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First of all, "hundreds of million users" won't be singing up to Apple Music. Spotify, by far the largest streaming music service provider has 20 million paid users and 55 million free users. More importantly, Spotify has paid 3 billion U.S. Dollars to rights holders since the beginning. This number is larger than the cost of providing the service aka Spotify is bleeding the red ink aka they are loosing money. What more does the GREEDY labels want?!? For some reasons record labels are always crying like the bitches they are. Get on with the program of tap out if you can't handle it. You are vampires trying to suck out all the money even before its there. It's me me me, squeeze the money out of the service providers, customers and the artists no matter what... Guess what, labels are starting to look like the dinosaurs they are. Music production doesn't require capital of hundreds of millions of dollars like film and television per production does. Therefore, in modern music distribution the labels are starting to look like the unnecessary middle man / relic trying to profit without making any contribution.
 
You seem to have missed the point or misread the article.

What if I told you I'll hire you for a job with a really great salary, but I can't pay you for the first three months. Would you do it? Could you afford it? Or would you literally be homeless if you took the offer?
Actually many places have 2 weeks training for no salary because well, that's how it is and in the end its worth it. Also if you don't like it you can go somewhere else. 2 weeks on a personal level is no different than 3 months at the corporate level. Same principal. Only these labels and artists are still making money during that 3 month period whereas the individual training for free isn't.
 
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You seem to have missed the point or misread the article.

What if I told you I'll hire you for a job with a really great salary, but I can't pay you for the first three months. Would you do it? Could you afford it? Or would you literally be homeless if you took the offer?
Not really the same thing at all. And what are these labels doing about Spotify, which presumably gives these labels' music away for free anyway. Are they not on Spotify either. Are they not interested in getting more exposure. Furthermore, why should they get the higher rate after three months if they don't participate in the free trial.
 
It's awful that you could be getting huge, huge, huge amounts of streams, and you won't see a single penny from it. Sure, some people will end up buying your album, but that will be much less than those who are streaming.

But they would only be getting "huge, huge, huge amounts of streams" because it's free. If there was no free trial, or no streaming service to begin with, they wouldn't be getting "huge, huge, huge amounts of streams". They would be getting ignored, for the most part.
 
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Well when hundreds of millions of consumers (Apple Music will not just be limited to iPhone users, this will also be for all iOS devices that are up to date, as well as iTunes users) switch over to subscribe to a free service for 3 months, then of course that will affect the sales of tons of music labels, both indie and major labels... People will not be purchasing individual songs or albums as frequently during this period.

However major labels have the capitol for this 3 month window to not be an issue, and can see the benefit and profit in the long run. Smaller companies do not always have the capitol, and have to the think about their financial stability in the short term because smaller labels can go out of business in as little as 3-6 months.



Come on it's Apple. A LOT more people are going to hear their songs and these artists will benefit from it once the trial period is over. From a business standpoint, Apple tries to create a new platform to sell music to a much larger population and the music industry is likely to benefit from it again after ITunes (was ITunes created by Apple, too?). During this transition, Apple has spent lots of money and effort doing it and seems like the only thing some indie labels/small music companies can do is focusing on their arts and getting paid. They should see the big picture and view this as an investment opportunity. Apple Music can be a success and make them more money in the long run. If they can't even survive in three months due to a temporary reduction of their revenue maybe they should get a loan or find a part time job.
 
Maybe I can shed some light on this. The Artist and/or Label can choose to participate or not which is what I'm gathering. Sadly, streaming revenues are very, very low. For example, if Madonna's song is streamed one time on Spotify or other streaming services, the services pays out around $0.005 per stream. The artist, given their popularity and contract arrangement, may see 20-40% of that after the label takes their cut. If you take 1,000,000 streams of 1 song x $0.005 = $5,000 to which the artist gets maybe 20-40% of that, maybe 50%. That's nothing. I love Apple. I love Spotify, but Artists don't make money through streaming. If a song was purchased on iTunes at .99 then the label gets paid 70% of that and the artist may make 20-50% of that 70%. So if one artist charges .99 per song, there is .69 cut going to the label. If the label pays out 30% of that cut to the artist then the artist receives almost .21 cents per download. Multiply $0.21 x 1,000,000 and it's $210k for that artist. BIG DIFFERENCE. Indie artists or self published artists make more because there is no label cut and/or the fee to the label is a lot lower, but their downloads may not be as popular.

