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I have been a supporter of Apple through thick and thin, but this is pathetic. If this report is true and it was APPLES idea to charge a premium....just pathetic. This is the final nail for me, im sticking with eMusic and done with iTunes. All this does is make Apple look even more pathetic. For the same price that I can buy 90 DRM free high quality songs at emusic I could buy less than 9 on iTunes. Shame on you apple. Apple is getting cocky. They better remember what got to where they are, or they are going to start heading in the direction they were in the mid 90s.

So Apple is expected to just eat it on the expense of tripling their storage requirements (yes triple... the original 128, plus the additional 256 = 3 X 128), and doubling the bandwidth (well, maybe 1.5 times if it ends up as 1/2 buying 128 and 1/2 buying 256).

I guess the guy running the storage unit where I have my excess furniture stored should provide me a 12 X 30 foot unit for the same price as my 12 X 10 foot unit, just because I don't want to have to stack anything inside... I want to spread things out a bit.

I don't get how some people want everything for nothing.
 
Maybe someone else will come along and sell non-DRM MP3s at $0.99 or maybe they will finally open their cataloge to eMusic

The music industry currently charges Apple about $0.70 per song with DRM. EMI charges Apple an unknown amount for song without DRM. I think a 30 percent premium sounds reasonable, which would make it around $0.90, but maybe it is more, like $1.00. For that money, Apple has the right to sell the music in any format they like, at any price they like.

With these condition, nobody could sell songs at $0.99 each. And eMusic couldn't sell EMI music at their current prices; they would have to charge the same or very close to what Apple charges. Walmart might come out with a $1.19 price to muscle in through price as they usually do; anybody who wants to actually make money can't do that.
 
I get the strategy, I just think if the bitrate was completely up to them they should have offered a Lossless option, at least at that premium price.

There really isn't such a thing as "lossless" in the audio visual world, there's PCM converted to a format that uncompresses to the same PCM, but PCM is, itself, not "lossless" - it has a finite sample rate, and a finite depth, and anything that can't be represented by the combination of those two will end up lost.

In theory, if you were to take a 32 bit/88,200 samples/second PCM signal and compress it with a good quality so-called "lossy" codec like AAC, you should be able to store it with higher quality and a lower bitrate than if you convert it to CD Redbook PCM (14bit, 44100 samples per second, IIRC), and then distribute FLAC files.

So, me, personally, I'm not going to complain about it, 256kbps AAC sounds like it has the potential to be very high quality to me, assuming they're not just ripping CDs.
 
Save the best format

Stupid question: Is there a version of Apple Lossless that preserves the extra info in SACDs?

Sure, lossless is better than 256 bit/s AAC. But SACD is also definitely better than lossless/CD. I want iTunes to be able to handle SACD content.:D

It's great news about the EMI announcement with Apple and the 256 standard is welcome. If Itunes went to the next level with SACD, they could open a whole new gamut for many of us who love the quality.

CD 44K quality is not the end all by any means. One would think that it is based on the comments. SACD and albums both easily beat CDs.

I'll take the plunge in May when Itunes makes this available. :cool:
 
There really isn't such a thing as "lossless" in the audio visual world, there's PCM converted to a format that uncompresses to the same PCM, but PCM is, itself, not "lossless" - it has a finite sample rate, and a finite depth, and anything that can't be represented by the combination of those two will end up lost.

In theory, if you were to take a 32 bit/88,200 samples/second PCM signal and compress it with a good quality so-called "lossy" codec like AAC, you should be able to store it with higher quality and a lower bitrate than if you convert it to CD Redbook PCM (14bit, 44100 samples per second, IIRC), and then distribute FLAC files.

So, me, personally, I'm not going to complain about it, 256kbps AAC sounds like it has the potential to be very high quality to me, assuming they're not just ripping CDs.

Well, IF they are using the higher bit / sample original when compressing then I retract my statement of needing Apple Lossless.
 
