The antiques shop in Back to the Future Part II has a (1984?) Mac among the many items in its front window display.

I’m so accustomed to seeing iBook G4s (and owning them), that I forgot how that form factor once lacked slot-loading):
I have an iBook G4 with a jammed optical drive (a disc is stuck inside) and I've put it to one side because I can't be bothered to go through the nightmare of disassembling it (I gave up halfway with my iBook G3/500!) and I dearly wish that it had the tray transport instead.
Onto re-watching an old fave series, Dead Like Me. So far, two standouts.
First up, an opaque 14-inch iBook G3 with the optical drive door, then a current model. I’m so accustomed to seeing iBook G4s (and owning them), that I forgot how that form factor once lacked slot-loading):
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And lastly, a Macintosh Classic, in a main character flashback:
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Continuing with Dead Like Me, the appearance of OS 9 on what was, as a prop, some generic desktop PC:
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New series re-watch up: Continuum.
In s01e05, the first appearance of Apple products: five Power Mac G5s. And of the three whose rear can be seen, none suggest A1117s.
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More series spotting.
Doing a slow re-watch of Sense8 — slow, in the way one savours a finger of 16-year single malt scotch whisky or an ootoro sashimi.
In s01e01, “Limbic Resonance”, we have a couple of Macs in use.
First, we see Riley, in London, using a 13-inch unibody MacBook Pro for her live set — identical to what I use when I run my own live sets:
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Later, we see Sun, in Seoul, at her desk, where a post-late 2012 iMac is on her desk. Judging by the size of the base, it’s probably a 27-inch version:
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In s01e02, “‘I’ am Also a ‘We’”, we see Nomi, in San Francisco, using her 13-inch MacBook Air:
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In s01e04, “What’s Going On”, Riley, in London, uses her green 7th gen iPod Nano to select a certain song:
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During which Nomi, in San Francisco, joins Riley, in London, to sing along:
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Onto re-watching an old fave series, Dead Like Me. So far, two standouts.
First up, an opaque 14-inch iBook G3 with the optical drive door, then a current model. I’m so accustomed to seeing iBook G4s (and owning them), that I forgot how that form factor once lacked slot-loading):
In s01e05, “Art Is Like a Religion”, Riley, in London, is using her 13-inch unibody MacBook Pro for non-DJing stuff, as Capheus, in Nairobi, walks in:
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Here are a couple Mac (and Apple) music video appearances from the 1980s into 1990:
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In the background of a studio shot, there’s a Macintosh SE (1987 edition), in the dual 800K disk drive configuration, on this very late 1989 (November/December) music video for Jane Child’s biggest single, “Don’t Wanna Fall in Love” — in which she performs on a Fairlight CMI 3 (whose appearance always gets my heart to flutter). Fun fact: Warner Brothers allowed her to produce her début album, which at the time they’d only allowed for one other artist: Prince; second fun fact is the classically trained Jane not only produced but also wrote and performed all instruments on her album.
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In the May/June 1984 music video for the single, “No Way Out”, there’s a member of Jefferson Starship (the last album before renaming as Starship in 1985) working on an Apple ][+ — which is apropos considering how Apple was the locally available personal computer maker in San Francisco at the time.
Another music video appearance, this one from 1989 — 3rd Bass’s “The Gas Face” —
3rd Bass! I picked up their 2nd album Dialects of Derelict on vinyl dirt cheap in a record store that had new old stock. Well worth it alone for Pop Goes Weasel.![]()
MC Serch would go on to help bring Nas and his mighty debut - Illmatic, to the world.
Check out this interview in which Serch recounts the dangerous fallout that ensued from jibes against MC Hammer on The Gas Face. (Absolutely NSFW.)
ON VINYL, IN 1991. AMAZING.
In North America, by 1991, if the majors pressed an album to vinyl, exceedingly few retailers ever stocked it (and if one did, we’d get drop-shipped one or two, tops, even for the major titles expected to do fantastically). For Def Jam/Columbia/Sony, I have no doubt they pressed Derelicts of Dialect for the U.S./Canada market, but working in a retail chain store at the time, that one never showed up. “Pop Goes the Weasel” drew everyone in with Gabriel’s sample.
Today I learnt! I never knew that!
Oh hell, between them dissing Hammer on The Gas Face (along with half of NYC) and Vanilla Ice on Pop Goes the Weasel, they never pulled punches (“Rappers Against Phony Entertainers…”). But I had no idea Hammer was so thin-skinned that he put a literal hit out on them like that.
I’d love to say who Hammer reminds me of (someone infamous), but this is a family forum…
Think I've found a Wallstreet on a desk in K-PAX (2001) :
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Could beCould also be a Pismo!