There is also IPTV. The VOD offer of our triple pay provider includes also HD titles, which are pretty good in quality (720p and DD 5.1). The OS of the set top box is Windows ME or something. The only Windows in our household 
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Apple to Introduce New Final Cut Pro on April 12th?
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I disagree. I would argue that the reason people are not watching Blurays on their computers is because they CAN'T watch them on a computer. Blowing up a regular DVD to full screen on an Apple 27 inch cinema display looks horrible, and the alternative is a highly compressed H264 that looks amazing in comparison. I guarantee that if every Mac shipped with a Bluray drive, I'd have more clients requesting Bluray discs. Clients seem to love DVDs because they are dummy proof. Bluray? The smart ones will have to wait to watch it until they get home where they can put it on their PS3 or something. The others will stick it in their MacBook and then send me an E-mail saying that the DVD they received doesn't work.
Apple has to see financial benefits in not including Bluray in their computers. The professionals will add a drive to their MacPros so they can burn them. But consumers? Apple would no doubt take somewhat of a hit in profit for every Bluray drive that goes into a Mac. They'd also rather sell the HD media through the iTunes Store and make a profit there too. I'll admit it, one of the reasons I haven't switched completely over to buying Bluray Discs is because I can't watch them on my Laptop.
Final Cut Pro
Final Cut Playmobil for the reel editors
http://www.thinkgeek.com/interests/looflirpa/e8bb/
Final Cut Playmobil for the reel editors
http://www.thinkgeek.com/interests/looflirpa/e8bb/
Careful, some trolls will insist that your opinion is only relevant to your narrow world view and that you need itemized spreadsheets to prove that you know what you're talking about.
Professional Editor for about 10 years. I came up before the DV revolution, and before Final Cut even existed. Before Non linear editing even existed really - or at least was widely used. It's crazy how far the editing world has come when I look back.
I did my first non-linear editing on an Amiga video toaster. I also learned Media 100 & Premiere. I have used FCP on and off since version 1.0. I used Avid Professionally around 5 years, and now back on FCP for about 4 years. It's not really my choice, I use what my employer uses. Avid was great when I used it but the editing world is growing so fast. I didn't like the closed system, and the expensive hardware. I will say I was faster on an Avid than I probably ever will be in Final Cut. Maybe that's my own laziness, but whatever...
So here we are in 2011. It seems Premiere has come on strong and is doing good things. I will most likely never use it though. I really like Final Cut, but if Apple ever got out of the game, I'd go back to Avid. It is my opinion that Avid is better for narrative, but Final Cut is better for a more diverse set of projects. For what I do at my job, Final Cut works fine, and I prefer it over Avid.
People spend a lot of time arguing, but they are just editing systems. They all do essentially the same thing. Some edit software may have better features, or better compatibility with certain things, but software is always changing anyway.
I think Final Cut has been ahead of the game for most of the past 10 years. In the last year, maybe 2, I think it has lost ground to Premiere and Avid. It's normal. You can't be on top all of the time. I am hoping with this next release, it will put Final Cut back on top for the foreseeable future.
Edit software is getting very good. I think we are very close to hitting a sweet spot. I cannot speak for Avid or Premiere since I haven't used them in several years but for Final Cut some things need to improve. I think the biggest problem is quicktime itself. It's become bloated with all the focus on iTunes music, and film. Apple needs to do something about this. It also needs to be 64-bit and use processing/memory better. Also better integration with Video cards. Also RGB 444 doesn't work in Final Cut. Compressor is horrible and outdated. I like Motion just fine although I would prefer a few interface tweaks which I won't get into. I don't ever use Soundtrack because I think it's horrible, and I have the luxury of having an audio guy at work.
I think Final Cut is a pretty good program and if Apple puts in a little more work it can be great. Different people have different workflows and want different things out of their edit systems. It's pointless arguing about specific features.
I LOVE ProRes and it has absolutely saved editing for me. I love editing and I'm exciting for what the next version of Final Cut will bring. Sorry for the rant this should have been a blog post instead.
I did my first non-linear editing on an Amiga video toaster. I also learned Media 100 & Premiere. I have used FCP on and off since version 1.0. I used Avid Professionally around 5 years, and now back on FCP for about 4 years. It's not really my choice, I use what my employer uses. Avid was great when I used it but the editing world is growing so fast. I didn't like the closed system, and the expensive hardware. I will say I was faster on an Avid than I probably ever will be in Final Cut. Maybe that's my own laziness, but whatever...
So here we are in 2011. It seems Premiere has come on strong and is doing good things. I will most likely never use it though. I really like Final Cut, but if Apple ever got out of the game, I'd go back to Avid. It is my opinion that Avid is better for narrative, but Final Cut is better for a more diverse set of projects. For what I do at my job, Final Cut works fine, and I prefer it over Avid.
People spend a lot of time arguing, but they are just editing systems. They all do essentially the same thing. Some edit software may have better features, or better compatibility with certain things, but software is always changing anyway.
I think Final Cut has been ahead of the game for most of the past 10 years. In the last year, maybe 2, I think it has lost ground to Premiere and Avid. It's normal. You can't be on top all of the time. I am hoping with this next release, it will put Final Cut back on top for the foreseeable future.