There's a fix so idiot proof you'll kick yourself for not having thought of it... If you are willing, as you say, to pay 30 cents more per song for the freedom from DRM alone:

1. Buy non-DRM itunes
2. Convert non-DRM itunes to 128 or 192kbps or any other bitrate or format (there's no DRM to prevent this, remember? :D)

Problem solved.

It's not that I haven't thought of this... but there are two issues with this solution:

1. I'm already paying extra to get the song without copy protection. Why should I have to go through the extra work to get the song in a format I desire? Apple should do the work for me. All they need to do is offer three options: $0.99 for DRM-enabled, 128 kbps, and $1.29 for DRM-free songs at either 128 kbps or 256 kbps.

2. Formats like AAC and MP3 are based heavily on human perception, and attempt to find an "optimal" compression solution based on the kind of information they can throw out at a certain bit rate. Re-encoding a 256-kbps stream at 128 kbps attempts to optimize this process based on a modified input waveform: the 256-kbps waveform, which is missing some data. This data may be imperceptible to a human, but how do we know it won't wreak havoc on the algorithm, introducing perceptible artifacts? I don't downsample my files, so I don't know if this is a real problem; I just think there is the potential for a problem.

Good point about driving demand for larger iPods, but that's kind of a moot point because why go to the expense of trying to artificially create a market for an item that might have a smaller profit margin when keeping the file size down would be more profitable for Apple and convenient for consumers already saturated with iPods? The reason larger iPods are being made is because the demand for them is already there... there's no need to artificially create this demand from scratch, but I wouldn't dispute the idea that the Premium downloads certainly don't hurt accelerating this demand... it's just not the primary driver.

This is partially true, but I know at least one person for whom larger file sizes translates to a new demand for larger iPods: myself. On my first-generation 4 GB Nano, I can almost fit my entire library; fewer than 500 MB worth of songs will not fit. Hence, I don't need a new iPod. However, if my library suddenly doubled in size, only half my music would fit on the iPod. That may be enough to push me toward buying an 8 GB Nano.

But there is another issue: I don't buy many songs from iTunes. For the most part, when I want music from my favorite bands, I run to the store and buy a CD. This gives me a pristine copy to store at home, as well as all the digital copies I could want. Plus, I get to read through the booklet. Hence, although a doubling in library size would drive me to a new iPod, Apple's decision won't increase my library by much.

I think the real answer is that Apple sees ditching DRM as a window to a few key elements in a larger strategy...

1. The market is saturated with iPod and new devices like iPhone and AppleTV are emerging to broaden the spectrum of Apple's lifestyle presence. With their market share, Apple's in a great position to open up DRM now as a means of pushing out competing formats like Windows Media to clear the way for even greater brand presence which facilitates the so-called "halo effect"... minimal investment for non-iPod or non-Mac owners to touch Apple products/services that may lead to other purchases.

2. Attracting a growing demographic of fidelity-conscious individuals who incidentally also make up a significant portion of the "tech aware" users who understand what DRM is and don't like it. Many of these users also happen to have deep pockets, or at least good credit, and spend a significant portion of their take home pay on technology-related purchases. Getting this segment interested has a tremendous effect on Apple's brand equity as evidenced by the rapid surge in tech blog posts about Apple following Apple and EMI's announcement.

I think these are very good points. Especially #1, since I am evidence of the halo effect. I've long been a FreeBSD user, and when my dad was looking for a good laptop with a UNIX-like environment, I pushed him toward an iBook. However, I never considered one for myself until a chain of events transpired: first, there were some power-management and audio quirks with FreeBSD on my bottom-of-the-line Dell notebook; second, I acquired an iPod and didn't like the coarseness of synching the unit with my FreeBSD machine; third, I observed that, after a year, the battery life on my Dell decayed from three hours to just over two. These things pushed me into an iBook. Later, when the first educational iMacs came out, I snatched the last one at my local Apple store. $2,000 in Apple equipment, which I only considered because of my iPod.
 
