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24 has jumped the shark. I'm not watching it this year.

24 jumped the shark 1/2 through the first season, it always has been a fundamentally inane series.....

And while there are plenty of people who are into Lost and Heroes personally I could never get into those shows in the first place so overall it's not really a big loss for me.

As long as I have my DVD Player and 42" Plasma I couldn't care that much about TV series because I can watch what I want at my own leisure and without the ads.
 
no show for golden globes by wga and sag

SAG president Alan Rosenberg has announced that none the more than 70 actors nominated for a Golden Globe will attend the Jan. 13 ceremonies.

The event's been thrown into turmoil and uncertainty due to the WGA's refusal to grant a strike waiver to producer Dick Clark Prods., which offered to accept the same terms as David Letterman's Worldwide Pants banner. Instead, the guild's asserted that it will picket the Globes.

Rosenberg, who made the announcement Friday afternoon, has been a staunch supporter of the two-month strike.

"After considerable outreach to Golden Globe actor nominees and their representatives over the past several weeks, there appears to be unanimous agreement that these actors will not cross WGA picket lines to appear on the Golden Globe Awards as acceptors or presenters," he said. "We applaud our members for this remarkable show of solidarity for striking Writers Guild of America writers."

Rosenberg also announced SAG's urging its members to appear on the two Worldwide Pants shows that have waiver deals with the WGA -- "Late Night with David Letterman" and "Late Late Show with Craig Ferguson" -- but indicated they should avoid other shows. That would include "The Tonight Show With Jay Leno," although Rosenberg did not specify any other show by name.

"Actors who are asked to appear on the struck network talk shows will have to cross WGA picket lines, creating the same situation that has led to the consensus among actors to skip the golden Globes," Rosenberg said. "As I have said since this strke began on November 5th, we must stand united with our brothers and sisters at the WGA."

http://weblogs.variety.com/wga_strike_blog/2008/01/sag-no-actors-w.html

wonder what nbc will do now? i'm also hearing talk that the directors could join the writers and actors on the picket line, but i'm not sure...
 
This might have already been asked but:

Do you think this is the end of free drama/comedy episodic TV? I don't mean that everything will cost, but the premium shows (lets say Lost, Desperate Housewives, etc.) will become pay per viewed.

Thoughts? Comments?
 
I doubt it. Sitcoms and other scripted shows have extraordinary comeback abilities. All audiences need is a slew of bad shows (say the upcoming season of reality shows), poor economic times (greater incentive to stay home and save money) like the ones we're likely to see this year, and presto, the demand for quality shows goes through the roof. I'm sure that the strike will end for Fall 2008 to be ok, and by that time, the public will be more than ready to embrace scripted television again.
 
Golden Globes Cancelled

this just in as of a few minutes ago, nbc is canceling their golden globes telecast, and the people who run the event decided to cancel it and instead just announce the winners of the awards in a press release.

The Hollywood writers strike can now claim its first awards show casualty. The latest I'm hearing from my sources as of a few minutes ago is that NBC will not be televising the Golden Globes as planned on January 13th. Insiders tell me also that the entire event, even if it were held untelevised, will be cancelled. And the Hollywood Foreign Press Association instead will merely make an announcement of the winners. I've not yet received any official confirmation of any of this. But insiders tell me that NBC Universal topper Jeff Zucker and the Hollywood Foreign Press Association which bestows the Golden Globes made the decision together.

http://www.deadlinehollywooddaily.com/exclusive-golden-globes-cancelled/
 
this just in as of a few minutes ago, nbc is canceling their golden globes telecast, and the people who run the event decided to cancel it and instead just announce the winners of the awards in a press release.

I'd really like to see further confirmation of this, as I just noticed the Golden Globe guides at the checkout counter at my local supermarket yesterday and think it would be a really big deal if the entire awards show were cancelled.

In somewhat related news, has anyone seen the Knight Rider promo? I just saw it last night and was wondering if it's something that had actually been filmed, because the first I'd heard of it was late fall, and I can't imagine there's episodes ready to air, but thought it would be really premature if they started showing promos for a show with no finished episodes in the middle of a writer's strike.
 
