That would be a question for Activision, Adobe, BBC, CBS Interactive, Disney, Google, NASA, Pandora, Reuters, Sony, and WeWork.Why would anyone buy this over any other offering on the market?
That would be a question for Activision, Adobe, BBC, CBS Interactive, Disney, Google, NASA, Pandora, Reuters, Sony, and WeWork.Why would anyone buy this over any other offering on the market?
32TB would last me 3 months at my job. We shoot TV commercials and a one day shoot with only a few hours of footage can be a TB. All video is not created equal, high-end cameras shoot with very high bitrate codecs that take up a lot of space.That's about inline with what Apple charges.
These storage volumes sound kind of insane to me. Isn't a TB good for hundreds of hours of raw footage? What are you working on where you need immediate access to tens of thousands of hours of raw footage?
I'm under the impression that there's another, cheaper solution for archiving petabytes of stuff just for incase, where being able to have dozens of people access it is... not a requirement.
Apple moving into the server market?! What have we come to ...
Can you give an example of something that offers this functionality at a much lower price? Every storage system I've used in my 15 years as a video editor has been very expensive. QNAP is probably the cheapest I've seen.The hardware is nothing unique, all hardware can be setup to serve content and workflow like these, there is no special hardware in what LumaForge offers, they use hardware that anyone can buy from any computer retailer.
Again, nothing unique for LumaForge (or anyone who claim to sell hardware tailormaid for NLE workflows), DaVinci Resolve Project Server, Open Storage and bin locking can be installed on any hardware/server/storage system, takes 1 second, no need to pay a 30'000USD markup for something that is included in the software that "you" use anyway.
Why do i only have a choice of comparing LumaForge with other overpriced solution instead of real enterprise offering with actual SLA offerings for half or the price? Which also have higher performance.
If you can't setup DaVinci (which is what you exemplified) yourself you should probably not handle storage anyway, not even the LumaForge boxes.
People who make film and movies for television and for studios use actual enterprise products with real SLA, but yeah, good luck with your LumaForge tower that will render "your" whole business useless if the one and only PSU (a consumer oriented Cooler Master PSU that isn't even rated for 24/7 use) stops working
SORRY, WHAT DID YOU SAY? I THINK I'M STILL A BIT DEAF!Have you forgotten these?
![]()
That's about inline with what Apple charges.
These storage volumes sound kind of insane to me. Isn't a TB good for hundreds of hours of raw footage? What are you working on where you need immediate access to tens of thousands of hours of raw footage?
I'm under the impression that there's another, cheaper solution for archiving petabytes of stuff just for incase, where being able to have dozens of people access it is... not a requirement.
They only reference HDD and harddrives on their website, if there was any flash in there they most definitely would use it in their marketing.
Yet HP and Dell use their servers for live events all the time. Stop pulling stuff out of your *ss. No point in replying if you have no idea what you are talking about.
"editing shared HD content cannot even use regular routers"
First of all, you would not edit over routers, you would use switches. Secondly, regular switches have absolutely no issues with editing over the network, thats what everyone use. This appliance is marketed for fairly small teams, its ment to work with off the shelf network devices like switches (that everyone already use)
You obviously have no knowledge what an 740xd2 or an Apollo 4200 is if you think this little Lumaforge box is faster than those....
How about Apple outsource the Mac Pro already.
After first discontinuing Xserve RAID, Xserve, Mac OS X Server, then deprecating Server.app, nah... Apple likes to leave server software / hardware over to 3rd parties.Apple moving into the server market?! What have we come to ...
2002.Apple moving into the server market?! What have we come to ...
For detailed information about all LumaForge products, please visit www.lumaforge.com
A local RAID would be way cheaper. The difference between a Jellyfish and a RAID is that this is networked with 10Gb ethernet, actually delivers the speeds quoted, to multiple users at once, and it works well with all the NLEs out there, including FCP X. Most other workgroup video storage solutions don't play well with FCP X due to its constant writing of small files, but the Jellyfish has been proven to work at the network TV level. Links: http://www.fcp.co/final-cut-pro/art...inal-cut-pro-x-in-national-network-operations and http://www.fcp.co/final-cut-pro/art...nal-cut-pro-x-and-a-lumaforge-jellyfish-againI guess if you have a completely unskilled IT department that doesn't know how to build a RAID system these are fine but wow, you really pay the price for that lack of skill. Only 32TB for 12k is insane. I've personally built a 16TB system for around 1200 and could easily build a 32TB for not much more.
A local RAID would be way cheaper. The difference between a Jellyfish and a RAID is that this is networked with 10Gb ethernet, actually delivers the speeds quoted, to multiple users at once, and it works well with all the NLEs out there, including FCP X. Most other workgroup video storage solutions don't play well with FCP X due to its constant writing of small files, but the Jellyfish has been proven to work at the network TV level. Links: http://www.fcp.co/final-cut-pro/art...inal-cut-pro-x-in-national-network-operations and http://www.fcp.co/final-cut-pro/art...nal-cut-pro-x-and-a-lumaforge-jellyfish-again
I've met the (very nice) people behind the company at NAB and the FCP X Creative Summit several times over the past few years, and nobody has a bad word to say about them or their products.