I'd rather pay the .99/1.29 per song or 9.99 per album than stream. I think streaming is a good way to discover music, but I'd rather support the artist by buying than "renting" essentially.

Where this math falls apart is assuming that one stream equals one download.

In my house, we may purchase a CD, and rip it to MP3, and the kids will listen to the album hundreds of times between them. The same would likely hold for downloads. (Remember that you purchase it once and it lasts forever. A streaming system will generate a constant trickle of revenue.)

So a more fair comparison may be 10-20K downloads to 1M streams.

Additionally, in speaking to recording artists I know, the best that they have received is 18%, and that's only once the advance (used for marketing, legal, etc) is paid off. I suspect you would be lucky to find many artists outside of the multi-platinum sellers who receive anything close to 30%.

So ....
1M streams x $0.005 = $5000
10K d/l @ $0.99 x 70% x 18% = $1247.40 (even 20K d/l @ 36% is only $4989.60, no better despite doubling the number of downloads and the artists percentage).

Given the choice, I would always opt for the subscription (in this case, the streaming) model.
Unless of course I was in a dinosaur industry and recognized that I served no purpose relative to what I was receiving, in which case I would want the money asap in case my job didn't exist later....
 
I've listened to authors like Cory Doctorow who claim giving away their works end up making them more money. It gives potential fans the chance to read their book, then decide if it's worth it to pay for it. He says the alternative is forcing someone to pay for a product they may hate, and may be more upset they had to pay for it. In his experience, he claims that the books he allows people to download for free, with the option to pay him later if they like it, has been more successful than the traditional sales method.

I think the same may be true for the music industry. If I have the chance to listen to your music and I like it, I'll happily pay for it. But if I have to pay for something without listening to it, I would be very unlikely to give that band the chance.

This is likely more true for indie labels and indie bands. While they have a smaller fan base, they're fans are often more loyal, and even rabid, than those of a larger, better known band. Indie bands have also learned, through necessity, the importance of connecting to their fans, engaging them online, and taking advantage of social media. You will often see performers and band members directly responding to fan comments. They're likely to listen to recommendations. For example, some indie bands have released vinyl versions of their albums because they noticed a fan demand for it. While there might not be a huge return on profit, they can quickly whip out a few dozen or even few hundred records for interested fans, and look good for doing it.

I often, however, see this fear of giving away a product for free. If they don't get on board, though, they'll miss out. The market is changing. They need to find a way to take advantage of it. If not, people won't be exposed to their product and they'll be left behind.
The difference being of course that here the monetisation model is completely different. You pay a flat rate for Apple Music and don't need to pay anything extra to try new music, and the maker of that music still gets paid.

I don't think this is the issue indies claim to have, actually. They are trying to imply that they have to get by for 3 months with zero revenues, as though Apple Music is not an additional revenue source, but rather the only revenue source as of June 30th, and all other distribution channels cease to exist on the launch of Apple Music.
 
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Where this math falls apart is assuming that one stream equals one download.

In my house, we may purchase a CD, and rip it to MP3, and the kids will listen to the album hundreds of times between them. The same would likely hold for downloads. (Remember that you purchase it once and it lasts forever. A streaming system will generate a constant trickle of revenue.)

So a more fair comparison may be 10-20K downloads to 1M streams.

Additionally, in speaking to recording artists I know, the best that they have received is 18%, and that's only once the advance (used for marketing, legal, etc) is paid off. I suspect you would be lucky to find many artists outside of the multi-platinum sellers who receive anything close to 30%.

So ....
1M streams x $0.005 = $5000
10K d/l @ $0.99 x 70% x 18% = $1247.40 (even 20K d/l @ 36% is only $4989.60, no better despite doubling the number of downloads and the artists percentage).

Given the choice, I would always opt for the subscription (in this case, the streaming) model.
Unless of course I was in a dinosaur industry and recognized that I served no purpose relative to what I was receiving, in which case I would want the money asap in case my job didn't exist later....
Finally - someone who gets it!

I would actually hypothesise that your estimate of the ratio of streams to downloads is actually conservative as well.

Good post.
 
Apple don't care who they have to step on or put out of business they never have.
I have no issue with the service itself, but Apple should be the ones funding the experiment for 3 months not the independent artists. Take the hit, pay the artists and move on.

The studios have wanted to remove physical media for a long time. They want pay per use as they make more money that way - this has been known since the 80s.
 
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Indie labels need to accept inherent risks in doing business on such tight margins instead of whining that one of the biggest sources of their profit is trying to do something attractive for its users.
 
