I wonder if it needs to be installed on the Startup Disk. If not, I can definitely see myself getting this + an external HD in the relatively near future.
Did you watch the Apple Quick Tours?Truffy said:I'm obviously missing something. What does it offer that Photoshop CS2 and Bridge don't?
Well, there's a 6 week wait anyway (according to the store) so there might be some real world experiences in the meantime that indicate it can run on your machine. (I run Motion 2 on a 1.33 PB and while it is not fast, it is quite adequate for my simple needs).ajshades said:Actually yes I am running Motion 2, and it runs great actually, rarely does it bog down, except maybe when you've got tons of particles and replicators run on the same frame then the FPS does go down, but to my experience no video requires such nonsence of multiple effects.
bretm said:HA! Except a professional photographer would NEVER use a LCD as their color correction display. They use the LCD to browse, but most pros have a very expensive CRT that has a much better contrast ratio. Even I can tell the difference on a LCD. The contrast just isn't there.
Object-X said:Look at this picture. It says it all. A Quad G5 with dual 30" displays and Aperature. If you are a professional photographer that works with digital how could you resist that setup? All it takes is money.
baleensavage said:As I mentioned in the other thread, this was a really suprising move for Apple. They seem to be getting more aggressive in their new products. Aperture looks sweet on the Web site. I only hope it's not as bad as iPhoto. My biggest complaint is that they have set the price tag and requirements way too high. To use this program you basically have to buy a new machine. And for a program to complement Photoshop, it shouldn't cost as much Photoshop. Portfolio, if I'm correct is only around $300 (unless you buy the server version). It will be interesting to see if this catches on, then maybe we'll get an Aperture Express, like Final Cut Express.
I too found the Web page suprising. It is done in flash as far as I can tell and actually it doesn't display right on OS 9 browsers, you have to stretch the window way out to get the text. Maybe they are expirementing with new Web designs.
elevenpower said:Or does Aperture resemble the Raw Image Thumbnaier and Viewer that has been bundled with Windows XP Powertoys? I, myself, have never used it. I've always just seen it when downloading Tweak UI on my other PCs.
I'm at workbretm said:OS what? There are probably pro designers reading this that were 14 or fifteen years old when that OS came on a machine. Yikes. Gotta move along my friend or you'll get trampled.
Object-X said:Interesting, but on Apple's web site they have a video of a professional sports photographer and in the background of his lab it sure looked to me like he was using Apple cinema displays. Besides, Apple's cinema displays are SWOP certified, so I think you a bit behind the times.
ineffable27 said:Apple's 'Final Cut Studio' area of their site also uses a lot of Flash:
http://www.apple.com/finalcutstudio/
Manatee said:This looks like a great product. I like to shoot RAW with my Nikon D70, and then mess with it just to learn the process.
It seems I'll be sticking with Photoshop, though, as I don't do desktop computers, and neither of my Powerbooks is anywhere close to meeting the minimum requirements for Aperture.![]()
Maybe the 3rd or 4th incarnation of the PowerIntelBook will be up to the job.
ajshades said:Actually yes I am running Motion 2, and it runs great actually, rarely does it bog down, except maybe when you've got tons of particles and replicators run on the same frame then the FPS does go down, but to my experience no video requires such nonsence of multiple effects.
I would love to buy it and try it but for $250 edu discount that is very steap esp if I can't run it.
Again - a note on the "pro" line.
I can edit video, burn dvd's but I can't work with photos?
Apple was not thinking exactly straight on the market they are trying to send this product to.
I know of very, very, very few photographers (graphic designers to) that run those kinds of systems AND would intersted in a program like that.
Come on apple..
areyouwishing said:4.) This is for photographers only. The designers that also wear the "photographer" hat are going to get annoyed with this quickly because it's ANOTHER way to manage content, most designers already have a working system for entire projects (including photos). If this stores images anything like iPhoto i can see people getting pissed of quickly.
5.) Like it or not, all Photographers have to use Photoshop at some point. There are too many photo shoots where a guy didn't shave, or a lady blinked and the rubber stamp tool needs to be used, this destroys the "all RAW" workflow that Apple is touting.
areyouwishing said:After seeing all the quick tours and reading, I've got my initial assessment.
1.) Too expensive, since it's only doing about 50% of what Photoshop can do, it should cost 50% of Photoshops price. Similar to Motion vs. After Effects.
2.) Looks fast. The whole idea of this is managing and small tweaking in a very efficient manner. This is where it trumps the Photoshop/Bridge combo.
3.) The new functions are great, the Loupe is amazing, the management is great.
4.) This is for photographers only. The designers that also wear the "photographer" hat are going to get annoyed with this quickly because it's ANOTHER way to manage content, most designers already have a working system for entire projects (including photos). If this stores images anything like iPhoto i can see people getting pissed of quickly.
5.) Like it or not, all Photographers have to use Photoshop at some point. There are too many photo shoots where a guy didn't shave, or a lady blinked and the rubber stamp tool needs to be used, this destroys the "all RAW" workflow that Apple is touting.
All in all good-to-great for pure photographers (depending on need), not so good for anyone that needs anything more. At $500 it's a little too steep to add a second "photo" app to a workflow for anyone beside a single purpose photographer. It would be nice if the management was applied to a broader sense for video, print, web, audio.
areyouwishing said:After seeing all the quick tours and reading, I've got my initial assessment.
1.) Too expensive, since it's only doing about 50% of what Photoshop can do, it should cost 50% of Photoshops price. Similar to Motion vs. After Effects.
2.) Looks fast. The whole idea of this is managing and small tweaking in a very efficient manner. This is where it trumps the Photoshop/Bridge combo.
3.) The new functions are great, the Loupe is amazing, the management is great.
4.) This is for photographers only. The designers that also wear the "photographer" hat are going to get annoyed with this quickly because it's ANOTHER way to manage content, most designers already have a working system for entire projects (including photos). If this stores images anything like iPhoto i can see people getting pissed of quickly.
5.) Like it or not, all Photographers have to use Photoshop at some point. There are too many photo shoots where a guy didn't shave, or a lady blinked and the rubber stamp tool needs to be used, this destroys the "all RAW" workflow that Apple is touting.
All in all good-to-great for pure photographers (depending on need), not so good for anyone that needs anything more. At $500 it's a little too steep to add a second "photo" app to a workflow for anyone beside a single purpose photographer. It would be nice if the management was applied to a broader sense for video, print, web, audio.
Aperture supports digital cameras from a wide variety of manufacturers, including Canon, Fujifilm, Hewlett Packard, Kodak, Konica Minolta, Nikon, Olympus and Sony. It offers optimized support for the RAW formats of the following digital SLRs:
Canon
EOS 1D
EOS IDs
EOS-1D Mark II
EOS 1Ds Mark II
EOS 1Ds Mark IIN
EOS 5D
EOS 10D
EOS 20D
EOS D30
EOS D60
EOS 300D/Kiss Digital/Digital Rebel
EOS Digital Rebel/XT
PowerShot G6
PowerShot Pro 1
Nikon
DI
D1H
K1X
D2H
D2Hs
D2X
D50
D70
D70s
D100
Olympus
E1
Konica Minolta
Maxxum 7D