I don't think $1.30 is competing. $.99 was the sweet spot, I think a lot of people won't go for the $1.30. I think a single like this is still cheaper than it was before iTS but raising prices like this is never a good idea.
It's a fact of life--not a good idea or a bad one. When you introduce a product that does more than an existing product, you charge more, even if the two cost exactly the same to manufacture. It's the way the world works, and there's no reason for it to go any differently.
Although I understand the tactics involved it sets a dangerous precedent that you can't explain away with bandwidth or storage cost. So next time Apple goes Lossless they'll just raise the price again to $1.50?
You don't go grocery shopping much, I suppose. The price of everything goes up over time, even though nothing's changed. It doesn't cost any more to make gas than it did a decade ago in relative terms (it does in absolute dollars because of inflation and arbitrary price increases elsewhere in the supply chain), but the price goes up substantially. Apple should be raising the price on all of its downloads around now, even absent any change in quality or DRM status.
It's not about the price itself, it is about raising the price for a "premium", which by the way is the worst way to describe something that you already get in form of a CD.
It's not "premium music" it's a "premium iTunes track." It's just branding differentiation. Hershey's "Special Premium" chocolate is still inferior to proper artisan chocolates, but it's better than their regular crap.
2. Apple has had almost no raise in cost per song by the bitrate change. I would say $.01 if I were to exaggerate, so why again are they charging $.30 more?
Double storage costs compared to the 99-cent variety; double bandwidth costs to transmit the files, and an unknown increase in royalty payments to EMI beg to differ. Real profits at 99 cents have also declined, so a higher than necessary premium price could stave off a catalog-wide price increase.
1. I'm already paying extra to get the song without copy protection. Why should I have to go through the extra work to get the song in a format I desire? Apple should do the work for me.
What work? Set up a batch (or use some of the free utilities that do it for you), drag the files in and walk away. It takes literally 10 seconds for me to set this up on a group of files. CDs come in a single format that you have to convert if you want something different (which is both slower and more tedious than downloads). Academic papers in PDF, TIFF images supplied online, and RAW images from cameras all follow this pattern. Why should music downloads be any different? If you want to store them at a lower quality or in a different format, you've got to do it yourself. That has always been true.
 
Apple considers 50% (1.5 hours after a year) acceptable for LiON batteries. (http://www.apple.com/uk/batteries/replacements.html)

Good luck.

And what's Dell's policy? Just curious :D As you know, a service policy on paper has to cover cases of heavier-than-average use and worse-than-average charging habits. Such a policy is not an indicator of what the average user actually experiences.

(Or maybe you were just wanting to work in a random anti-Apple comment? In which case... carry on.)

2. Apple has had almost no raise in cost per song by the bitrate change. I would say $.01 if I were to exaggerate, so why again are they charging $.30 more?

What's your source of information about EMI not charging Apple more for DRM-free songs?
 
Going back to the "competition has been offering 256 for a long time already!"... Microsoft says this:

MSN Music digitally encodes tracks using Windows Media variable bit-rate encoding, with an average variable bit rate of 160 Kbps and a peak bit rate of 256 Kbps, offering some of the industrys highest-fidelity audio in a compact file size.

Link

So, as far as Microsoft is concerned, they do not offer 256kbps songs, they are (on average) 160kbps.

Of course, this music-store thing with Microsoft if "a bit" confusing. Is MSN Music same as URGE? Then we have Zune store as well.
 
Going back to the "competition has been offering 256 for a long time already!"... Microsoft says this:
Along those lines, peak bitrates are not the same quality as baselines. An iTunes track at 256kbps retains more of the original audio information than a Windows Media VBR with a maximum of 256 and an average of 160.

In any case, bitrate alone is not a measure of quality. I'd take 128kbps AAC over 160kbps WMA any day (from any online vendor).

I've yet to see any substantiation of the claim that Microsoft or any of the "most others" offering 256kbps from the "get-go."
 
