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Is that the music from The Exorcist too?

Yes, but it's only true of the first 3:18 of the 25:30 song. Also, as I understand it, Oldfield did not write "Tubular Bells" with the intention of (part of) it being used as that movie's theme song. The movie's producers chose it after the album had already been released. The album was released on May 25, 1973, and the movie was released on Dec. 26, 1973.

Luckily for me, I didn't know of Tubular Bells' association with that movie until a number of years after I had first listened to it and fallen in love with it. If I had known it in advance it might have negatively influenced my opinion of it. I can't stand horror movies. :rolleyes: :)
 
Just in case anyone has any doubts: I don't post covers of rock classics unless they are excellent, and this one certainly is that. Enjoy.

Riders On The Storm (The Doors) - Vkgoeswild piano cover


A few viewer comments:
•This woman has an awesome art inside, and the way she share it with us is equally unbelievable. It is a mix of sweetness, feeling and a good connection with her hands and mind. Especially this piece played by her is truly a work of art. Congrats!
•This song is seriously one of the most difficult songs I have ever tried to learn!! The hand independence it takes to do this right is enough to rack ur brain for months. It literally hurts my head to practice this. It was just AMAZING at how well she just pulled this off. Wow! Soooo much practice and skill!
•So amazing, To see your left hand so steady and true with the baseline while playing so many different chorus and riffs with your right hand is something incredible. You are truly in another class. •You are a pro. Such a hard song to play. I just can't get my head round left hand and right hand on this song, but you have defo nailed it right here. Good job!
•OMG - major hand independence!
•Your hands move like they have a life themselves.
 
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I would have never known that Sun Ra's Arkestra released their first new album in 20 years if I hadn't seen this NYT article about "Swirling."

The band's leader, Marshall Allen, is 96! Sun Ra died in 1993 but the band never stopped playing. Here's my favorite track so far:

 
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Guitar:

Hud (Main Title Theme) - Elmer Bernstein (1963)

This is one of favorite guitar pieces of all time.


Only "Snippet View" is available for all 1964 issues of Film and Filming Magazine, so I was only able to find just this:

…not least amongst the aural features, Elmer Bernstein's uncharacteristically quiet, haunting guitar theme.

On December 21, 2012, Joe Marchese wrote:

Elmer Bernstein’s score for Hud runs approximately six minutes, making it one of the shortest film scores ever. But what a six minutes it is – in fact, it’s perfection and just right for the film. Bernstein recorded his six minutes twice: once with a 12-piece ensemble, and then, a week later, re-orchestrated (by Bob Bain) for three guitars. Presumably the revision was at [director Martin] Ritt’s request for a smaller and even more intimate sound – which really was the right choice. The music is sparse, yes, but it’s potent every time it appears.
 
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For Halloween:
I've been saving this outstanding video for the day before Halloween (which I'm glad is on a Friday). It is one of my favorite live musical performances of all time (although it is tied with several others from Poland). It is truly a lot of fun, both to listen to AND to watch.

IMPORTANT: You have to click my link above the thumbnail. They only allow the video to be viewed on YouTube.

Danse macabre Op. 40 (Camille Saint-Saëns)
Kamerton Orchestra, Koszalin, Poland
Polish Nationwide Music Schools' Symphonic Orchestras Competition, 2014

I had never even heard of "Dance Macabre Op. 40" nor Camille Saint-Saëns (1835-1921) prior to January 21, 2017. It is only my immense admiration for the youth orchestras of Poland that made me want to watch it. They are as good as or better than most adult orchestras. My admiration for Poland's "Akademia Filmu i Telewizji" (Academy of Film and Television), which films these performances, is nearly equal to that of the orchestras. Seeing the xylophone, marimba, vibraphone and orchestral bells in the thumbnail provided me with further encouragement to watch it. They made it seem as if it might be a fun one. That is a huge understatement. The Kamerton Orchestra of Koszalin, Poland, makes an otherwise "heavy, spooky" piece sound infectiously and wonderfully upbeat. No adult orchestral performance of this piece that I watched afterwards comes even close to being as fun and inspiring to watch as this one is.

