This. Like I said in my earlier
post a few pages back it's most likely going to be an
audio visual music file format. One that combines what we already have now, the audio, with what we lost lost with digital music, the immersive visual experience. A fully realized digital CD/LP like album/song format that adds new features (animation, music videos, etc) to the old physical CD/LP format and which is fully optimized for iPhone/iPod Touch screen and iPad/Mac/PC screens.
I keep seeing this suggestion often accompanied by words like "immersive" but I'll offer that, having been around before CDs, I don't remember ever seeing anyone put an album on and then hold the album cover in hand while it played. There was no immersive. There was no huge pull to intently study the covers as the music played. Album covers were just wrappers that were pretty much fully "taken in" in a single look. Look at a heralded album like the Beatles Rubber Soul. There's 2 words on the front and pictures of the 4 of them stretched. Great cover? Yes. Something to study each time the album is played? No. How about the white album? Again, 2 words on the cover of an otherwise plain white cover. Something to immerse in while playing those songs?
Album covers are like the boxes Apple goodies arrive in. Think about the packaging that was wrapped around your latest Mac Computer or iDevice when it arrived. Nice? Attractive? Well done? Informative? Immersive? Let's say "yes" to all of those. So, how many times have you broken out those boxes to immerse in since unwrapping your Apple goodies?
Pile on videos, animation, etc to music albums and all of that can be cool. But it's like the album cover. Once you watch the companion videos that came with- say- the Beatles box set, how many more times do you want to watch them? And, as others have (well) said...
Like…
iTunes LP? This already exists. But not that many artists seem to want to bother that often.
If Apple & U2 could motivate the masses to want to rebuy albums formatted in iTunes Extra Deluxe HD or similar, it adds a burden to the bands that lack the resources to also develop those extras (even the ones that have the resources lack the motivation to utilize iTunes Extras now). It couldn't be about making the best music possible anymore; instead, now it would require visual arts skills too, computer skills, production and so on. It would't be enough to be a great musician; instead, he, she or they had better be good at developing all of this companion material as well… or have the financial resources to pay others to do it for them. Does that bring great music to the market or hinder it?
I suspect the problem is simpler. Prior generations had to rebuy regularly because previous formats wore out. Vinyl albums inevitably scratched. Cassette tapes stretched. Newer digital formats don't wear out. CDs I bought in the 1980's still sounded the same in the early 2000's. Ripped into iTunes in the early 2000's, they still sound the same in 2014 as the first time I played them as CDs in the 1980s. Ten or twenty more years from now, they'll still sound exactly the same. The motivation to rebuy is significantly reduced and the generational motivation to (re)buy some of our parents music is also mostly mitigated.
The solution to the problem is not "immersive" add-ons but bringing NEW, quality music to market that is must have for digital music collections. I haven't bought even one song now in about 6 months. Why? Nothing seems good enough (IMO) to demand inclusion in the favorites in my own library. I've been given iTunes gift cards so I don't even have to reach in my own wallet to buy new music. I just don't hear much that I want to buy. Instead, I just replay the thousands of songs I've accumulated in this digital audio age.
Where is the new, must-have music that is not already in our collections? I downloaded the free U2 album and, IMO, it's got 1-2 songs that might be keepers (another huge problem of modern albums). However, had they not given this away, I don't think the 1-2 would have been worth $1.29 each to own (IMO). Bring the great music to market and people will buy.
But even there, there's another "problem". When I do want to buy some new music, the used CD market makes the exact same quality available for a fraction of the cost desired for a new CD. Instead of paying $9.99 or more on iTunes for 256K AAC, get the same album at higher quality for a dollar or three, rip it at up to lossless and it's going to sound just as good 25 years from now.
Looking at it from a lot of angles, I don't think there is a "good old days" (get people to buy again and again)-type solution to this particular problem other than musicians cranking out a high volume of "must have" new music… and even there, the used CD market will dilute the "one CD per customer" revenue & profitability of those "good old days" unless CDs are terminated and some kind of stringent DRM solution is put in place so that it would basically kill the used market and significantly complicate the piracy (and I'm not advocating DRM or piracy at all).
Else, I think select solutions is something like what U2 just did- get a company like Apple to subsidize the album and give it away and/or make the (band's) money by touring.
Will higher quality, lossless releases yield some revenue? Probably from those who think they can hear a difference. But that happens
once. And then the best possible quality of music is in the wild to sound as good as it can possibly sound for as long as we have technology that can play it.