What's with the #trendyprog bashing of "professional" users here? Some of these memes (eg: that grumpy editors are being displaced by a new generation of self-taught FCP X users) are simply fallacious. I was personally intrigued after experimenting with FCP X recently (particularly how they reworked color correction); but at times it feels like a 64-bit Instagram for video.
At my facility in NYC, we have a storage network with GigE connectivity to each Mac Pro workstation (and a few iMac workstations as well) - all running FCP 7. We have certain policies and procedures in place that allow us to collaboratively work on projects, track assets, and layoff our content to SD and HD tape, as well as to LTO. Because we are both a broadcast facility and a university, we have unique needs: particularly in the realms of preservation & archives, as well as the routing, playout and delivery of our content/streams through RF and IP media networks.
We need ethernet ports, PCI slots (AJA's IOxt Thunderbolt to HD-SDI devices for our iMac workstations [lolz] aren't cheap), and DVD burners in our hardware. We need our software to play nice with networked storage. We need to monitor signals on "broadcast-quality" monitors (that's *ProTalk* for all you F4NB0IZ out there). FCPX simply does not meet these needs, and is an operational hindrance.
I'm hopeful that Apple will offer the tools our broadcast facility needs in the future. But we've essentially moved on to exploring Premiere, and recognize FCP7 will be phased out eventually. Everything dies.