I am impressed that you were able to do your job today on your 2011 MBP. You really milked the life out of it and got your money's worth. And I can only imagine what it is going to be like after you've experienced editing your first job on your new iMac Pro. You are going to be blown out of the water!
Thanks Bryan... I'm not going to lie, it's held my business back a lot, but I knew that I could persist and make it work and it has without missing deadlines, so I've been really blessed - so far - I just need it to last until the iMac Pro arrives.
Hahaha! I hope so! I wanted to get a Trash Can Mac Pro at the end of 2015, but I decided to continue to invest in other areas of the business instead, as it was already nearly 3 years old, so I waited and waited and waited... and then got quite worried that nothing was going to come... then the small meeting with the group of journalists had me abuzz and I was so glad with the specs when they announced the iMac Pro at WWDC. For videographers, it's an almighty machine when partnered with FCPX. So many of the people in my line of business use FCPX and will appreciate this, but then there are the Windows users who laugh, joke and poke fun at it. What they don't get is that we don't need to have the greatest ever specs in order to beat them because FCPX is so well optimised.
My MacBook Pro from early 2011 can't even play a 4K file smoothly, and yet I've shot 3 4K cameras, transcoded to Proxy and been able to output films that can arguably compete with a lot of people in my area, and I'm only just starting out in my first couple of years in business. Therefore, I'm well excited for the iMac Pro, regardless of what people say. I can even offer 4K delivery now at an extra cost to the client and make my money back from that additional extra.
From my experience, it pays to invest in the best equipment. Even at today's wedding, I was shooting with 2 GH4 cameras and a GH5, and a grand hall was lit by a single chandelier - no other light source, as the sun had already set. Therefore, I got out my Rotolight Neo, lit the speeches with that light and used two prime lenses partnered with those two cameras, which cost quite a lot of money and I made it work.
If you have the tools, anything is possible. The iMac Pro is another tool that will hopefully help me to crank out more films faster, and give me time to be creative and make more promotional content as well. I could talk forever, but I just thought I'd share a little of the journey with you.
Thanks for your comment!