The specs for both Blu-Ray and HD-DVD includes mandatory support for MPEG-2, H.264, and SMPTE VC-1 (Windows Media 9-based video, developed with over a dozen other companies), yes, that doesn't mean we will see any movies in WM format, though; h264 trounces WM comprehensively.
1. I guess saying it was "developed by over a dozen companies" is your justification for using it but it's still pretty lame. WMV9 (non-VC-1) was "developed" by the same exact method and by the same exact companies. In fact, that was the issue with VC1 and WMV all along. Microsoft wasn't soley responsible for the development (as it is partially based on early MPEG-4 work) and therefore the patents got kinda messy.

All of which is besides the point, the topic being downloadable music. WM Audio is a proprietary Windows-Only format, barring illegal decoders, just as WM Player is a Windows-Only player.

Complete BS. Windows Media Audio and Video can be implemented on any platform just like AAC. For instance, Linspire can legal play Windows Media files.
Microsoft also stands behind Flip4Mac which allows WM content to be played (and encoded) on the Mac.
Real Player for Linux/Unix also (or will in the future) support Windows Media Codecs legally.

Just like AAC and MPEG-4, it is the DRM (Fairplay and Janus) that is limited to certian uses and platforms... not the audio/video format itself.

I'll step in here :)

Come on Aiden!!

You know as well as I do wmv and wma or whatever MS calls them now only play on Windows Friendly platforms.Try to play a wma file encoded using WMP 10.or 11..It wont play on an iPod or in iTunes.
MP3 does..MP3 plays on almost any platform..


WM doesn't play on the iPod or iTunes because of Apple's choice. The Sigmatel and Wolfson chips that Apple uses for the iPod support Windows Media by default. Apple chooses to turn it off. Apple could license WM (as shown by Sorenson, Linspire, Real, Archos, Creative (they make a linux player that supports WM-DRM) and FlipforMac) but they simply don't.
 
1. I guess saying it was "developed by over a dozen companies" is your justification for using it but it's still pretty lame. WMV9 (non-VC-1) was "developed" by the same exact method and by the same exact companies. In fact, that was the issue with VC1 and WMV all along. Microsoft wasn't soley responsible for the development (as it is partially based on early MPEG-4 work) and therefore the patents got kinda messy.



Complete BS. Windows Media Audio and Video can be implemented on any platform just like AAC. For instance, Linspire can legal play Windows Media files.
Microsoft also stands behind Flip4Mac which allows WM content to be played (and encoded) on the Mac.
Real Player for Linux/Unix also (or will in the future) support Windows Media Codecs legally.

Just like AAC and MPEG-4, it is the DRM (Fairplay and Janus) that is limited to certian uses and platforms... not the audio/video format itself.




WM doesn't play on the iPod or iTunes because of Apple's choice. The Sigmatel and Wolfson chips that Apple uses for the iPod support Windows Media by default. Apple chooses to turn it off. Apple could license WM (as shown by Sorenson, Linspire, Real, Archos, Creative (they make a linux player that supports WM-DRM) and FlipforMac) but they simply don't.

Yet they don't make a linux software codec to decode WM-DRM based files, even if they are legally purchased, under the GPL.

I've got music that is lossless that won't play in OS X or Linux thanks to it being this WM-DRM. I was given a degraded copy of the songs for free, but that wasn't the point of buying the lossless copies.

Flip4Mac does not support WM-DRM 10 or 11.

http://www.flip4mac.com/pdfs/dat_flip4mac_wmv.pdf
 
1. I guess saying it was "developed by over a dozen companies" is your justification for using it but it's still pretty lame. WMV9 (non-VC-1) was "developed" by the same exact method and by the same exact companies. In fact, that was the issue with VC1 and WMV all along. Microsoft wasn't soley responsible for the development (as it is partially based on early MPEG-4 work) and therefore the patents got kinda messy.



Complete BS. Windows Media Audio and Video can be implemented on any platform just like AAC. For instance, Linspire can legal play Windows Media files.
Microsoft also stands behind Flip4Mac which allows WM content to be played (and encoded) on the Mac.
Real Player for Linux/Unix also (or will in the future) support Windows Media Codecs legally.

