My guess is Shake was too much effort for too little reward and that's why they killed it. And I'm worried they might do the same thing to Color (or strip it down for parts and create something in the vein of Motion but for color correction). I'm also guess that they didn't bundle it w/FCP for free because they didn't want to devalue it in the eyes of Shake users. Final Touch was so relatively unknown that I don't think Apple had to worry about that.Hmm,
maybe, I have used Shake for very little, but I liked it and wished that I would have more time to play with it.
But why Apple doesn't bundle it with FCS? Too many support calls?
A good place to start might be here.If I have calibrated and profiled computer monitor to look rec709, what's the difference in colors comparing to broadcast monitor, which should have color space of rec709?
Color management for print is very, very different than color management for video. Basically, color management for video is sending a proper video signal out via a proper I/O device and looking at it on calibrated broadcast monitor. People who don't know color management for video use computer monitors connected to their GFX card and incorrectly assume that because it works for Photoshop it will work for video. The adjustments you get w/the MXO mimic those you'll use on a broadcast monitor for calibration so, yeah, I think they can get the job done (it's actually a popular selling point of the MXO series).I think tha MXO is for use with MBP or people who don't know color management. Adjustments for picture are pretty crude in that box and you still need internal LUT in monitor to avoid 8-bit bottleneck.
You use Color, right? You use FCP, right? Then you use apps that are subject to Apple's inability to properly, and uniformly, handle gamma. Ever checked the "FCP compatibility" box in QuickTime? Now things might start looking a little more uniform, but uniform doesn't necessarily mean correct. So who do you trust? QT (which can be changed at the touch of a button)? FCP (which assumes you are using a monitor set to 1.8 gamma and automatically does an adjustment to mimic 2.2 gamma)? Color? What about the gamma bug w/rending out of After Effects? Which gamma is right? The only way to know is to send a proper video signal to a proper monitor.Yep, I don't use those apps for color correction.
Nope. The drivers for the MXO allow it to 'grab' the video signal before it gets improperly process by the GFX card and run it into the MXO box which does the proper processing and spits out a standard, broadcast video signal. That is the difference between the MXO and just a 'dumb' box that hangs of the DVI port.But when you connect MXO (or Declink's box) to computer monitor, the magic happens and it turns to broadcast monitor?
I don't know the typical standards are on your side of the pond but in the US 1080i60 is very common so we still have to keep an eye out for field issues (not to mention Color can do nasty things to interlaced footage if you aren't careful).I'll just check sd-converted and believe that nobody has interlaced hd screens anymore...
Anyway, if you still don't believe me feel free to search around the Color forums on CreativeCOW or Apple's Official forum to see why computer monitors hooked up to your GFX card aren't up to snuff. You could also grab one of Steve Hullfish's books.
Lethal