I've been watching videos on the "Akademia Filmu i Telewizji" channel for at least four or five years. One thing that I've noticed is that most (not all) of the audiences seem bored and/or apathetic, no matter how outstanding and moving a performance is. Maybe that isn't how they feel in real life, but that's how it seems from my perspective. What's my point? When this performance of "Danse Macabre Op. 40" ends, the audience is noticeably impressed. In fact, one man even shouts, "Bravo!" which is something I've never heard anyone do in any of the other videos on this channel (so far), even when many of the orchestras truly deserve standing ovations.
A few viewer comments:
•The finest recording of Danse Macabre I think I have ever heard. Such precision, such vitality.
•I was spellbound! This recording moved me to tears .... and those percussionists....wow!!!!!!!!! Bravo!
•Wow, talk about sound and picture quality. Seeing the right instruments at the right time AND to be able balance that small high pitched xylophone against the sound of the entire orchestra and still hear it so clearly. Excellent!
•Bloody HELL - what an amazing orchestra ... all the more so as they are all so young!
•This is the clankiest, clackiest, most downright fun performance of this piece I expect to see this side of the grave! I'd love to congratulate all the performers by name, except that I'm afraid I'd choke on my own tongue and wind up IN that grave!
•So what makes it so "macabre"? Yes, I do imagine a bunch of skeletons dancing in my head, but they all look happy, and it is just so nice and cute.
•Five and a half years after this was published, it's GREAT. This is what "Music Education" in schools is all about. These young men and women are not only talented, but determined. I wish here in the United States our schools were bringing back this sort of education, but unfortunately, they are not. I am so glad that this sort of education, and these sort of students still exist somewhere on our planet. My deepest thanks to all of you!
•My favorite Saint-Saens. So beautifully played by a superbly educated orchestra. Excellent all around. And that percussion section! Countless hours of practice and coordination. So fantastic those folks. I hope they won.
•Danse macabre's best version ever! Amazing use of xylophones instead of violins. :)
 
I never really was a big Dream Theater fan. Sure, there's no denying that the band is chock full of amazing musicianship, but back in the day it didn't really do that much for me musically so I just didn't listen to it all that much. Simple.

About twenty years having gone by since I last actually listened to them I thought I'd try again. The one thing I remembered from this track was that I liked the guitar solo and the mix in general. Other than that I couldn't tell you if there are any other good tracks on the record or anything like that. Funny how things stick in your mind. But this one song is still great. I remember thinking Images and Words was a pretty good album, so I guess that's up next.

 
I never really was a big Dream Theater fan. Sure, there's no denying that the band is chock full of amazing musicianship, but back in the day it didn't really do that much for me musically so I just didn't listen to it all that much. Simple.

About twenty years having gone by since I last actually listened to them I thought I'd try again. The one thing I remembered from this track was that I liked the guitar solo and the mix in general. Other than that I couldn't tell you if there are any other good tracks on the record or anything like that. Funny how things stick in your mind. But this one song is still great. I remember thinking Images and Words was a pretty good album, so I guess that's up next.


Mike Portnoy (drums) adds lot to this track - great "back beat" & awesome back bone for the Guitar and Vocals - IMHO

one of the best if not "the" best track on that album 👍 - love it
 
Mike Portnoy (drums) adds lot to this track - great "back beat" & awesome back bone for the Guitar and Vocals - IMHO

one of the best if not "the" best track on that album 👍 - love it

Yes! Even though I have tremendous respect for Petrucci, this track wouldn't be what it is withouth Portnoy's and Myung's tight as all hell rhythm section. And circling back to my comment about the mix, it's great that pretty much nothing is lost in the mix. Everything's nicely front, center and clear.
 
I never really was a big Dream Theater fan. Sure, there's no denying that the band is chock full of amazing musicianship, but back in the day it didn't really do that much for me musically so I just didn't listen to it all that much. Simple.

About twenty years having gone by since I last actually listened to them I thought I'd try again. The one thing I remembered from this track was that I liked the guitar solo and the mix in general. Other than that I couldn't tell you if there are any other good tracks on the record or anything like that. Funny how things stick in your mind. But this one song is still great. I remember thinking Images and Words was a pretty good album, so I guess that's up next.

I've been meaning to delve more into Dream Theater's catalogue, but I haven't had much time to do so. I'll be sure to give this a listen. :D
 
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