I'd really like to see further confirmation of this, as I just noticed the Golden Globe guides at the checkout counter at my local supermarket yesterday and think it would be a really big deal if the entire awards show were cancelled.

the awards are still being handed out, it's just that the big awards show is canned. there's just going to be a simple press conference at 9 pm on sunday announcing the winners.

and here's more confirmation: http://theenvelope.latimes.com/awards/globes/env-goldenglobes7jan07,0,3725488.story
 
I wonder if it will matter to the producers if the Oscar broadcast is a no-go as well. :rolleyes:

I'd think that with SAG and DGA contracts up next, they're not going to cross the WGA picket line, correct?
 
I think the Oscars are in danger, the nominations should be out soon. Unless they skip the whole thing.
 
there's no end in sight for the strikes, but here are some headlines from today.

leading off, a studio employee attacked a striking writer picketing. she's fine though.

WGA member Rene Balcer (show runner of "Law & Order" and co-creator of "Law & Order: Criminal Intent) may have a new ripped-from-the-headlines story to write after the strike is over. Today, while picketing at the executive gate at Fox (Gate 3), Balcer was pushed numerous times by a black SUV driven by a Fox employee, as he walked legally through the crosswalk . According to one of six eyewitnesses who watched the entire incident unfold on Avenue of the Stars near Galaxy Way, Balcer was picketing the gate at about 10:15am, when the SUV approached. The driver, a man in his early 30s, was reportedly involved in a similar altercation at the same gate on Tuesday.

According to another witness, as soon as the driver got out of his car, nearby Fox strike captains yelled to the Fox security guard, but the guard did not respond. Another witness confirms that as soon as the driver exited his car, Fox strike captains tried to get the Fox security guard at the gate to come out and help, but he would not. Then, the driver "got in Balcer's face," made physical contact with him, and Balcer pushed back in self defense. The driver fell back against his car, with a startled look. Said the eyewitness, "I guess he didn't expect a writer to defend himself."

The driver got back on his feet and came at Balcer once more. Balcer took three or four steps back to keep a distance between them. Other picketers attempted to grab and restrain the driver. He shook them loose, but then scrambled back into his car. "He looked a little shaken" and was waved through the gate by the guard.

After the incident, Balcer called the police. While waiting for them, a Fox supervisor came out and was shown photos of the driver that had been taken at the time of the confrontation. About thirty minutes after the incident, the LAPD Labor squad arrived and took statements from everyone and ID'd who the driver was. They went on the lot to speak to him.

http://unitedhollywood.blogspot.com/2008/01/fox-employee-snaps-assualts-picketer.html

second, the directors are not going to do their quiet deal as they usually would, seeing how bad the studios have treated the writers.

Today's Los Angeles Times talks about "Directors Guild Talks Intensifying" -- and it's a fascinating article.

First off, it points out the the DGA always has "informal talks" before their main negotiations -- and in these informal talks, all the parameters of the deal are worked out so that when formal negotiations begin, they can go quickly and smoothly.

This time, it's apparently not so smooth.

In their current talks, directors are said to be frustrated over what the studios have indicated they would offer them in the area of Internet residuals, according to several people briefed on the discussions who declined to be named because of the confidentiality of the talks."Anybody who thought this was going to be a cakewalk for either side was mistaken," one said. "These are tough issues that have to be hammered out."

And I keep saying it: We aren't the problem. The AMPTP is the problem.

What we've done, and continue to do, is making a difference in those back-channel discussions. The WGA strike -- and SAG's firm support behind us -- have given the DGA leverage that they never would otherwise have had.

Much is made of the DGA's role as "peacemaker" in the town -- the union that can get people back to work. I fervently hope that they do. There's every chance the moguls will offer the DGA a decent deal eventually (when they realize they can't bully them into anything else) and then the congloms will trumpet how the strike was all for nothing, and they would happily have given the WGA the same deal if we'd only been "reasonable" before.