Just like AAC and MPEG-4, it is the DRM (Fairplay and Janus) that is limited to certian uses and platforms... not the audio/video format itself.




WM doesn't play on the iPod or iTunes because of Apple's choice. The Sigmatel and Wolfson chips that Apple uses for the iPod support Windows Media by default. Apple chooses to turn it off. Apple could license WM (as shown by Sorenson, Linspire, Real, Archos, Creative (they make a linux player that supports WM-DRM) and FlipforMac) but they simply don't.

Yet they don't make a linux software codec to decode WM-DRM based files, even if they are legally purchased, under the GPL.

I've got music that is lossless that won't play in OS X or Linux thanks to it being this WM-DRM. I was given a degraded copy of the songs for free, but that wasn't the point of buying the lossless copies.

Flip4Mac does not support WM-DRM 10 or 11.

http://www.flip4mac.com/pdfs/dat_flip4mac_wmv.pdf


Thank You..

Case Closed
 
Complete BS. Windows Media Audio and Video can be implemented on any platform just like AAC.
No, not "just like AAC"--WMA may be licensed for a fee; AAC has no licensing fees. WMA is a proprietary format (despite its origins) which is owned by Microsoft. They can change or terminate it at any time (WM10 content can't be played in Flip4Mac or Linux). Apple does not own AAC.
Just like AAC and MPEG-4, it is the DRM (Fairplay and Janus) that is limited to certian uses and platforms... not the audio/video format itself.
If only that were the case. WMA is limited to whomever Microsoft licenses it to, and only in the licensed incarnation. When Microsoft changes something, everything else breaks. Further, since this is about music downloads, you cannot step away from the format. No one has ever released WMA music DRM-free as far as I know, and Microsoft puts DRM on WMA files even outside RIAA mandate. The format requires jumping through hoops to avoid DRM.

Even once you get away from DRM, WMA is still an inferior codec technically, and there is still the nasty Microsoft-owned proprietary nature. Proprietary software is one thing; proprietary Microsoft software in areas that should be cross-platform is quite another. Look at what Internet Explorer has done to the Internet.
Apple could license WM [...] but they simply don't.
Yeah. Why should they?
 
Yet they don't make a linux software codec to decode WM-DRM based files, even if they are legally purchased, under the GPL.

I've got music that is lossless that won't play in OS X or Linux thanks to it being this WM-DRM. I was given a degraded copy of the songs for free, but that wasn't the point of buying the lossless copies.

Flip4Mac does not support WM-DRM 10 or 11.

http://www.flip4mac.com/pdfs/dat_flip4mac_wmv.pdf


No ****, sherlock. That's exactly what I said. The audio and video format plays everywhere (or at least it can if it's licensed) but the DRM does not. The same goes for Apple. AAC plays everywhere but Fairplay does not (legally).

No, not "just like AAC"--WMA may be licensed for a fee; AAC has no licensing fees.

Who told you that lie?
http://www.vialicensing.com/Licensing/MPEG4_fees.cfm?product=MPEG-4AAC

AAC actually costs more to license than WMA, a lot more usually.

More info:
http://www.internet-nexus.com/2007/04/about-audio-codecs.htm

(WM10 content can't be played in Flip4Mac or Linux).

Not true for several reasons:
There is really no such thing as "WM10" content. The codecs (with one small exception) are WM9. Flip4Mac and Linux play this just fine in the non-drmed version.

Apple does not own AAC.

Obviously I never said they did so I'm not sure of your point here.
Apple does own Fairplay, which also doesn't play play everywhere.

They can change or terminate it at any time ...When Microsoft changes something, everything else breaks.

Your tinfoil hat is showing.

WM7, WM8, WM9 etc. all still work.

