As a frequent listener of classical music from all eras, one of the things I really despise about Apple Music in its current form is that the longer song titles used in many classical music pieces are poorly supported. If a new dedicated app fixes that, I'm all for it.
Long song names on macOS, iOS and iPadOS are miserable to look at, IMHO. They get cut off, scroll slowly, etc. There's no quick way to see important information about composers, albums, opus, key, performers, recording dates and so on without digging around. A lot of classical music listeners who "dig deep" and like to know more about what they're listening to would be interested in a better way to view this information, I feel.
It is an issue, because it’s an inferior format. This has been discussed and explained ad nauseum. Just say NO to ALAC.
FLAC = ALAC = FLAC ... lossless = lossless.As someone who regularly listens to classical, I don’t want this nor do I see the appeal of breaking this out into its own app/service in the slightest when whatever they’re hoping to implement in this app could just be brought to regular old Apple Music.
Also, how can Apple claim to cater to classical music fans when they don’t support FLAC? Classical connoisseurs maintain their own digital libraries and use FLAC as standard. Not that ALAC nonsense.
Those connoisseurs can convert their FLACs to ALAC and add them to Apple Music themselves. I've done it myself and the albums I converted and added appear in the Apple Music app just like regular music. I guess Apple could automate that conversion process to streamline it a bit, so users just need to drag in the FLAC files to iTunes (now called Music app) and have them converted to ALAC automatically.Also, how can Apple claim to cater to classical music fans when they don’t support FLAC? Classical connoisseurs maintain their own digital libraries and use FLAC as standard. Not that ALAC nonsense.
I can see myself using this app… but to respond to your question, I think he answered it in his post. Why not make the music app better? Including classical music emphasis. That’s not denying others, it’s working for a larger amount of people.Anyone that is a huge fan will not need this service. But this will probably broaden some horizons and introduce many young people to such an incredible experience. I just don't see why you would disparage sharing Classical Music. So don't subscribe. Why deny others?
Of course it will be,..they would have that few subscribers it wouldn't be worth trying to charge extra. I'm waiting for the Hip Hop app & Classic Rock app Apple..c'mon, innovate! 😉If it’s included in premium One it will be a win. If not I’ll still subscribe.
A separate app just for classical music is weird to me — especially since the Apple Music app on the Mac needs a lot of work. It would be great if Apple could get the existing Apple Music app working pretty flawlessly before branching out into another Apple Music app for just classical music.
Of course it will be,..they would have that few subscribers it wouldn't be worth trying to charge extra. I'm waiting for the Hip Hop app & Classic Rock app Apple..c'mon, innovate! 😉
I appreciate your take on this. From my perspective -As someone who regularly listens to classical, I don’t want this nor do I see the appeal of breaking this out into its own app/service in the slightest when whatever they’re hoping to implement in this app could just be brought to regular old Apple Music.
Also, how can Apple claim to cater to classical music fans when they don’t support FLAC? Classical connoisseurs maintain their own digital libraries and use FLAC as standard. Not that ALAC nonsense.
Yep, sounds like Radio 3.One recent Radio 3 commentator argued Bach is more progressive than Stockhausen
You are right on many points, but I was not saying ALAC is inferior from an audio quality perspective. As you mention, they are essentially compressed container formats that would both decode to the same original PCM signal, regardless of sample rate or bit depth.That's indeed a problem. Its a challenge to design a screen that has all the right controls and information on it, without bloating. In the past Apple did a very good job on this, but ever since iTunes 11 it went down hill - did they hire Windows programmers or something?
Oh man, don't be like that. You know that ALAC and FLAC are only different in their container structure, the actual possible audio quality is exactly same: ALAC both FLAC can support up to 32bit at all commonly used sample rates.
What you are refering to is the believe that music distributed in ALAC is always 16bit and FLAC is always 24bit. Well, in case of Apple Music, they did indeed publish 16bit/44.1kHz up to a year go. I'm glad Apple changed that, even though it took a while. Today you'll get 24bit or higher when the music producer/label did indeed delivered their library at such high quality. From the few stores I know that deliver FLAC, it used to be not always 24bit either. So this ALAC vs FLAC is no more than a stupid old-school flame-war.
