Impossible? No, easy! Metropolis, what else did we need to understand modern life?
This or Zoolander, can't decide.
I've gone for greatest film ever made in a given language.
These are my choices.
七人の侍 best film from Japan
La Haine best film from France
La Dolce Vita best film from Italy
Oorlogswinter best from the Netherlands
Die Brücke best film from Germany
Good night and Good Luck best film from USA.
Ah, excellent! Some foreign movies, - as in foreign language movies - too.
Great movies, there, and really well worth watching, and mulling over.
Some of my own favourites, (while not 'The Greatest Movie Ever Made', they would make my personal 'top ten' list) are foreign language movies, and I'll list a few, here.
"Au Revoir, Les Enfants" (a beautiful, exquisitely acted, utterly haunting movie, which was based on a true story. French cinema at its brilliant best.)
'My Life As A Dog' - a wonderfully bitter-sweet coming of age movie from Sweden.
'Jesus of Montreal' - the most intelligent, clever, and thought provoking take on the life of Christ I have ever seen. French-Canadian, and classy, and subtle. It also pulls off the Hamlet trick - where 'a play within a play' is performed. Exceptionally good.
An American movie from the 1990s that I was bowled over by was
'Lone Star' which was directed by John Sayles (by far his best movie). This is intelligent, thought-provoking, multi-layered, nuanced story telling, which looks at US identity, race (from several different angles, and features four separate cross ethnic relationships), history, and culture. A rare treat.
I'll also echo Shrink when I confess that
'The Third Man' has long been one of my all time favourites - sheer cinematic perfection, at every level, with a first rate plot, (written by Graham Greene - what more can one ask for?) which addresses the murky morality of people struggling to survive (and profit from) war torn societies, character, acting (Orson Welles as Harry Lime was spell-binding and his brilliant dialogue with Holly on the Ferris wheel was nothing short of perfection), direction, setting (postwar Vienna), soundtrack (Anton Karas and his haunting zither), all combine brilliantly to offer a superb film.