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Interesting. I didn’t know that. Seems like it’s moot to even offer a separate $25/year iTunes Match plan if you can just use the free trial or pay $9 for 1 month to convert your illegally downloaded limewire into 256 AAC DRM free music.

I don’t have anything lower than music purchased from iTunes (rest being uncompressed CDs and high resolution music from HDTracks, but if what you and other poster said is true, the $25 iTunes Match is a poor choice.
Nah, it's a good deal for people who just want their music library in the cloud so they can play it anywhere. $25 is a lot cheaper than a year of Apple Music.
 
I couldn't really care less about Lossless, to be honest and I'm very much over all this obsessing about it on this website. People do realize that we're talking about the tippy top tier of audible difference, right? It's absolutely not going to be detectable in many listening situations -- and even then, more for people who really want to actively listen for it with trained ears and high-end headphones or loudspeakers. No shade to people who are legitimately into high end audio -- more power to you. But I think a lot of casual music listeners are suddenly obsessing over Lossless just because they heard it's better and they have to have it.

What I want to know more about is spatial audio -- which tracks have it, whether it gets incorporated somehow into "legacy" tracks. That is a feature that would make me consider switching from Spotify. The limited amount I've used it on my AirPods Max, it's a really immersive, cool experience.
As a composer and responsible for mixing and/or mastering a number of artists, lossless IS a big deal. Try listening to one of your favorite tracks on Tidal versus Spotify. It's similar to a nearsighted person getting eyeglasses for the first time.
 
is there a FEATURE that gets rid of the excess 4GB of idle cache crap from the other update?
did not think so......
 
As a composer and responsible for mixing and/or mastering a number of artists, lossless IS a big deal. Try listening to one of your favorite tracks on Tidal versus Spotify. It's similar to a nearsighted person getting eyeglasses for the first time.
Hmm. I am willing to be convinced but my hearing is... ok not great (too many rock shows w/o ear protection when I was younger and dumber) and I'm not sure I have equipment that would show the difference. Maybe I'm wrong? I guess what I'm saying is that to someone like you with a well trained ear, I wonder if the differences are more glaring than they might be for plebes like me.

As an example, I have a pair of Grado GW100, which I think are pretty respectable open-backed headphones. They can work over Bluetooth or though a wired connection which (I believe) makes them behave like analog headphones. I know there's probably some difference but I'd be very hard-pressed to pinpoint it. There are things like cymbals and, oddly, static, that "show" compression much more, but it's a real strain for me to tell.
 
Can’t you tell the difference in cymbals for example? Or a airy violin? Even the room acoustics of the place it was recorded would show as well. Maybe it’s bc you’re hearing with very close to the ear drivers but I certainly can tell the difference with my AKG 550s or my Kef Ls50s.
If you're dealing with MP3, yes. Easily. The audio with AAC is compressed differently.
 
Oh yeah, how so?
For a start, big sound systems usually have a flatter frequency response that stuff you’ll have at home. For the most part it’s to do with the colossal loss of harmonic content, ambience and space due to removing sub 20Hz/over 20kHz to retain the mp3 file size. In my experience it’s a lack of perceiving rather than hearing those extra harmonics, but you’ll miss them when they’re not there

Even at 320kbps the various conversions are still flawed even compared to AAC, and amount of mangling that happens with key lock and pitch control as you beat match… It only highlights things more, it ain’t pretty even using z plane elastique algorithms.

note: even the very best sound systems can’t be considered superior as such if placed outdoors, also a club environment has a rather high noise floor, so while the systems are capable of better reproduction by and large, it doesn’t mean better sound ;)
 
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Apple stated on the date of press release in reply to The Verge that iTunes Match songs would not upgrade to lossless. Then on the help page for lossless it states lossless songs are only available on Apple Music.
Right, but you can always sync lossless ALAC files (ripped from CD or downloaded from some HD audio site) to a device; they'll upload as lossy AAC, but you can still get them where you want with some extra effort.

Given that lossless files are much larger, esp. on older storage limited devices, I tend to be selective with what I have in lossless format, where I think I'd be likely to notice or paying close enough attention (not all music benefits equally, and some one might be likelier to listen to in more ideal listening conditions). As storage increases in new and future devices, I'll be less selective. So I have to make some extra effort anyway. I never had iTunes Match separately, only as a feature included in Apple Music, so I can't say it hurts except for those tracks that aren't available in Apple Music.
 
What about the battery drain? Should I wait to update until Apple comes out with a fix? I have a 2020 SE.
 
I’m on 14.6 - iPhone 8 and honestly haven’t come across any appreciable battery drain, if anything things are a bit better. My max capacity is at 86%
 
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