Hahahaha, glad you're back, man! We need you on this forum!
Hahahaha, glad you're back, man! We need you on this forum!
Exactly the same as the 2013 Mac Pro trash can, then 🤣Phil Schiller may now repeat his famous “Can’t innovate anymore. My ass!”-line.
I think there are not many people that will have a very good use case for this functionality, but it would be incredibly useful for the ones that could use it.
Oh, I read the story, and noticed that. I found that one-liner unsatisfying. Rather than commenting on my literacy skills, it would be great would explain the optics and how that relates to graphic design in practice. I'd appreciate it if you could help out there.Neither of you read the story.
That's my understanding. Plus, it seems to be where the tech is as of last year; @jclo reviewed Sphero Specdrums, which offer similar color sampling:
Sounds cool, but I'd still be far happier with something as simple as an eraser tip in the cap. Until then, it's going to be hard to pull me away from my Wacom.
I'm going to say upfront I'm not in graphic arts and know nothing about "color accuracy" in that domain. Having said that, given that the perceived color of an object varies depending on the spectrum of the light reflecting off that object, would the Apple pencil have to supply some kind of reference light?
Neither of you read the story.
They did. The light supplied by Apple Pencil May not be the light suitable for color sampling. It can help, but only for so much.Neither of you read the story.
This will only work accurately if the ambient light has perfect white point and considerable brightness. All colours we see are based on wavelengths of light that bounce off objects. If the ambient lighting is warm (towards yellow) you get warmer colour measurement and vice versa if the ambient lighting is cool (towards blue).
What could be done, that has never been done before not even by True Tone, is that the device measures ambient light and the colour of the object. Then it would perform an offset to fix the white point and levels.
Even if you do manage to sample colour with perfect white point and have a perfectly calibrated monitor, there will always be the big problem that your digital work will be viewed on thousands of different quality displays under many different lighting conditions. Nothing we can do about that until all displays compensate for ambient light by doing automatic white point calibration in real time (True Tone doesn’t do this correctly) and human vision also compensates (impossible - we will always see things slightly yellowish if yellowed sunlight is in our field of vision).
😂❤😂 LMAO
I'm going to say upfront I'm not in graphic arts and know nothing about "color accuracy" in that domain. Having said that, given that the perceived color of an object varies depending on the spectrum of the light reflecting off that object, would the Apple pencil have to supply some kind of reference light?
The idea is cool, but I don't see any practical application that justifies the increased complexity and cost.
It feels like something I would try a couple of times out of curiosity and then not even remember this feature exists after a month.
There’s also apps out there that give you similar functionality with your iPad’s camera too.
I could be wrong about this, but... If you had the skills to make a good looking sketch (what you describe as drawing the shape, add the shadows and so on) wouldn’t you be able to quickly guess the colors to apply to the sketch just by looking at the product with your own eyes?You're talking to your customer about their first advertising ever. They show you a product only their friends and family have seen. You bring up your design application. You put the color sensor to the product, to grab colours, draw the shape, add the shadows, and within a few minutes, you have a design concept without a camera.
Yeah this really is something that marketing loves as it sounds awesomely cool... but as an illustrator I literally can't think of any real-world usage that would justify the expense.
Consider that the apparent color of something changes dramatically under different lighting conditions. You could sample the same color in different rooms and get different results.
Or if it uses a built-in light source to illuminate the spot, LED lighting has all sorts of issues in changing apparent colors due to its narrow band illumination. And then you'd only be getting something approximating the color anyway.
I mean how often are you using your table to sketch a sill life of objects in front of you that you'd REALLY like to sample using your pencil?
I am also an illustrator and would bite their hands off to get one. It's one of those things that you'd find to be useful in ways you don't even know about yet. I'd love to be able to select colours more quickly and accurately than I can do at the moment. Even if it was just having a colour swatch chart to hand and selecting colours from that, it'd save a ton of time - and if you do illustrations for money, anything than saves time and/or makes life a bit easier is always worth doing.I“am a illustrator and don’t see a benefit in this for creating digital artwork. Creating colored paintings is always about the interrelation of surfaces and light sources. May someone explain a real world use case for this?