Anton Newcombe, frontman of The Brian Jonestown Massacre has accused Apple of using strong arm tactics and threatening to remove his music from the iTunes Store if the band doesn't sign up to Apple Music.

He wrote that Apple "has a new deal they offered me: they said we want to stream your music free for 3 months..I said what if I say no, and they said 'we'll take your music off itunes.' hard ball? **** these satanic corporations."

He added, “They shouldn’t threaten people to work for free. It's not ok for these ****ing idiots to decide art has no value."

This is worrying if true. :eek:

Brian Jonestown Massacre's Anton Newcombe to Apple Music: '**** These Satanic Corporations'
(Warning, strong language NSFW)
 
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This is worrying if true. :eek:
At the end of the day, it's business. If the terms that are being posed to them are unacceptable, they are free to take their music elsewhere. These bands and musicians rub their hands with glee since Apple ecosystem allows them access to hundreds of millions of pairs of eyes and ears. However, when Apple tries to tweak the house rules to benefit Apple in a particular way, "OMG!!! Apple are the worst company ever!!! How dare they!!??".
 
At the end of the day, it's business. If the terms that are being posed to them are unacceptable, they are free to take their music elsewhere. These bands and musicians rub their hands with glee since Apple ecosystem allows them access to hundreds of millions of pairs of eyes and ears. However, when Apple tries to tweak the house rules to benefit Apple in a particular way, "OMG!!! Apple are the worst company ever!!! How dare they!!??".

I agree that artists should be free to decide whether or not they sign up to this new service but they shouldn't be blackmailed with a ban from iTunes if they decide to not allow their music to be streamed.

Are they going to ban big artists like the Beatles and AC/DC from iTunes if they refuse to sign up to Apple Music or are they just attempting to bully smaller artists?
 
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In the model you outlined at the top, by far, it's not the independents doing that. So I don't think you're even comparing the same groups.

Paying radio station to play your music was, and still is illegal. The point is that artists would be willing to pay to have their music played on traditional radio, just to be heard and recognized.

Artists and labels are at the very bottom of the music food chain when it comes to terrestrial radio. For decades they received zero dollars for music played over the air, which believe it or not, they didn't mind, because they were the only way they could be heard, and that sparked sales.

The only people who actually earned anything were the songwriters and music publishers, which means if an artist is singing a song written by somebody else, neither the artist or the label gets a cent. Since the artist and label ultimately benefitted from the airplay, there was never a movement to change that until recently.

http://www.usatoday.com/story/money/business/2013/09/17/musicians-radio-royalties/2829099/

So, to clarify my point, I'm saying that artists and labels never made any money from music played over the radio, but they never complained that they lost money because of it either.

If you formed a garage band on your own independent label, and I told you I couldn't get Pandora, iHeartRadio and Apple to play your music because nobody knew who you were, you'd have a hard time selling your music.

These artists are lucky anyone is willing to take a chance on them to give them airplay. Otherwise they would stick to playing nothing but artists that have a proven track record. After all, subscribers (including paid and trial) didn't seek them out.
 
I agree that artists should be free to decide whether or not they sign up to this new service but they shouldn't be blackmailed with a ban from iTunes if they decide to not allow their music to be streamed.

Are they going to ban big artists like the Beatles and AC/DC from iTunes if they refuse to sign up to Apple Music or are they just attempting to bully smaller artists?
It's not a ban, because they can come back if they decide to play by the rules. With Apple, an all-inclusive ecosystem is part of the brand appeal. Let's not forget that they (artists) will still get money if people buy their albums through iTunes during that streaming trial, so it's not like the tap will be turned off completely.

And big bands like Beatles and AC/DC have no interest in refusing to sign up for Apple Music. They can stomach it for 3 months, after which it will be an additional source of revenue. And if Apple is going to start giving preferential treatment to smaller artists, where does it stop?
 
It's not a ban, because they can come back if they decide to play by the rules. With Apple, an all-inclusive ecosystem is part of the brand appeal. Let's not forget that they (artists) will still get money if people buy their albums through iTunes during that streaming trial, so it's not like the tap will be turned off completely.

And big bands like Beatles and AC/DC have no interest in refusing to sign up for Apple Music. They can stomach it for 3 months, after which it will be an additional source of revenue. And if Apple is going to start giving preferential treatment to smaller artists, where does it stop?

