Because Apple says "Tape is Dead" doesn't make it true...just like Blu-Ray isn't gone. So that begs the question--is there tape output support (machine interfacing, et al) for FCX?
Well?????????
I wonder if the next FCE will cost $99.00 now.
Or
is FCP X the new FCE?
Jeeebers! FCP X is the Glee version of video editing.
Yep times are changing.
Here's the deal...(and I just realized that the way this is written might make it look like I have earlier posts in this thread. I don't. I'm jumping in right here.)
The reason that I think pros fear "dumbed down" isn't so much because they want something that is difficult to use, but rather because sometimes making difficult things easy makes things that were previously easy difficult, or impossible.
So just this week I had to help somebody with an iMovie problem. There was a part where they had 3 overlapping audio tracks. Movie audio, voiceover, and music. Try as they might, and try as I might, we could not get the movie audio to actually go away -- even though we had set it's volume level to "0%."
Oh...and did I mention that they're on a white iBook? Fine machine, but a little slow. So I copy their iMovie stuff onto an external drive so we can look at it on my Core i7 iMac instead.
Except iMovie on my iMac won't recognize the project on an external drive. I know that supposedly iMovie is supposed to...but it won't work. So I have to copy the files onto my iMac, and then iMovie magically sees them...because they're in the spot that iMovie wants files to be in.
Well the only way to get the clips to work right that I could come up with, was to actually run all their clips through Quicktime 7 and just delete the audio track off them. Voila! No audio track for iMovie to play, when it's not supposed to.
My point is that I spent 30 minutes dinking around with the "Easy" iMovie to do what would have taken me 10 seconds to do in Final Cut. (Select audio. Delete.)
And that's pretty much my experience every time I get lulled into trying to run a quick project through iMovie. Everything seems to be going well, I'm even sort of enjoying myself (Don't tell anyone), then I hit a snag or a wall...bump up into some limitation of iMovie that there isn't a very good work-around to...and wish that I'd just used Final Cut to begin with.
So while I agree that there are those who want pro tools to be difficult simply for the sake of having a high barrier of entry...
...I also think there are a ton of us that are just afraid that the cost of these new and handy features will be that some of the things we rely on doing, especially things that are a little "hackish," will become difficult/impossible. In the name of simplicity.
It's like my iPhone. I love it to pieces, and I don't plan to have any other type of phone any time soon, but sometimes I wish for a few more advanced features...features that are available (Usually through third-party tools) on Android. Instead I'm stuck hoping and wishing and praying that Apple will implement them.
This is so that each eye receives 24fps for 3d. So finally 3d will now look like a 3d "movie" rather than a 3d flip book.
Each eye already receives 24fps (for both 2D and 3D) but the 48fps will make the motion look less choppy and less blurry. The differences can be seen in both 2D and 3D but 3D should be more comfortable to watch at the higher frame rate (especially for long periods of time).This is so that each eye receives 24fps for 3d. So finally 3d will now look like a 3d "movie" rather than a 3d flip book.
+1 here. Every time I've tried to use iMovie for a "quick" edit it always ends in disasters like this. In my case, I was trying to move some music around and time my edits with the music. It was really infuriating trying to do this in iMovie compared to how fast I could have done it in FCP. I guess we'll have wait till Apple posts more info or we get it in our hands to really tell if it can be run like the current FCP.
No professional would let the software identify their subjects. Features like this do nothing to lighten the workflow of their productions. Only amateurs would allow an algorithms to determine what gets logged as what. Regardless of how the rest of the program turn out, the facial recognition is something only amateurs will use. Professionals have a higher standard of quality, and more complex needs than that.Because pros don't need features to make their life easier, and help automatically organise footage?
+1 here. Every time I've tried to use iMovie for a "quick" edit it always ends in disasters like this. In my case, I was trying to move some music around and time my edits with the music. It was really infuriating trying to do this in iMovie compared to how fast I could have done it in FCP. I guess we'll have wait till Apple posts more info or we get it in our hands to really tell if it can be run like the current FCP.
I love the fact that Apple has adopted the iMovie UI for FCP X. That makes the transition from iMovie to FCP X that much easier
Nothing really new here as this as been Apple's MO for at least a decade. All of the iApps (iMovie, iPhoto, etc.,) used to be totally free and when FCP cost $999 by itself an Avid would put you back $70,000 on the low end. Shake, LiveType, DVD Studio Pro, Color, etc., were all programs acquired by Apple and sold at a significantly lower price than what they were prior to Apple's acquisition.PS i really think that apple is powerfully positioning themselves by selling final cut so cheap. Now you can justify paying more for a Mac box because the software is so much less than the competition. Brilliant if you ask me - make software cheap, sell more macs and cost kick your competition out of the market.
+1 here. Every time I've tried to use iMovie for a "quick" edit it always ends in disasters like this. In my case, I was trying to move some music around and time my edits with the music. It was really infuriating trying to do this in iMovie compared to how fast I could have done it in FCP. I guess we'll have wait till Apple posts more info or we get it in our hands to really tell if it can be run like the current FCP.
PS i really think that apple is powerfully positioning themselves by selling final cut so cheap. Now you can justify paying more for a Mac box because the software is so much less than the competition. Brilliant if you ask me - make software cheap, sell more macs and cost kick your competition out of the market.
I second this.
So now the question is do I still need to transcode to pro res my avchd footage 🙄😕
Holy smoke what is with all the bitching in this thread?
Final Cut X is coming! It seems to have all the stuff i'm dying for.. maybe even CUDA support!
No professional would let the software identify their subjects. Features like this do nothing to lighten the workflow of their productions. Only amateurs would allow an algorithms to determine what gets logged as what. Regardless of how the rest of the program turn out, the facial recognition is something only amateurs will use. Professionals have a higher standard of quality, and more complex needs than that.