And that's just fine with me. Because all I care about is a fair deal for Internet work. But at the moment, it doesn't look like the DGA is being any more "reasonable" than we were -- they don't want to work for free either, or see their health and pension gutted as new work moves to the Internet.

With NBC publicly crowing about $1 billion in estimated ad revenue for streaming this year alone, the conglom's assertion that they can only afford to pay writers $250 a year for their work is looking a little unreasonable. And apparently it does to directors as well.

And the article answers the question I hear people ask a lot: if the DGA takes a deal that doesn't address our Internet concerns, is the WGA bound to it? The answer is NO.

Hollywood has a history of "pattern bargaining," in which the first contract settled between one of the talent unions and the studios become the template for subsequent contracts.However, there is no guarantee the writers or actors will automatically approve the deal negotiated by directors.

Translation: pattern bargaining doesn't guarantee that whatever the DGA takes, we all have to take. And that's good: it gives the DGA power to tell the congloms that they'll only take a deal they know can end the strike.

Because that's what they want too. We all want to go back to work -- the directors, the actors, the writers, and the studios as well:

The writers strike has given DGA chief negotiator Cates and Executive Director Roth considerable leverage with the studios, which are eager to end a strike that has imperiled the current and upcoming television seasons and thrown Hollywood's awards season into disarray.

Let's hope that the DGA can get the moguls to listen. Or at least give them a way to save face.

All we want, all the town wants, is a fair deal.

http://unitedhollywood.blogspot.com/2008/01/dga-not-giving-in-to-congloms.html

lastly, there's talk of scrapping the press conference on sunday relating to golden globes winners. still trying to round up details for this one though.

http://www.deadlinehollywooddaily.com/sources-golden-globes-newscast-nixed/

tv fans better start finding something else to do, as the strike is going to last a long time.
 
Getting kind of sad for late night, aside from letterman they are hurting. Leno and Kimmel were on each others shows.
 
there's no end in sight for the strikes, but here are some headlines from today.

leading off, a studio employee attacked a striking writer picketing.

...

tv fans better start finding something else to do, as the strike is going to last a long time.

Maybe we should all go home and watch Robert Altman's "The Player". ;)
 
directors and studios to begin talks

alot of people have said that a fair deal with the directors will lead into the end of the writer's strike as the writers will take the deal if it's fair enough. but we'll see.

The Directors Guild of America and the Alliance of Motion Picture and Television Producers agreed today to enter into formal contract negotiations. Negotiations are scheduled to begin tomorrow, Saturday, January 12, 2008, and will be held at AMPTP headquarters in Encino, CA.The DGA and the AMPTP have agreed that neither organization will comment to the press regarding negotiations until negotiations have concluded.

http://weblogs.variety.com/wga_strike_blog/2008/01/breaking-amptp.html
 
24, Prison Break and Lost.

My top 3 favorite shows, all being cut short and/or delayed completely. 24 season 7 has been delayed until 2009, albeit I'm on the writers side, I hope this resolves soon.
 
Lost should not even start this year, what good will 6 episodes do.

I think its 8 episodes, it will mean season 5 (and the final season) will have about 22-30 episodes. I don't mind them showing the 8 episodes they have, but I dread to think what the gap will be between them and the next season.
 
good news, bad news and worse news

-good news: the dga is close to an agreement (if the writers will take it is unknown).

DGA talks raise hope for WGA
Directors, AMPTP talk new media compensation

By CYNTHIA LITTLETON, CYNTHIA LITTLETON, DAVE MCNARY

With optimism steadily growing that the Directors Guild of America is heading toward a tentative deal with the Alliance of Motion Picture and Television Producers, the town's attention has shifted to what the majors' next step will be once they have a DGA deal in hand.

The DGA and AMPTP held their third consecutive day of formal negotiations Monday at AMPTP headquarters amid expectations that a tentative pact could emerge within the next few days, with significant improvements in how helmers are compensated for new-media work and reuse.

Despite rumors that a deal was imminent, both sides maintained their news blackout Monday. They were set to meet again today.