Edit software is getting very good. I think we are very close to hitting a sweet spot. I cannot speak for Avid or Premiere since I haven't used them in several years but for Final Cut some things need to improve. I think the biggest problem is quicktime itself. It's become bloated with all the focus on iTunes music, and film. Apple needs to do something about this. It also needs to be 64-bit and use processing/memory better. Also better integration with Video cards. Also RGB 444 doesn't work in Final Cut. Compressor is horrible and outdated. I like Motion just fine although I would prefer a few interface tweaks which I won't get into. I don't ever use Soundtrack because I think it's horrible, and I have the luxury of having an audio guy at work.
I think Final Cut is a pretty good program and if Apple puts in a little more work it can be great. Different people have different workflows and want different things out of their edit systems. It's pointless arguing about specific features.
I LOVE ProRes and it has absolutely saved editing for me. I love editing and I'm exciting for what the next version of Final Cut will bring. Sorry for the rant this should have been a blog post instead.
Of course not. The proliferation of people who say that they have migrated to another platform indicates that for varying reasons, be they technical, workflow, or otherwise... some have left FCP. There are reasons to do that. I would just rather people state personal experience for what it is; rather than paint broad, unsubstantiated remarks like, "Apple is bleeding market share to Premier!". State what's happening for you in your neck of the woods. That's educational for everyone, rather than being combative.
Heck, my first 4 years in NLE was on AVID. Why did I switch? Primarily because that's where my market was going. I couldn't stick with FCP if all my clients decided they were going to make a switch to another platform now.
My biggest confustion is with people already labelling this iMovePro. There's no solid evidence of this. Apple hasn't let the product lay fallow, they've recovered from an internal crossed wires as to platform direction in 2009, which resulted in a modest update with FCS3, but have been working on a complete rewrite.
If Apple were just delivering a reheated 64bit FCP7 that could play DSLR footage natively, THEN I'd be worried! But by all accounts they've rewritten from scratch, and completely rethought the product, the goals, the interface. That takes a lot more time and effort.
Until the cat is out of the bag, I prefer to be more interested than worried.
Glad you realize it was wrong to put those words in my mouth "lots of professionals I know".
Uh, no. I do think that's what you meant. That's just not what you said.
Just because lots of people you know, plus a couple of people on these forums say that they've switched, you can't generalize that into a broad statement that covers everyone everywhere. It might be a localized trend in your area. Just like I can't say that just because none of my clients has switched platforms, that there's NO migration off FCP to AVID or Premier.
Uh, except I said "lots of professionals" and then you claimed I meant "professionals that I know" and then you acknowledged that it's not just professionals that I know.
Do you honestly think the people I know and the people that responded with a similar sentiment on this message board are the ONLY pros who have switched to Premiere? Are you one of those extreme skeptic empiricists that doesn't believe Antarctica exists, for example, because you've never been there?
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Yes, I agreed there are professionals, but not LOTS of professionals. You don't know, cause... you don't know them, and neither do I. So these "lots" outside of your field of view may or may not be looking to switch. You see the difference, yes?
So you really think it's just a handful of people on Macrumors?
Oh, and people I know.
So, how many do you think? Less than 10? Less than 100? What is your definition of "a lot"? Also please note I never said it was any kind of majority of FCP users or anything like that. I never said it was an industry-wide pandemic, although you'd like to put those words into my mouth as well. You'd also like to paint my claim that "a lot of pros are leaving FCP" as "combative", even though it's not. It's just an observation. I don't know why you're taking it so personally.
Looking forward to the new final cut studio.
if apple is smart they will allow access to individual parts of the suite
as seperate Mac App Store downloads.
If it were possible to buy apple Motion on it's own I think many existing After Effects would be very happy to have something else to play with that can take adavantage of their hardware and deliver some fun realtime workflows...
it could be a halo product for such editors as well to end up using the whole suite...
I bought motion for 300 when it used to be sold individually, and I have spent a tonne of money since simply because I love that product.
do it apple. please.
if apple is smart they will allow access to individual parts of the suite
as seperate Mac App Store downloads.
If it were possible to buy apple Motion on it's own I think many existing After Effects would be very happy to have something else to play with that can take adavantage of their hardware and deliver some fun realtime workflows...
it could be a halo product for such editors as well to end up using the whole suite...
I bought motion for 300 when it used to be sold individually, and I have spent a tonne of money since simply because I love that product.
do it apple. please.
Motion has a funny reputation. I find it quite powerful and very intuitive now that I've been using it almost exclusively for over a year. I know a lot of AE users find it very hard to make the mental leap to the different methodology, and I totally understand that as it took me several months of regular work to really adjust my headspace to the new way of thinking.
How the different parts of the Studio might be merged or changed is one of the more interesting questions for me. You could overload FCP if you tried to cram all the other apps together, but there's no question there's room for tighter integration.
It would be very surprising to see the different programs sold separately thought the appStore. The programs themselves aren't too massive [and may have been streamlined more] but the extra content for loops would make it a HEAFTY download for anyone!
This evening can't come soon enough, glad to have all the speculation over with and concentrate on what it actually is [and isn't].
If anyone comes up with a good liveblog or ustream of the presentation, remember to post it here. So far, the best coverage I can find it twitter feeds for people like Larry Jordan or Philip Hodgetts who will be in attendance.
