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This is not the first time this has happened. Last year at around the same time Columbia issued a very limited number Bob Dylan CD set, featuring recordings made in 1962. Again this was simply to prevent them from being issued legitimately by other labels at the start of the following year. I can also cite examples of live jazz recordings escaping in a similar way.
 
Unlike many artists... the Beatles are not known for their drug use. They dropped LSD in mid-sixties, smoked pot, Lennon had a heroin addiction for a time, etc.

...Your post is stupid on so many levels.

I totally see it.
 
I just love it when people want to "give away" stuff that belongs to someone else.

The best part is watching the contortions they twist themselves into to try to justify their "logic".

Well it won't 'belong to' them in 20 years time, they're just delying the inevitable.

This isn't the Beatles getting the cash, it's Apple (the record label) and Apple (the computer company).

BBC made a number of these recordings, possibly for documentaries that the BBC 'own'. Due to Apple having exclusive rights over publishing their music, the BBC cannot publish their recordings.

Apple (the music company) is fully intitled to do all of this and make as much money as they can within the 70 year period.

I question the ethics of scraping up everything they never wanted to sell andputting it into a brown bag for sale so that others will have to wait another 20 years to do so (even when it's their recording, which they potentially intend to give away as the BBC is owned by the government).

Apple Corps and Apple Inc will get the lion's share of the money, not the Beatles/their families. Even when it's BBC recordings!

Ownership isn't as simple and 'pure' as you see it. That's all I'm saying...
 
There are these record stores in the Shinjuku area of Tokyo that are dedicated to selling bootlegged recordings. I'm not talking about pirated versions of officially released music, but true bootlegs of concerts, artist home recordings and studio outtakes.

The Beatles bootlegs are among the most expensive recordings on sale — often priced in the tens of thousands of yen (hundreds of dollars). And, of course, none of that ever goes into the pockets of the creators.

I'm glad to see these Beatles recordings finally get an official release at a very reasonable price. Everyone wins — except the greedy bootleg shops in Tokyo and elsewhere.
 
Wow, a bunch of dumb statements. Real old news... yet we are still talking about them. Yeah, McCartney spent 90% of his wealth, and still managed to be a billionaire. Unlike many artists... the Beatles are not known for their drug use. They dropped LSD in mid-sixties, smoked pot, Lennon had a heroin addiction for a time, etc. We are not talking about Keith Richards here. Most of the originals are dead? Yeah, try two... half. Not most. I guess most of the originals died of drug overdose as well? Well, it's true, they are no longer performing, since 1969 on a rooftop. Your post is stupid on so many levels.

Thank you for calling him out on this. Agree completely.

It's pretty clear the original poster has a real lack of knowledge on the subject.
 
After five decades, I wonder who The Beatles' market is today. I'm in my thirties and their music never grabbed me like the Jimmy Hendrix Experience, The Doors and The Who did. Personally I can appreciate some of their later, ballsier songs but for the most part they sound too poppy and inoffensive to not sound dated.

Not long ago, I heard "Sunshine Of Your Live" played by Eric Clapton in the supermarket. And I thought: When they play music in the supermarket that your parents violently hated, that means you must be getting old. (Haven't heard the Jimi Hendrix version in the supermarket yet. Maybe another 5 years).

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I don't know about Beiber, but Taylor Swift, absolutely she has...

http://en.wikipedia.org/wiki/Taylor_swift#Philanthropy

Funny story about Canadians (Bieber and RIM) here:

http://www.theregister.co.uk/2013/12/13/quotw_ending_december_13/
 
When I heard the Beatles for the first time in 1964 I could not believe my ears. Pop music before this time was (MOR) middle of the road stuff like, Pat Boone, Connie Francis, etc.. Safe stuff your parents and grand parents enjoyed. Teens did not have a music that made them want to jump and dance and let loose. Most young people were hooked at that point. The Beatles brought us our own culture back to us with rhythms and lyrics that they were influenced by from such black artists such as Chuck Berry and Little Richard which were considered "race music" at the time, meaning little airplay. Elvis connected to young people the same way coming from the south and being white he played the kind of music that was not allowed on white radio stations and young people got their first taste of R&B and Blues. The Beatles were part of the perfect storm of music and cultural counter revolution. They lived in London and where everything cool was happening. Each album was a evolution as they experimented in a variety of musical form and styles. They had a short trip into eastern spiritualism and drugs like LSD as many artist did at the time. There was never anyone as famous as the Beatles were at their peak in the history of modern music. Hope this explains a little of what it was like growing up during that time and why the Beatles still fascinate so many people. By the way I was 6 the first time I heard first album.

Yes, at the time they would have seemed like a big part of a cultural revolution but today it seems to me like The Beatles are the inoffensive nostalgic pop from those days. Nostalgia by baby boomers familiar with the context of the band's work can only go so far and The Beatles brand is slowly turning retro and kitsch for the generations that are far removed from it. For sure, The Beatles left their mark in pop culture and rock music but personally, I always felt like it was status quo to love the Beatles while artists like The Doors and Jimmy Hendrix just grabbed me by the throat the first time I heard them.
 