WGA and SAG leaders have cautioned repeatedly that the DGA does not rep writers and actors in its talks, but in fact the AMPTP seems to have pursued a strategy of cutting off communication with the WGA, since their talks last broke off on Dec. 7, in favor of getting a deal done with the DGA.

With strike fatigue becoming more of a factor for WGA members and the thousands of other showbiz workers affected by the strike, the hope on the WGA picket lines is that the DGA's gains will be sufficient for WGA members to embrace the idea of forging a similar pact to end the 11-week-old strike.

"I hope it sets a good template for everybody," said scribe Leonard Dick of the DGA negotiations, as he and about 200 others picketed outside Warner Bros. "We want to put everybody back to work. My kids are sick of seeing me around the house."

In that scenario, optimists believe the WGA agreement would generally incorporate the DGA terms -- and also include provisions to sweeten the deal in areas such as boosting industry support for a writer-specific area such as the showrunner training program.

Still, there's good reason for pessimism about the WGA getting back to the table any time soon. The sense of doom and gloom deepened Monday as CBS Paramount and 20th Century Fox TV followed ABC Studios in notifying more than 75 writers and producers of the formal termination of their overall production and development deals.

The last official contact between WGA and AMPTP came six weeks ago, when the AMPTP demanded that the guild drop six proposals as a condition of continuing to bargain.

The WGA has refused to accede to AMPTP's ultimatum, even though the AMPTP has hinted that it could be persuaded to resume negotiations if the writers would back off on reality and animation jurisdiction and sympathy strikes.

However, insiders say the real stumbling block was the WGA's push for new-media residuals based on 2.5% of distributors' gross -- a formula the majors say would force them to give writers a cut of the advertising revenue derived from their dot-com platforms. The WGA denies this interpretation and points to precedent in past agreements for pay TV residuals based on a distrib's gross formula. Dropping the distrib gross demand was one of the six points the AMPTP listed as a condition of continued bargaining, but it is viewed by the WGA as a deal-breaker, although there's likely room to haggle on the 2.5% figure. It's uncertain if DGA is angling for a distrib's gross formula in its new media proposals.

Assuming a DGA deal gets done, some industry vets speculate that the AMPTP will present it to the scribes as a take-it-or-leave it proposition. If it meets with anything like a favorable response from WGA leaders, the sides would likely convene to hammer out some writer-specific provisions, and in that context, some horse-trading may take place.

On the flip side, the DGA pact could spur internal dissent within the WGA if the terms are palatable to some members but rejected by the guild's top brass, who have been vocal about the various points they aim to achieve in this contract.

Part of the uncertainty surrounding the fate of the WGA-AMPTP talks stems from the seemingly endless flow of hostile comments issued by both sides. The ongoing bickering had underlined the inability of the negotiating teams to develop a solid working relationship with the other side since talks launched last summer. And that may preclude informal efforts to find out where a deal can be made.

"What you usually are doing at this point is having backchannel meetings to figure out what needs to be done for each side to save enough face so that they announce a deal," one veteran exec noted.

http://www.variety.com/article/VR1117979023?categoryid=2821&cs=1&nid=4056

-bad news: the studios are firing writers left and right.

TV studios cut more overall deals
Companies cite WGA strike as main cause

By JOSEF ADALIAN

Citing fallout from the WGA strike, Warner Bros. TV, CBS Paramount Network TV, Universal Media Studios and 20th Century Fox TV have decided to follow the lead of ABC Studios by terminating a big batch of deals.

At 20th, about 15 pacts have been shed, while insiders describe the Warner Bros. cuts as less than a half-dozen so far. CBS Par has trimmed more than a half-dozen deals (though it has a much smaller roster from which to cut). No word yet on the extent of the NBC U cuts.

ABC Studios slashed nearly two dozen deals on Friday.

Agents around town began getting calls and letters from studio execs on Monday afternoon.

Among the scribes and producers cut from the CBS Par roster: Mark Johnson, John McNamara, Rene Echevarria, Barry Schindel, Jennifer Levin and the team of Sivert Glarum and Michael Jamin. Eye unit has also scrapped its pact with Hugh Jackman's company, which recently produced "Viva Laughlin."

