5. The price of the 24 LED screen is unbelievable, considering you can buy superior LGs and Samsung for a third of that price.

6. Their Pro Apps are becoming a joke. Logic gets updated every 4 years, whereas the competition eg. Pro Tools get updated every 6 months.
 
That's iPhone OS, not OSX.

It's still a version of OS X.

To the topic in general, I don't buy much music, and when I do, it's usually full albums (mostly classical music). I doubt this will affect me very much.
 
I suspect that Spotify and similar services will kill itunes in a year or less.

I'm in the UK and have been using it for the last week. It's amazing. Streams almost instantly, quality as good as itunes. Track library isn't quite as broad as itunes but it's impressive. The advertising is very light - every fifteen minutes or so - and I might just pay ten quid a month to get rid of that.

My computer is hooked up to speakers around my home so the lack of a mobile platform isn't too much of a problem - though I'm hoping they'll bring it to the iphone soon.

I listen to albums on spotify that I already own on CD - less hassle just to call them up on the macbook and they play straight off.

It's really quite refreshing. Hard copy is so passé.
 
$.99 is cheap for a single.
That's what a single cost in the 1960s.
What did gas and food cost back then?
Sure for the price you got a b side as well,
but the b side was usually a throwaway.
Also the vinyl record would sound best the first play and then
the quality would slowly degrade with each play due to scratches and pops.

Perspective!
 
This is a tricky situation for the consumer. If you want something soon, do you buy now, expecting it might go up, or wait, expecting it might go down?

If some tracks are going up $0.30, why not lower more tracks to $0.69?

How do you know they won't?

Wow, the downfall of Apple is upon us.

Ominous signs that Apple are falling apart:

1. They are increasing the price of everything: mac mini, mac pro, now itunes songs when the competition is decreasing the price - eg. Dell Intel i7 Desktops for just over $1000 dollars. (rest of the post is way off topic, ignored)

I guess you missed the original announcement, but the price increase was insisted on by the record companies - Apple agreed to it in exchange for no more DRM and lower prices on some songs.

Personally, I think variable pricing is a good thing since it will show record companies whether consumers are willing to pay more for "hits" or not. I suspect the answer is not, and when the labels see that the cheaper tracks way outsell the more expensive ones, they can adjust their pricing accordingly.

I have a feeling we're going to see an increase in Amazon.Com music downloads.

Better quality (debatable) and less expensive (not debatable)= better deal all around.

Actually, with amazon at 256 mp3 and iTunes at 256 AAC, the iTunes version is arguably the better quality. And on any given song or album, we'll have to see how the pricing is on each - when iTunes has it for 69 cents, it may be cheaper.
 
Why still lots of songs not available in iTunes Plus, i thought apple suppose to complete the entire collection into iTunes Plus by April 1st? my iTunes library contains about 100 or so still in DRMed version.
 
It still applies because while you can download a song an infinite number of times, there is not an infinite number of songs available on the store. And the utility of each each song is not the same for each consumer.

In this example, the supply is the music on the store. What the record companies are doing is assuming (probably correctly) that demand is greater for some artists on the store over others. If that is true, then they should be able to charge more for these songs because people are not likely to pick a similar song by a different artist because it is cheaper.

So you mean we gonna really see "Viva La Vida" for 12.99$,and <Viva La Vida>for 9.99$. If talking about the margin utility of the consumers, it has a huge chance to act like this since even some hardcore CP fans only know "Viva La Vida"
 
Actually, this argument is a bit flawed... but rather than negate it entirely let me try to steer it in the right direction:

The logic behind it goes something like... the product is the distributed item. IT is not. The product is the music which is itself intangible. The various media in which it is fixed are tangible, but they're simply the method of delivery. It would be like arguing that if Ferrari increases their output to 2 million cars a year (exponentially more than present) that somehow the Ferrari design is worth about the same as a Ford, and Ferrari engineering is worth about the same as a Ford. Neither of which are true.

So now you have Artist A and Artist B. Artist A is a big star, not very talented, but a ton of money was thrust into their production and marketing. On a cost basis, their music is worth more. On an availability basis, their music can be argued to be worthless (because they sound like everyone else). But... there are STILL more people out there wanting Britney's albums than there are Britneys. Many times over. The record label can demand a high price for this artist's material, and expect to be paid it. Even if the value is low

Artist B is not very popular, and their talent is such that it is rarely found. Their production costs were low, since they recorded it all on a four track reel-to-reel, in one take in the bass player's living room (based on a true story... jazz trio I did CD mastering for had done it just like that). They won't ever see high demand, but their talent is rare, their music is very original (and therefore also rare), and so their value is high... but their price doesn't have to be in order for them to make a reasonable profit.

When it comes to dime-a-dozen pop stars, also consider that just like Coke, Pepsi, Big K and a bunch of lesser brands are absolutely the same, how often do people choose Coke instead? Why? Brand perception. Lots of money is put behind marketing a Britney as a brand unto herself. Even though she's utterly replaceable, the cost of creating a perception that defies reality are high and too must be recouped.... but they pay off in that they are often successful in creating that perception and therefore falsely inflating demand to counteract the broad supply of music like hers.

It also doesn't matter how many copies of Britney's latest album are crapped out by iTunes... People who believe that Britney is different will want Britney, and not the Kroger generic brand version of Britney, of which there are thousands.

But if you still don't believe me, may I ask what brand of soda you drink and why?

I understand well the concepts of marketing, branding, "supply and demand," etc. I majored in marketing. The trouble is that they are speaking in terms of "supply and demand" when supply is really not a factor in digital downloads. They should speak only in terms of demand. The supply in this case is not the cause of any price increase ... it is simply the demand for the particular song (regardless of marketing costs). Therefore, there really is no flaw in anyone's argument.

By the way, I drink Coke ... because it IS different and I like the taste better than the competition ...
 
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