Actually, whatever the container format is what a consumer gets from a digital store, it is in no way a guarantee that what you're getting is really a 24bit resolution recording. It all depends on what was available at the time when it was recorded and what the client/producer wanted then. So many classical recordings that are archived are no better than 16bit@44.1kHz - that was a standard for at least 20 years.
I did some work for classical productions and even though we had the equipment to do proper 24bit@48kHz or even 96kHz recording, but actual recordings some clients wanted was 16bit@48kHz. Some had this idea that a higher bitdepth was bad and had more noise. Obviously they were still living in the early 80ies, when indeed A/D converters were not that good. Today we have idiots at music labels who resample from CD to 24bit@96kHz files and resell this as "studio quality".
Yes, but no. Sure, they decode to the same original PCM input, only an idiot would claim otherwise. Nobody is arguing that. But why are ALAC files so bloated compared to FLAC files? Why don’t they store an MD5 of the audio data? They’re bigger and less secure. One of these things is not like the otherFLAC = ALAC = FLAC ... lossless = lossless.
Switched on Bach is a very cool record, but I am fairly certain it’s far from the first to sell over a million copies, even within the classical genre. If opera is within the realm of classical, I’m fairly sure there were some Caruso records in the 1910’s that hit that mark likely 50 years before Switched on Bach was even recorded.I wish Apple would pay for more new recordings of classical music into proper Atmos spatial audio. Also Apple needs to license Wendy Carlos music, for some reason her recordings are "out of print" on streaming services, which is baffling because one of the very first classical record to sell more than a million copies came from Wendy Carlos and her groundbreaking synths with Switched On Bach. Not to mention her film scores. It's criminal that people can't just stream her music today when she helped popularise classical music with youngsters in the 20th century in the first place!
I would never suggest converting one’s digital music library to the bloated/inefficient and less secure lossless alternative just to play nice within the Apple ecosystem. I wouldn’t do it to my files if I had a gun to my head. Instead I ask Apple to do better and support both.Those connoisseurs can convert their FLACs to ALAC and add them to Apple Music themselves. I've done it myself and the albums I converted and added appear in the Apple Music app just like regular music. I guess Apple could automate that conversion process to streamline it a bit, so users just need to drag in the FLAC files to iTunes (now called Music app) and have them converted to ALAC automatically.
If it’s streaming, I couldn’t care less as to what format Apple uses - it’s understandable they’d want to use their own thing for whatever reason. Though you inadvertently hit the nail on the head here. A lot of my owned music comes from my CD library too, and exactly as you said “of course is ripped to FLAC”This is certainly interesting. If it's free as part of the Apple One subscription, I will be able to cancel my Idagio subscription. At the same time, I would feel quite guilty about that. If it's not free, I will keep Idagio and be rather happy that another giant tech company has not been able to put a small company out of business.
I don't get the ALAC vs FLAC issue. It's a streaming service, right? As long as it is streamed in a non-lossy format, what's the problem as to which format? Unless you guys are actually buying tracks (?) All my owned classical music comes from my CD library, which is extensive, and of course is ripped to FLAC. I use BluOS to combine everything, and they support ALAC.
Yeah,a jazz streaming service would be nice, but, like classical, it's only 3% of the market. i always though a classical streaming service would be a great place to do this, jazz fans and classical fans have a lot of the same needs as far as identifying multiple performers etc.
Wikipedia says Switched-On Bach "was the second classical album to sell over one million copies".Switched on Bach is a very cool record, but I am fairly certain it’s far from the first to sell over a million copies, even within the classical genre. If opera is within the realm of classical, I’m fairly sure there were some Caruso records in the 1910’s that hit that mark likely 50 years before Switched on Bach was even recorded.
Wendy took ownership of her masters from Columbia/Sony, so if things are not kept in print or are unavailable on streaming services, the onus falls on them to do something about it.