Most rumours seem to be suggesting the Beatles and AC/DC will be among the big name holdouts who won't be signed up to Apple Music when it launches. Apple have said there will be over 30 million songs available to stream from launch but there are over 43 million songs currently available in the iTunes Store. Will they kick out those extra 13 million songs from iTunes because the artists have not signed up to Apple's all-inclusive ecosystem?
 
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It doesn't seem like it's that hard to figure out. If someone is getting free unlimited streaming for three months, are they likely to buy much if any music during that time? Or at least any music that's included in that free streaming? If a huge number of people join the free trial it does seem pretty likely that it could put a sizeable dent in music sales.

If I were an artist or label, I definitely wouldn't want to release a new album during the first three months this is available. And at least for indie labels or artists that are self released, if I was going to participate at all I'd definitely want to wait at least three months to join. There will still be people doing the three month trial starting later, but as time goes on that number will be smaller than the initial rush.

For decades artists not only didn't get paid when their songs played on traditional airwaves


You're ignoring the fact that songwriters HAVE been paid for radio airplay for decades. And the numbers are significantly higher than those for streaming.
 
They'll have no one to blame beside themselves if someone else is making more money because it was on Apple Music.


Nobody will be making more money because they're on Apple Music. Even with millions of listens, streaming royalties are peanuts.
 
Where this math falls apart is assuming that one stream equals one download.

In my house, we may purchase a CD, and rip it to MP3, and the kids will listen to the album hundreds of times between them. The same would likely hold for downloads. (Remember that you purchase it once and it lasts forever. A streaming system will generate a constant trickle of revenue.)

So a more fair comparison may be 10-20K downloads to 1M streams.

Additionally, in speaking to recording artists I know, the best that they have received is 18%, and that's only once the advance (used for marketing, legal, etc) is paid off. I suspect you would be lucky to find many artists outside of the multi-platinum sellers who receive anything close to 30%.

So ....
1M streams x $0.005 = $5000
10K d/l @ $0.99 x 70% x 18% = $1247.40 (even 20K d/l @ 36% is only $4989.60, no better despite doubling the number of downloads and the artists percentage).

Given the choice, I would always opt for the subscription (in this case, the streaming) model.
Unless of course I was in a dinosaur industry and recognized that I served no purpose relative to what I was receiving, in which case I would want the money asap in case my job didn't exist later....

Thumbs up for this post which blasts holes in the "indie" argument +++
 
If I were an artist or label, I definitely wouldn't want to release a new album during the first three months this is available. And at least for indie labels or artists that are self released, if I was going to participate at all I'd definitely want to wait at least three months to join.

That would be exactly the right time I would want to release a single, which would be more likely to hit higher sales due to the slow down in released tracks by these indie labels who are apparently going to all cease to exist when this additional source of income starts with a free trial.
 
That would be exactly the right time I would want to release a single, which would be more likely to hit higher sales due to the slow down in released tracks by these indie labels who are apparently going to all cease to exist when this additional source of income starts with a free trial.

Good luck with that. Regardless of what else is released at that time, I'm not sure how you think you're going to make money by having tons of people stream it for free, which will likely decrease sales as well.
 
The indies should all say no, then when the 3 months free has finished join the program.

Why should they take all the risks and hit in the pocket. No ones going to take the free streams and then go out and buy the download too. So the artist are directly funding this out of their own pockets for the first 3 months - apple should fund it and do the right thing, pay the artists for the use of their material.
 
Good luck with that. Regardless of what else is released at that time, I'm not sure how you think you're going to make money by having tons of people stream it for free, which will likely decrease sales as well.
Note I said a single not an album. Radio plays and exposure as well as the normal income from single sales ready for my album that comes out, oh about three months after September.
 
And, if you want to continue this debate, please can you at least make an attempt to be vaguely respectful, even if your experience and circumstances differ from mine.

Lol, whilst I'm glad you've come to your senses.... it's worth noting that the ONLY reason your post garnered a response from me is because I couldn't handle your snide and pompous "some people are so clueless" comment. It annoys me when people put out their paltry opinion as fact, then sneer at others... like you did. Thus.... my attitude & lack of respect for you. Make sense? You get what you give. Want polite conversation? Give it to others! Want to get smacked down a few notches? Come on here with your nose in the air, pretending your opinion is the only one & insulting the intelligence of those that disagree with you.
We can have a do over though... just PLEASE, in the future restrain from that type of antagonizing insulting commentary, yeah?
 
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