I wonder how much the artists get of this, and how much disappears into the studios bank account.
Only fair apple pay market rate and not fleece the artists.
Its kinda like this, rough numbers.
Performance royalties are earned whenever a piece of music is played on TV or Radio, etc, not when a song is purchased.
Of performing royalties:
Of writing performance royalties: Song writer gets 50%, lyricist gets 50%.
Of publishing performance royalties, the publisher gets those. An independent musician will get 100% if they own their own publishing company. If they're signed to a label, a typical split will be 60% for the artist, 40% for the label. Quite often the label will act like a bank and loan the musician money and recoup that by also taking their 60% until its paid off. This money can be used to buy instruments, tour with, pay rent, etc. Many examples have the musicians never being able to pay this back.
Lastly there are mechanicals, not royalties per say. These are 'physical' sales of CD's and tracks....typical stuff, i forget what I make per track through tune core.
Perhaps mechanicals is where the 'big bad' labels make their money, but the publishing and writing performance "royalties" are mainly a source of income for the artists. Lets say some washed out guy who's 60 wrote a hit song 40 years ago. Nobody is buying his CD's anymore, he too old to tour. Luckily the track is still played on the radio around the world. Performance royalties are now the only way he keeps a roof over is head.
I have occasionally written music for many projects where I get no fee, or very very low fee, the only income from Performance royalties.
Older media forms like Radio and TV pay better, the new media forms pay much less- generally due the the new players in the industry (youtube, spotify, etc), the inability of the associations that protect musicians and labels to make much headway, and most importantly due to general public opinion. The last one is unfortunate really, I think a lot of people are misinformed and companies such as youtube actively support this misinformation for their own interest.
Still, perhaps the money Spotify pay are mainly 'mechanicals', meaning the labels are indeed making a chunk from it. But if we're at all talking performance royalties, then Its screwing over the musician more than the label.
So perhaps my post about performance royalties is not so relevant to this specific situation....? But hey, just wanted to educate everyone a bit