Not long ago, I heard "Sunshine Of Your Live" played by Eric Clapton in the supermarket. And I thought: When they play music in the supermarket that your parents violently hated, that means you must be getting old. (Haven't heard the Jimi Hendrix version in the supermarket yet. Maybe another 5 years).

I hear ya...

The other day I heard Black Sabbath (Paranoid or Iron Man, not sure which) playing while shopping at Ace Hardware. The wife and I gave each other a look... Yeah, we're old! ;-)
 
I feel like one of the few people who just doesn't like the Beatles. I mean, I know they were talented, but I just don't see the draw, like with Elvis, but variety never hurt!
 
Wow, some truly astonishingly ignorant comments on this topic. The Beatles are as relevant as they have ever been. Anyone who has any understanding of music history will tell you that. And they are still impacting modern musicians more than any other act over the last 50 years. If you can't see that or hear that, then you probably don't have the ear for it. Not everybody does.

As for the release ... It will be interesting to hear, kind of like "Let It Be Naked" was interesting to hear. However, they didn't release those tracks for a reason. I'd be really surprised if there was something big waiting for us.

As for the skeptics ... Copyright law is a tricky thing. Don't assume that you know more than the people who have to make business decisions based on it. And what's so greedy about having the rights to something and not wanting those rights to just fly off into the wind? You don't have to buy it if you don't want it.
 
Exclusively on iTunes? No sale for me without lossless audio tracks.

I think it's a bit tacky to release these tracks just to keep the songs in copyright, but they own the songs so they can do what they want. Then again, the copyright system was never supposed to extend rights for 70 freakin years until Sonny Bono and his Disney friends muddied the water.
 
Didn't Michael Jackson purchase the rights to a bunch of Beatles material a ways back? Perhaps he was forced to sell it back to the label when he evolved into a complete freak.
 
Whether or not you are a fan of the Beatles their music has transcended time and had an impact on the music industry. Just as Elvis and Sinatra before them, the Beatles music can still stand the test of time. Their music is still enjoyed by young teens thanks to their parents.
 
I'm curious whether these are really unreleased session tapes or just the stuff Swingin' Pig Records put out on the semi-legal "Utra Rare Trax" albums in the late 80s and early 90s.

("Semi-legal" because they used a since-closed loophole in EU copyright that allowed them to release the tracks without the rightsholders' consent.)

Yes. (And Yellow Matter Custard before that.) But this isn't about the bootleggers, this is about protecting from some some legit company grabbing the recordings and making a buck.

These (and the BBC archives stuff) have been out for decades.

FWIW
DLM
 
But this isn't about the bootleggers, this is about protecting from some some legit company grabbing the recordings and making a buck. These (and the BBC archives stuff) have been out for decades.

As dmunz says, this stuff has been around for ages. However, they have been released illegally (without permission). If these recordings were not now officially released, any legit company could potentially profit from this stuff in the future.

Do I blame a copyright holder for reading the law to the letter? Of course not. If the law says X, Y, Z, then if you have any brains, you do X, Y, Z so you can hold on to the copyright. Not rocket science.

I'm hoping that some really obscure '66/'67 recordings will make their way out soon, as EMI will be releasing these every year for a while, to protect copyright. Would be great to hear some unheard Revolver/Pepper material. Maybe something so "out there" that EMI never had plans to release it.
 
This is simple -- they lose ownership of their own recordings if they don't release them. Weird quirk of the European Union copyright law. Expect a flurry of these from other artists, including the Stones, next year.

What is it with Apple and The Beatles?
I think it had a reason, why the Beatles didn't want to publish this. They made some good songs, but they also released really bad ones - and even in their opinion these bootlegs seemed to be even worse - so what's the fuzz about some 43+ year old records?
 
After five decades, I wonder who The Beatles' market is today. I'm in my thirties and their music never grabbed me like the Jimmy Hendrix Experience, The Doors and The Who did. Personally I can appreciate some of their later, ballsier songs but for the most part they sound too poppy and inoffensive to not sound dated.

Hmmm, my daughter who turned 17 this past month, has loved the Beatles for years.

She love the Beatles.

On NPR, there was a story about how the Beatles are every popular because they wrote their songs as children songs.

So, there you go.

P
 
I don't see how any band that 'redefined music' can get old. I keep finding new songs as I acquire more of their CD's, more tracks that make me stop and listen and think that what they did is very unique and compelling in a way that most other bands haven't been and will never be capable of. I think they got burned out and that emotion sparked more creativity...
 
After five decades, I wonder who The Beatles' market is today. I'm in my thirties and their music never grabbed me like the Jimmy Hendrix Experience, The Doors and The Who did. Personally I can appreciate some of their later, ballsier songs but for the most part they sound too poppy and inoffensive to not sound dated.