Further, since this is about music downloads, you cannot step away from the format. No one has ever released WMA music DRM-free as far as I know,
Classical.com, Puretracks, AllofMP3. Even if they didn't sell WMA tracks without DRM it's not it's impossible to rip your own WMA tracks. Apparently that thought must not have ever crossed you mind.

Microsoft puts DRM on WMA files even outside RIAA mandate.
Big Time Tinfoil hat. You know that you can go to WindowsMedia.com and use the search function to find all sorts of major-label songs without DRM, right? Furthermore, the old MSN store would actually had a whole section of free non-drmed songs and albums. Microsoft is actually okay with Real Networks and their Harmony project, Apple is the one who attacked them publically. Apple is the one who used DRM outside the labels mandate:

From Daringfireball
It is the case, though, that there already exist music labels that wish to put music on the iTunes Store without DRM protection — some of the independent labels have already bought into exactly what Jobs is arguing: that DRM does not combat piracy and that interoperability can only happen with DRM-free licensable file formats.

Jon Lech Johansen points to this piece by Randall Stross in The New York Times from last month, which mentions Nettwerk Music Group, the label that represents Avril Lavigne, Sarah McLachlan, and Barenaked Ladies. They sell their music on eMusic DRM-free; they want to do the same on iTunes, but Apple has, to date, refused. As Johansen writes, “Actions speak louder than words”. If Apple were to allow the independent labels to start selling DRM-free music through iTunes, it would eliminate any doubt as to Apple’s sincerity.2


http://daringfireball.net/2007/02/reading_between_the_lines

The format requires jumping through hoops to avoid DRM.
What "hoops" do you have to go through that you don't have to go through with Quicktime/iTunes AAC?
 
Yeah. Why should they?

Who cares? That's not the point. The original quote (below) by Peace made it seem like it was Microsoft's fault that iTunes, the iPod, and Quicktime don't play Windows Media files out-of-the-box. Obviously, this is untrue. It was an Apple decision and that's my point.
(Likewise, it's Microsoft's fault WMP11 doesn't play AAC files out of the box.. especially considering the Xbox 360 and Zune software do play AAC).

Hell, Microsoft struck a deal with Telestream so that Mac users can play Windows Media files within QT/iTunes. I only wish Apple would do the same for Quicktime/MOV files on Windows (although QT Alternative does a good job anyway).
You know as well as I do wmv and wma or whatever MS calls them now only play on Windows Friendly platforms.Try to play a wma file encoded using WMP 10.or 11..It wont play on an iPod or in iTunes.
 
Wow... you guys are really dumb. Like people said... SJ has always made his opinion known about DRM. DRM existed and exists for the record companies NOT Apple. What would apple care if you downloaded a song and shared it on bearshare? Its the record companys that want to prevent that.

Case and point? The moment a record company comes to apple and says hey... we don't think we want drm songs on itunes, SJ said sure lets work on that.

Apple isn't screwing anyone over, but he does have to work in the politics of the music industry. Grow up people.

While I appreciate how thoughtfully this was worded, allow me to explain. Sometimes people say things that they don't necessarily mean. Whatever edge DRM that is exclusively compatible with the iPod gives Apple, they will take. That's more money in their pockets. So 5% of people's music on their ipods is DRM'd. While a lot of people have bought a few tracks on the ITMS (say 2% of their collection), I'd say there is also a 2-3% of people who have major investments in Apple's DRM, and the more people shift to buying music online, the more this becomes an advantage for Apple. If those 2-3% of people now have several hundred dollars invested in ITMS music, that's a pretty nice chunk of change Apple has, and that percentage will only grow.

Jobs will never come out and say, "Hey, you guys are right. We want DRM that is exclusive to the iPod BC we want to have a monopoly. That's right you antitrust people, you can pull out all your big guns and rip us apart!" His job is to make money for Apple.

I'm not saying that a large percentage of people are LOCKED to the iPod, just that there are financially significant percentage of people who, given the choice between an ITMS incompatible player that is somewhat superior to Apple's offerings, and an iPod, they are probably still going to stick with the iPod because they don't want to go to the effort of burn/ripping all the tracks they bought online.

