If anyone worked for be and got a RED system, I would ask him/her to justify the advantages compared to a Canon DSLR or pay back the difference and make up for low light performance.
If that's all FCP can come out with, they're lost. We need to see FCP designers come crying on their knees and ask for forgiveness, then they need mental treatment to figure out why they ever thought normal people would come out with a product like this.
300 fps, 2k, 120 fps 4k etc.
No aliasing, an image that's not even comparable after you see them next to each other, I could go on.
Until you shot with a RED EPIC extensively, you just don't know what you are missing.
The clients that care pay for the difference