How many people taking iPhone pictures are editing them in the first place.
I'm close to buying an A7iii.
I’d say most people edit them. Source: instagram.
How many people taking iPhone pictures are editing them in the first place.
I'm close to buying an A7iii.
How many people taking iPhone pictures are editing them in the first place.
I'm close to buying an A7iii.
I'd love an a9 but those are a little pricey even with the discount.You @‘d me.
I have no idea how many edit.
I have an a7s and a7r-ii. At some point I’ll trade them in or something and invest in an a7r-iii or a9, I guess. Nice cameras.
This is probably a dumb question, but does anyone know: if old videos (say, from old digital cameras) are catalogued in Photos are they future-proofed or does the media need to be checked for 64-bit compatibility? If so, can anyone point to any resources for checking this?
I've got a bunch of family videos dating back to about 2002 taken with little digital Canon cameras and the like, that have come along with me from iPhoto to Photos. They all play fine now, but they're worth way too much to lose.
As far as Aperture, it is a shame there isn't a pro photos app, the way FCP X is essentially a pro version of iMovie and Logic is a pro version of GarageBand.
For what I use it for, I find Photos a pretty decent tool for what it does -- especially considering it's free. I like that everything is available on whatever device I'm looking at currently but also all the originals are saved (and backed up) safely on my main iMac. The new extension setup of Photos does let you edit in apps like Photoshop for more comprehensive work, but keeps them inside your library.
Then again, I'm closer to the consumer than the pro end of things and don't have to deal with versioning and the like.
Why go thought all that hassle? Just find a new program to use.Ok, I think my solution will be virtualization. I will run an older version of Mac OS in a virtual machine in use Aperture in that VM environment. With that I can use it as long as there are Intel Macs. Sounds like an ok solution to me.
Any suggestions for a Mac OS virtualization? And which version of Mac OS would be best for Aperture? Not Mojave as there are too many issues with it and Aperture.
Sorry, this was not writing on the wall, this was an email, an iMessage, and a notice pinned to your door. Apple very publicly cancelled the product a long time ago.![]()
Emphasis on past tense.
I'm sure there are a few out there who haven't seen any reason to move on, but it is not the best available by a longshot. The only thing that truly separates Aperture from Photos is Aperture's digital asset management engine. Otherwise, Photos has surpassed Aperture in most other meaningful ways.
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I seriously considered just moving to Photos and had to abandon that plan for this reason. I gave a combo of Photo Mechanic plus other editor programs a shot for a trial run before ultimately settling down on just Capture One Pro alone.
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Capture One Pro is the program Aperture would have been if it kept being developed. Look into it. It even has a conversion tool that will port your Aperture libraries into Capture One Pro and it works pretty well.
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Because Aperture has dozens of credible competitors. It's a waste of their resources to keep pushing into a very crowded space that has no strategic importance to them.
Final Cut has Premiere and Resolve and Avid as competitors—Logic has Ableton to compete with. Aperture would have Lightroom and Capture One as competitors. I don’t see how maintaining Aperture would be any more contentious then maintaining any of their other pro apps.
Why go thought all that hassle? Just find a new program to use.
JPEG is a lossy 8 bit compressed format. I won't go into the details of the encoding/decoding process, you can look at the Wikipedia article for that, but you're misinterpreting what those coefficients are and what dynamic range they retain.Highest quality jpegs are very close to any original. Most software edits are non-destructive like Aperture, i.e. the original data is left alone and a reciepe is saved, so editing has no data loss. When a jpeg or tiff or raw are read into an editor, you have a internal memory representation which is floating point, a float for the Red, one for the Green, and one for the Blue.
A jpeg can potentially have 64 8bit coefficients, it depends on the photo. 64 x 256 (8bits) = 16384 which is a 14 bit number. (See wikipedia)
Take a image, export it as a highest quality jpeg, a 16 bit tiff also. Now read in the jpeg to some editor, and also the tiff. Subtract them. There is very little difference. Almost no one will be able to tell the difference between the jpeg or the tiff version.
Hate to break it to you but I don't think Photos will ever be as good. Unfortunately you will need to make a move to something else. Apple will be off of Intel in a few years and I don't think using a virtual machine will be as effective short term. Nows the time to bite the bullet and make the move before you get any deeper. The longer you go the more painful it will be to change later.I have more than 100000 picture in Aperture many edited and all in specific albums, I do not want to loose all my legacy work. Also Capture One Pro costs at least 350, that’s a lot of money for me. I do hope one day Apple brings Photos up to spec with Aperture and then I can move.
Final Cut has Premiere and Resolve and Avid as competitors—Logic has Ableton to compete with. Aperture would have Lightroom and Capture One as competitors. I don’t see how maintaining Aperture would be any more contentious then maintaining any of their other pro apps.
C-One was and is designed to support the single shot files that their medium format cameras produce. It was not and is not designed to deal with mass photo sorting or management. Sadly so. C-One also does not have the smooth GUI that aperture does. C-one folks tried to allow users to modify it but it is still difficult to read and not nearly as visually intuitive nor smooth as Aperture. More powerful and accurate sure as their huge medium format files demand but not nearly as balanced as Aperture in management.There is. It’s called Capture One Pro, and if your shooting RAW, it’s actually better than Aperture (or Apple’s RAW processing engine) or Lightroom. It’s more expensive than Lightroom, but their Aperture importer is actually better too.
That said, the DAM functionality still isn’t as streamlined as what Aperture offered. Five years later and I’m still not ready for forgive Apple for killing Aperture.
Worse - I can (and have) easily survived without MagSafe. But I have failed to convert from Aperture to Lightroom after years of tryingKilling Apple Aperture and removing the Macbook MagSafe power connector are among Apple's biggest mistakes...
Hate to break it to you but I don't think Photos will ever be as good. Unfortunately you will need to make a move to something else. Apple will be off of Intel in a few years and I don't think using a virtual machine will be as effective short term. Nows the time to bite the bullet and make the move before you get any deeper. The longer you go the more painful it will be to change later.
Yup, take a look at this screenshot. It kinda looks like Aperture doesn't it?
In Aperture, you mostly worked off one a single tools panel. In C1P, those tools that you got used to are now spread across a whole bunch of tool groupings a lots of them seem redundant with other tools. It's hard to figure out which ones to use.
You have the option to create your own tool grouping. I created the one you see in this screenshot. It's my "Favorites" tools. Then I added in all of the tools from Aperture that I was used to so all of my familiar adjustments were now available pretty close to where I was used to finding them.
There are more tools than I started with in this screenshot. When I started, I kept the tools down to just what I was used to, but after a few months I started getting more adventurous and every month or two, I ended up adopting a new tool that I liked. I really had no idea what I was missing. I used to export to Photoshop to make my more involved photo edits, which was time consuming and ate up gobs of disk space. Now, I rarely use anything other than Capture One Pro for actual adjustments. That is one of the best parts. I only venture into Photoshop if I need to create composite images.
If you need convincing that leaving Aperture is the right move, just edit a RAW photo in Aperture and export it to JPEG. Then do the same in Capture One Pro. The one from Capture One Pro will blow away the one exported by Aperture. The RAW engine in Capture One Pro is tops.
We need it back!!!! Lightroom is not optimised well for macs
If only there would be one useable. Either the DAM functionality sucks or is missing and/or the program is slower than a slug.Why go thought all that hassle? Just find a new program to use.
I wish Apple would give us the ability to color tag and assign ratings in Photos. If we could do that, Photos could be a credible replacement for Aperture for hobbyists who aren't interested in moving onto a more professional setup.