Definitely a bad day for people (me) who work in tv/film/broadcast/theatre.
would this affect the rest of the world? Will other government regulators follow?
would this affect the rest of the world? Will other government regulators follow?
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That's all I have. I'm not paying for TV when I already pay for my Internet service where I can get most of my programs for free (and netflix).
Why do you say that? There's more bandwidth now available for it.
I think there will naturally be a citywide -- or regional -- peer-to-peer network, like a huge wifi net. I think it's important to repeal the stupid law that said cities and states couldn't offer broadband. If people get Super-WiFi, in fact, the city would just have to jack in to the backbone.
It's really only competition for the topdown broadcast people.
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Can someone explain the problem with this? 3G is already on the iPhone, even with the cell tower a few miles away. This is just the next generation, it\'s not a huggge revolution. Verizon should jump on this to create their 4G for iPhone.
P.S. - Also, the \"sharing\" (ad-hoc) of these 4G networks would vastly increase their already large spectrum, provided the devices handle seeding well.
Definitely a bad day for people (me) who work in tv/film/broadcast/theatre.
Care to elaborate?
I am willing to bet that they will eventually re-allocate the entire tv band for Cel and Wi Fi use, meaning that over the air television will become a thing of the past.
Courtney
Definitely a bad day for people (me) who work in tv/film/broadcast/theatre.
This is very bad news indeed. I'm a production sound mixer for film in NYC, and those are the same frequencies that virtually all wireless microphones operate on.
Care to elaborate?
The new rules make it more difficult for those involved in professional content creation, i.e. TV, Film, Theater, Touring, etc. to do their jobs. Admittedly, the writing has been on the wall for a while. But the challenge comes because these professionals already work hard to get enough wireless mic channels to work properly, and now it will be that much more difficult. Also, it will be more regionalized, meaning that that before, you could use your wireless mic system in most places in the US with success (think film production or touring theater or touring musicians). Now, which channels are reserved for this use will be specific to each city.
Well the mic companies got two dedicated high bandwidth channels exclusively for them. They can also petition the fcc for more during large events (like the superbowl). Isn't that better then when they had to share with everyone else? Also, can't they compress the signal better then they have been? Current wifi has done a lot with terrible frequencies, the mic companies have to be able to do better with what they have now.
The biggest losers are the TV companies that thought they would get all that space for free.
Also, whoever said AT&T and Verizon would just get it all is not correct. They already paid 20 billion for UHF channels 52-69 (700 megahertz). Granted, those are the best frequencies for distance and building penetration.
Two dedicated channels is a good thing, no doubt. However, it's regionalized, so no one wireless mic product can be used in all locations. This leads to inventory and planning challenges for manufacturers and users alike, particularly users who travel (like touring shows, film productions, etc.)
As for more compression, the technology available does not allow for this - part of the problem is that the bandwidth required is substantial for "broadcast quality" audio. Latency above say 3mS is not acceptable - the signal must be essentially real-time. A fair degree of technical development has indeed been devoted to this field, and we have some wonderful products out there. Indeed, the new rules will of course spur continued development and you are right - greater channel density for given spectrum is likely to be one result. It's just not possible with today's technology.
True - the FCC allows provisions for obtaining a temporary license to operate a large number of protected channels for an event. However, the process is something new for event planners and technical staff, so it is more work and more complications. Planners and operators will overcome this and it will become part of the work flow, but not without some challenges as you can probably imagine.
I'm not claiming the sky is falling, only that the incursion of new devices into this spectrum will make professional content creation more of a challenges when wireless mics are involved.
True - the FCC allows provisions for obtaining a temporary license to operate a large number of protected channels for an event. However, the process is something new for event planners and technical staff, so it is more work and more complications. Planners and operators will overcome this and it will become part of the work flow, but not without some challenges as you can probably imagine.
There is quite a bit of bandwidth reserved for wireless microphones still. I am not sure if the wider public good should be held back because a niche user continues to use archaic technology anyway.