I'm in my 40s and you've summed up my view exactly. A lot of great bands came out of the 60s but I don't consider the Beatles to be one of them. Yeah, they were crazy popular. So what? They were really the first truly successful marketing experiment in rock music (more or less the prototype of the boy band mold that is still used today.) I think about 1/4 of their output was worth hearing and the rest was crap (god, especially the earlier I-wanna-hold-your-hand era stuff. Blech!) But the Beatles are revered by a generation that will remind us to their dying breath just how important everything they did was. :rolleyes:

Meanwhile, bands like Pink Floyd, Hendrix, Janis Joplin and The Doors were light-years ahead of anything the Beatles did and their influences echo through popular music to this very day.

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I don't see how any band that 'redefined music' can get old.

The Beatles didn't redefine music in the 60s any more than Nirvana did in the 90s. They were just popular.
 
The Beatles are the most overrated band in the history of the music industry. Give me Guns N' Roses, Metallica, Nirvana or Taylor Swift over them every day of the week.
 
Meanwhile, bands like Pink Floyd, Hendrix, Janis Joplin and The Doors were light-years ahead of anything the Beatles did and their influences echo through popular music to this very day.

But you know that before The Beatles, you had girl groups and teen idols. In 1959, rock died with Buddy Holly and Elvis went to Hollywood. The Beatles resurrected that sound, and then took it in a whole new direction.

You mention I Want To Hold Your Hand. Yeah, talk about a progression from that to A Day In The Life. The Beatles constantly changed their sound, finding new sounds. You can't put any song off of Please, Please Me onto Rubber Soul, and you can't take any song from Rubber Soul and put it on Abbey Road, and you can't take any song off Help and put it on The Beatles (White Album). Hell, they stopped touring at their height to go into the studio. Imagine any top-line artist today giving up the lucrative touring business, and just make music.

The Beatles had so many firsts, musically, I couldn't begin to list them all here, as I'd be here are night.

You mention Hendrix. Do you know how influential The Beatles were to him? He had a cover of Sgt. Pepper literally within 48 hours of hearing that album. And remember all that backwards tape he used? Guess where he got that from... he even reached out to McCartney and (seriously) inquired about getting together musically, as McCartney said, only finding out years after the fact.

1967, The Summer of Love. Who kicked that off on June 1 with Sgt. Pepper? The Beatles didn't follow, the led by example.

You are forgetting The Beatles paved the way for all those British Invasion bands to stroll to America. Also, The Beatles gave away so much material to the Mersey Bands. Hell, the Stones had one of their first hits with a Beatles song.

In the 60s, you had Dylan and The Beatles. Everything can be traced back to them.

Some people don't like them. I don't like one of the bands you mentioned, Pink Floyd, but I can't discount their influence, especially their early stuff. But to say The Beatles were light years behind anything those artists did, is just plain crazy talk.

Brian Jones visits The Beatles in the studio, sees Harrison playing a sitar. Stones were first to use sitar in a #1 hit, Paint It Black. The Stones blatantly copied the Beatles through the mid to late 60s. It's no surprise, you can see Jagger in photos constantly throughout that era.

To put it into a perspective we can relate to: I hate Microsoft products. But I will be the first to say they were the first company to really do commercial software, and they had a bunch of success. Just because I can't stand them, doesn't take away from what they accomplished.

If you could poll every relevant artists from the 60s/70s, two constant influences you'd hear over and over are Dylan and The Beatles. Like it or not, that is the truth.

I'll end it with a "put your money where your mouth is" statement. Their certified record sales are over 250 million. Claimed sales, or unofficial sales are 600 million. For reference, Pink Floyd, about 114m certified sales.

No matter how you look at it, by sales, influence, or whatever, no other artist(s) in the history of the world were more successful. They didn't do it with smoke and mirrors, just good music.

And don't forget, they had all this success with essentially a word of mouth campaign. You went to a record store or read a magazine, or were lucky to see them on Ed Sullivan or Dick Clark. Imagine today, with the instant media of the internet and cable?

In closing.. did I say that already? As a group, and as solo artists, the amount of good material that made it to vinyl will never be matched. That's just my opinion.

However, Nirvana was the first band/artist that I had from my own generation, and not my father's. Hoping to get tix to the 2014 Rock HOF induction ceremony when they go on sale!!!!!!!!
 
The Beatles didn't redefine music in the 60s any more than Nirvana did in the 90s. They were just popular.

Nirvana ushered in a new paradigm with their sound. You had MJ, boy bands, hair bands and that 1988-1991 period was just horrible. Then Nirvana burst onto the scene, and it changed overnight. Cobain melded many sounds, from guess who, The Beatles, punk, new wave, etc. The rumblings in the North West had potential, and Nirvana simply was the most successful of those acts, and were able to put the pieces together. To say they were just popular doesn't do the band justice. They were game changers. Sadly, they only had a few years to accomplish it all. I would have loved to see Nirvana and/or Cobain grow.

I would reword that quote. I'd say Nirvana redefined music in the 90s just as much as The Beatles did in the 60s. Only The Beatles had much more time with much more talent in that era.
 
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