I haven't read anywhere that other music companies had some agreement with apple that all tracks would be DRM'd. And if they don't, and apple really does want to put pressure on these companies to sell DRM-free music, all apple's got to do is sell these tracks for 99cents, watch them get sold like 10 times more often than DRM'd tracks (that's what EMI's research showed). Record companies are freakin hypnotized by money. They smell it and it's all they can think of. If they see that selling music without DRM will make them some major extra cash, rejuvenate their industry, they won't be embarrassed about past mistakes, they will jump on that opportunity like... some metaphor.
 
Who told you that lie?
http://www.vialicensing.com/Licensing/MPEG4_fees.cfm?product=MPEG-4AAC

AAC actually costs more to license than WMA, a lot more usually.
Actually, it doesn't once you add in Microsoft's DRM licensing fees, which your source cleverly avoids discussing.

AAC has a maximum cost of $1 per player. There are no per-track licensing fees as with DRMed WMA. With AAC files distributed without DRM, which is the case here, WMA files have to be licensed. AAC ones do not. I apologize if I didn't explicitly state that I wasn't talking about per-device licenses (which apply to nearly all formats).
Not true for several reasons:
There is really no such thing as "WM10" content. The codecs (with one small exception) are WM9. Flip4Mac and Linux play this just fine in the non-drmed version.
You should tell that to the dozens of major websites with audio tracks and video clips that simply won't play on a Mac because of WM10 encoding. Why is all the free content wrapped in Microsoft DRM? Why won't Microsoft allow Flip4Mac to play the DRMed stuff? I guess they don't really stand behind it.
Obviously I never said they did so I'm not sure of your point here.
The point is that WMA is Microsoft-controlled and AAC is not controlled by a company which can manipulate the product to further its own goals.
WM7, WM8, WM9 etc. all still work.
Only if your device and/or player are licensed to the latest version. You missed the point. Microsoft can roll out WM12 tomorrow and suddenly all the players on the market are broken if Microsoft chooses to make substantial alterations. They can decline to license third parties they don't like, effectively locking them out. Microsoft has been known to pull moves like this.
Classical.com, Puretracks, AllofMP3. Even if they didn't sell WMA tracks without DRM it's not it's impossible to rip your own WMA tracks. Apparently that thought must not have ever crossed you mind.
Puretracks Classical.com use DRMed WMAs (MP3's are not DRMed) and AllofMP3 isn't a legal site. Further, when you rip WMA tracks, they are DRMed by default. I've ripped a handful of CDs in WM9 and found out that they wouldn't play on any other system or portable device (unless they were loaded onto the device using WMP on that same system).
Big Time Tinfoil hat.
Hardly. Windows Media encoders default to DRM and as above, users have ripped their content into a DRMed format without consent and beyond RIAA mandate. Apple has NEVER DRMed any content produced on user machines; iTunes makes standard, DRM-free AAC and MP3 tracks unlike WMP's default WMA+DRM.
What "hoops" do you have to go through that you don't have to go through with Quicktime/iTunes AAC?
Disabling the auto-DRM on Windows XP. Perhaps this has been fixed in recent versions and/or in Windows Vista. But I follow the "fool me once" rule and won't use anything that puts DRM on my files by default without informing me or asking for permission.

Creating Quicktime files or AAC on the other hand never defaults to DRM, on OS X or in Windows.
 
Off Topic?

A few interesting thoughts about the EMI / Apple state of play.

1) Shortly after the announcement of the final settlement of the Apple Inc vs Apple Corps dispute, Neil Aspinall (head of Apple Corps) resigned.

2) EMI has been looking for a merger / takeover for their music arm for the past year, mainly through discussions with Warner Bros, but these have come to nothing.

3) The Beatles back catalogue is released through EMI. We all know how SJ feels about the Beatles.

Does anyone else think there's a chance that Apple might be shaping up to buy EMI?
 
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