Among the departed at 20th: Jonathan Lisco, whose fall drama "K-Ville" was canceled by Fox, and the team of Gretchen Berg and Aaron Harberts ("Pepper Dennis"). They're staffers on a show that will return, "Women's Murder Club," but will no longer be developing new projects for the studio. Other scribes let go include Larry Kaplow ("K-Ville") and Paul Redford ("Journeyman").

Studios issued statements Monday blaming the cuts on the strike.

“Production companies in the entertainment industry continue to feel the impact of the ongoing writers strike,” CBS Par said. “As a result of this change in development and production activity, we have made a difficult decision to discontinue ‘overall deals’ with a number of writers and producers whose talents we greatly value and respect.”

UMS also praised its writers and producers, but said that “the duration of the WGA strike has significantly affected our ongoing business. Regretfully, due to these changed business circumstances, we've had to end some writer/producer deals. We wish these colleagues the very best and thank them for their contributions."

WBTV was more succinct: “As an unfortunate but direct consequence of the strike, we have been forced to release some of the valued members of our roster from their development deals.”

http://www.variety.com/article/VR1117979007?categoryid=2821&cs=1&nid=4056

-worse news: the grammys could be in danger of being cancelled like the golden globes. the oscars could be next.

Grammys strike chord with WGA
Guild won't grant waiver for awards show

By DAVE MCNARY, PHIL GALLO

The Feb. 10 Grammys kudocast isthe latest awards show thrown into confusion by the writers strike.
The WGA indicated Monday that it won't grant a waiver for the CBS telecast. And it told the Screen Actors Guild that attendees will have to cross a picket line at the Staples Center to attend the kudos if the strike is still on.

"The WGA has informed us that this is struck work, and they expect to have a picket line in place," a SAG spokesman said. "In those circumstances, our members have been unwilling to cross a picket line, and we anticipate that solidarity will continue."

The Writers Guild of America's refusal to grant a waiver for Sunday's Golden Globes led to the event being truncated into a news conference after all nominees in acting categories vowed they would not cross a WGA picket line. The WGA has called off its own Feb. 9 awards show, and the fate of the Feb. 24 Oscarcast remains muddled, with the guild indicating last month that it will not grant a waiver if one is requested.

WGA spokesman Gregg Mitchell said Monday that the Recording Academy has not asked the WGA for a waiver or interim agreement for the Grammys. "While no guild decision has yet been made regarding the Grammys, if a waiver is requested for the Grammys, it is unlikely to be granted," he added.

It's unclear how much of an impact a WGA picket line would have, but the kudocast will have to make do without the usual 10-20 actors who usually serve as presenters. Last year, for example, Quentin Tarantino, Luke Wilson, Nicolas Cage, Terrence Howard, Samuel L. Jackson, Chris Rock and David Spade appeared on the show.

This year also has a substantial number of nominated musicians who have appeared in films and on TV. Chief among them are Justin Timberlake, Queen Latifah, Tim McGraw, Beyonce, Jack White, Jon Bon Jovi, T.I. and Fantasia. Among the nominees who have historically not crossed picket lines are Bruce Springsteen, the Beastie Boys, Joni Mitchell, John Mellencamp and Steve Earle.

The strike could also affect the show's script. For this year's 50th anniversary edition of the Grammys, the Recording Academy would like to present a show with a number of historical packages, which would require a writing staff. Producer Ken Ehrlich and journalist David Wild, who wrote a Grammys 50th anni book, have written recent editions of the show.

Unlike other awards shows, the Grammycast is heavy on performances; only about a dozen of the 100-plus trophies awarded are handed out onscreen during the 3½-hour show.

Nominees and the Recording Academy have been in a bit of a holding pattern since the beginning of the year, according to representatives for nominated artists and their labels. In some cases, managers have delayed accepting an invite to perform on the show until there is greater clarity. The Recording Academy traditionally starts announcing who will be performing about three weeks before the kudocast.

http://www.variety.com/article/VR1117979038?categoryid=2821&cs=1&nid=4056
 
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