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This is from the Chihuly exhibit at the NY Botanical Garden

August 11, 2006
Nikon D70 18-70mm
56mm 1/160 @ f/6.3

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Bali Cockfight said:
Do you often get pictures like this with your A610? It's a gorgeous shot
Oh all the time. It's really hard to take a bad picture with it. I love using it because it's really fast for those spur of the moment pictures, but it produces great results.
 
Male lyrebird

One of Australia's native birds, captured on my 20D at Healesville Sanctuary:



f/5.6, 70mm, ISO 400, 1/60th second. No cropping (missed out on a bit of the tail, but never mind).

Not an easy bird to capture; I'm not happy with the focus on the head. Would have been better with a lower f stop (maybe f/11) ...
 
Red Dragon, Smiling

DragonRedsmallpost.jpg


The Forest's Edge
Daegu, South Korea
Camera make: FUJIFILM
Camera model: FinePix F30
Date/Time: 2006:09:03 15:33:10
Resolution: 1089 x 792
Flash used: No
Focal length: 8.0mm
CCD width: 2.94mm
Exposure time: 0.0045 s (1/220)
Aperture: f/2.8
ISO equiv.: 100
Exposure bias: -1.00
Whitebalance: Manual
Light Source: Daylight
Metering Mode: spot
Exposure: program (auto)
cropped somewhat

So, I wonder how natural selection devised a faux pupil and eyelid for this creature. It has a kind of shy smile,too. Curious.
 
Took this shot while I waited 3 hours at the health department to get my meningitis vaccine for school.
I know the highlights are blown out, but it was intentional, I swear. It was post processing with the RAW file in photoshop, and then desaturation, plus a pink "Screen" layer over it. I wanted to give it a more artsy/design look to it. I really like this one, I think.

Make: Canon
Model: Canon EOS DIGITAL REBEL XT
Shutter Speed: 1/100 second
F Number: F/2.0
Focal Length: 50 mm
ISO Speed: 400
Date Picture Taken: Sep 6, 2006, 2:44:31 PM

newLove.jpg
 
Nikon D2Hs
June somethingth 2006
ISO 200
f/2.5
1/3200.1 sec
200mm f/2.0G VR

Post processed in Capture NX
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srf4real said:
That is perfect for my desktop! :) Do you mind?
Not at all! Check your PM for a link to the full size image.


Circa 1995. Road to Nowhere. American Southwest.

Camera: Minolta X-700
Lens: 50mm f/1.8
Exposure: Unrecorded
ISO: 100

Shot on Kodak Ektachrome slide film.

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peterj1967 said:
This is from the Chihuly exhibit at the NY Botanical Garden

August 11, 2006
Nikon D70 18-70mm
56mm 1/160 @ f/6.3
Very nice! Sharp as nails.

freebooter said:
The Forest's Edge
Daegu, South Korea
Camera make: FUJIFILM
Camera model: FinePix F30
Date/Time: 2006:09:03 15:33:10
Wonderfully colorful. How close were you to the dragon fly? The F30 has a maximum focal length of 108mm (FF equiv).
 
Yeah, I was going to ask about the dragonfly. How do you get such great macro shots using that camera? I guess it's because my best lens for macro only gives me a 1:3.9 ratio, so I'll need to get a macro lens, but I can't believe how versatile point and shoots are, and how the lenses included with some of them let you zoom in and out so far, and how you can do so many things (even macro).
 
Abstract said:
Yeah, I was going to ask about the dragonfly. How do you get such great macro shots using that camera? I guess it's because my best lens for macro only gives me a 1:3.9 ratio, so I'll need to get a macro lens, but I can't believe how versatile point and shoots are, and how the lenses included with some of them let you zoom in and out so far, and how you can do so many things (even macro).

Yeah, I kind of miss the versatility of my Coolpix 8800. It had a 10x optical zoom and a macro mode that must have been at least 1:1, maybe 2:1 with an adapter.
 
Abstract said:
Yeah, I was going to ask about the dragonfly. How do you get such great macro shots using that camera? I guess it's because my best lens for macro only gives me a 1:3.9 ratio, so I'll need to get a macro lens, but I can't believe how versatile point and shoots are, and how the lenses included with some of them let you zoom in and out so far, and how you can do so many things (even macro).

I think I was close to minimum focus distance, which is 5 cm. There were dragonflies all along the fence next to the forest, so if one got scared off from my looming camera, I just went to the next one. I took a lot of shots, some with flash, some frontally lit, and some, like the one I posted, backlit.

As to sharpness, I was able to brace against the fence, and that Fuji has a kick*ss lens and sensor, which is why I got it. Its 6 MPs seem like plenty for cropping/displaying (I don't make big prints). I cropped about half of the posted shot.

Also, my sharpening plug-in seems to do a good job.
 
City lights, Zürich CH - 8/26/2006


IMG_3047.jpg



Camera: Canon EOS 30D
ISO: 100
Shutter/Aperture: 1/60 @ f7.1
Lens: EF 50 mm f1.8 II
 
Moonlight hay bails

Bails of hay lit only by moonlight / Dundee, Scotland / 08-09-06

Camera: Nikon D200
ISO: 100
Focal Length: 17mm
Shutter/Aperture: 361.60 sec @ F/8
Lens: Nikon 17-55mm F/2.8 G DX

_DSC200920060908-002206.JPG

I nipped out this evening (23:30 ish) to see what a long exposure could do on a night like this. The moon was a bit too bright to allow me long star trails, but I think the idea is still there. I had to make a snap decision whether to allow the car lights on the right, or shut them off - hopefully I chose wisely!
 
17-Nov-05. Window Cleaning. JAL 777 at Nagoya.

Camera: Panasonic DMC-FX7
Focal Length: 17.4mm (105mm FF equivalent)
Exposure: 1/200s @ f/5
ISO: 100

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Seventy5 said:
Bails of hay lit only by moonlight / Dundee, Scotland / 08-09-06

Camera: Nikon D200
ISO: 100
Focal Length: 17mm
Shutter/Aperture: 361.60 sec @ F/8
Lens: Nikon 17-55mm F/2.8 G DX

View attachment 56831

I nipped out this evening (23:30 ish) to see what a long exposure could do on a night like this. The moon was a bit too bright to allow me long star trails, but I think the idea is still there. I had to make a snap decision whether to allow the car lights on the right, or shut them off - hopefully I chose wisely!

hilarious, scotland looks like b.c., canada
 
Seventy5 said:
I nipped out this evening (23:30 ish) to see what a long exposure could do on a night like this. The moon was a bit too bright to allow me long star trails, but I think the idea is still there. I had to make a snap decision whether to allow the car lights on the right, or shut them off - hopefully I chose wisely!

I really like this — there's always something eerie about shots at night like this, and the car lights really work.
 
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