HobeSoundDarryl
macrumors G5
Blockbuster filed for bankruptcy (again) because they played the debt game: refinance the debt, refinance the debt, refinance the debt, file bankruptcy to try to discharge as much of that debt as possible, then sell debt, then refinance the debt, re-refinance the debt, re-re-refinance the debt, then file bankruptcy to try to discharge as much of that debt as possible. Some businesses do this over and over until finally no one is willing to loan them money, at which point they file a final bankruptcy and completely go away (like Circuit City).
Who does the above help? Bankers. That's part of why there is such greased wheels for our national debt too. It's the ultimate debt to finance, refinance, re-re-finance, etc, because the nation's subscribers have no choice but to pay the monthly subscription (known as taxes). However, it too can get to a point where no one will want to loan the U.S. any money, at which point we could experience Sovereign bankruptcy. Perceptually, our leaders must believe that having a nuclear arsenal is a good deterrent to our "bankers" getting to actually "foreclose", but all that's another topic.
Back on topic, a business doesn't prosper by driving the products it sells or rent to zero, nor handing pricing over to another company like Apple, who has no real skin in the game of whether iTunes store content makes money for it's creators or not... Apple just wants to sell more hardware.
I'm not really defending Blockbuster here. Netflix is a smarter version of Blockbuster. But THE answer is not handing it all to Apple, nor is it pricing the offerings toward zero. If the latter, there is little-to-no money to fund new shows, or to keep marginal shows alive long enough to find their audience. Lots of much loved shows were not hits out of the gate. In this model, every show would have to be an immediate hit, as there would be little incentive to consider anything more than apparent sure things.
The world where all content is commercial-free and near free in cost is the world where the quality of the content is pretty much what we can get on youtube now... commercial free and no cost. You don't get professional, polished productions from volunteers willing to put all that time into them and then making little to nothing on them. Watch the credits sometime. All those people get paid for their contribution to each show. Where does that money come from in commercial free, near zero rental world... especially for the shows that are not yet hits, but could be if they had a chance?
Who does the above help? Bankers. That's part of why there is such greased wheels for our national debt too. It's the ultimate debt to finance, refinance, re-re-finance, etc, because the nation's subscribers have no choice but to pay the monthly subscription (known as taxes). However, it too can get to a point where no one will want to loan the U.S. any money, at which point we could experience Sovereign bankruptcy. Perceptually, our leaders must believe that having a nuclear arsenal is a good deterrent to our "bankers" getting to actually "foreclose", but all that's another topic.
Back on topic, a business doesn't prosper by driving the products it sells or rent to zero, nor handing pricing over to another company like Apple, who has no real skin in the game of whether iTunes store content makes money for it's creators or not... Apple just wants to sell more hardware.
I'm not really defending Blockbuster here. Netflix is a smarter version of Blockbuster. But THE answer is not handing it all to Apple, nor is it pricing the offerings toward zero. If the latter, there is little-to-no money to fund new shows, or to keep marginal shows alive long enough to find their audience. Lots of much loved shows were not hits out of the gate. In this model, every show would have to be an immediate hit, as there would be little incentive to consider anything more than apparent sure things.
The world where all content is commercial-free and near free in cost is the world where the quality of the content is pretty much what we can get on youtube now... commercial free and no cost. You don't get professional, polished productions from volunteers willing to put all that time into them and then making little to nothing on them. Watch the credits sometime. All those people get paid for their contribution to each show. Where does that money come from in commercial free, near zero rental world... especially for the shows that are not yet hits, but could be if they had a chance?