Not important, Spotify doesn't block the ability to transfer playlists.
So? they are hardly successful on Spotify's own platform. Nobody said it wants to license Spotify's podcast, suggesting something like this is illogical, like I've said did anybody force Apple to license Apple TV shows?
And no offence I asked expected logical reasons for regulating Spotify and all I've got are jokes, ironies and illogical suggestions.
Even people that feel the absolute need to defend apple and hate on Spotify can't provide any technical reasons as to why Spotify should pe regulated and what this regulation should address. Also, you obviously don't understand the scope of the DMA, what it concentrates on if you are suggesting it should regulate a small piece of the digital market and ignore the digital market in general, or that the entirety of the digital market is the same as a small piece of it.
Perhaps, but that doesn't mean you are correct. Taking in consideration you feel the need to make ironic suggestions instead of providing serious arguments there are very small chances your sentiment regarding iOS is accurate.
I explained it very clearly. You can't possibly insist on acting like a preinstalled browser, a core ecosystem app, is the same as a 3rd party music streaming app you have to download and install yourself, also an app that's limited in the functionality it provides. You can even use a browser to listen to music. Browsers have been regulated on Windows for years, all of the sudden Safari is untouchable. Why exactly?
No, it's objectively not an essential core service, if it was Apple Music and Youtube Music would be the undisputed leaders of the music streaming market as their platform backing would simply overwhelm any competition.
And you have no proof whatsoever the DMA was intentionally written to exclude Spotify. If you would understand the law, you would not make such claims in the first place.
In comparison to YouTube, Google Maps, Google Search, WhatsApp, Facebook etc. they could be considered small.
Ad revenue is secondary for Spotify and comes only for their free version, which is built to make users want to subscribe, so no Spotify is not a huge ad platform, absolutely nowhere near YouTube, Facebook, TikTok for example.
And musicians are forced to deal with all music streaming platforms, for most of them the ability to promote their music on these platforms allows them to be more successful.
Again, accusation without backing.
And, Spotify and iOS are not the same thing. Stop acting like they are.
DMA is meant to have a broader scope, it concentrates more on the digital market in general, not on small, concentrated pieces of it, like music streaming.
I already explained, in order to reach the entire mobile market, you need presence on iOS and Android.
Again, you don't understand the nuances between a single 3rd party app and an entire platform and ecosystem.
Do a little research and you will find out if you want to, I don't think you want to.
What is the Digital Markets Act?\nThe Digital Markets Act introduces rules for platforms that act as “gatekeepers” in the digital sector. These are platforms that have a significant impact on the inter
ec.europa.eu
It doesn't seem like you have researched.
Also, nice try, the text you provided is missing a key component—the
specific quantitative criteria that define what constitutes a "significant impact on the internal market" and other aspects of gatekeeper status that are explained in detail. Like I've said the only criteria met by Spotify is the number of monthly users.
It's actually doesn't.
Business users in general not just a specific small group of such users.
No, its because of the technical reason below:
The DMA defines gatekeepers as companies that meet certain thresholds in terms of
revenue,
market capitalization, and
user base. While Spotify is a dominant player in music streaming, its overall influence and size across digital markets (compared to broader platforms like Google or Apple) does not meet the DMA's required criteria for classification.
Spotify's reach is primarily within the
music streaming industry, which is more specialized than the broader ecosystems targeted by the DMA (e.g., app stores, advertising, social media).
The DMA is focused on platforms that
control ecosystems that extend beyond a single product or service. For instance, Apple and Google control entire ecosystems that include
app stores,
devices,
operating systems,
advertising, and more.
Spotify, on the other hand, mainly operates as a
content provider and streaming service, without controlling a broader platform or marketplace in the same way that tech giants do. Spotify doesn’t create or own the primary device or operating system through which people access music, nor does it operate an app marketplace. It largely exists within ecosystems controlled by other companies (like smartphones, app stores, or smart speakers).
Spotify's business model is largely subscription-based and relies on its relationships with artists, labels, and distributors. In contrast, companies like
Apple and
Google generate revenue across multiple industries, including advertising, app sales, cloud services, and hardware.
Spotify’s dominance in music streaming does not translate to dominance across
multiple digital markets, which is what the DMA primarily focuses on when defining gatekeepers.
Spotify does not have the same level of
vertical integration as other gatekeepers targeted by the DMA. For instance, companies like Google, Apple, and Amazon control not only the platforms on which their services run but also the
distribution channels (app stores),
advertising networks, and even the
hardware. Spotify, on the other hand, is still dependent on platforms controlled by others (such as Apple's App Store or Google Play) for distribution and reach.
Spotify does not exert control over the broader digital economy in the way a tech giant like Amazon or Apple does, making its influence more
sector-specific than global.
While let's say Spotify is a dominant player in the music streaming industry it does not meet the broader, cross-market criteria set by the DMA for defining a gatekeeper. The DMA focuses on large, multi-service platforms with control over digital ecosystems, whereas Spotify’s influence is primarily limited to music streaming. Furthermore, Spotify itself depends on platforms like Apple and Google to reach its users, making it more of a participant within gatekeeper-controlled ecosystems than a gatekeeper in the DMA's sense.
A participant within gatekeeper-controlled ecosystems - I really like this one, it's really accurate.
Unsupported speculation.
I doubt they can. You probably think apk's in general are pirated apps.