Its a major change for the industry, David Geffen told N.Y. Times reporter Jeff Leeds, who broke the story. Each of these devices is used to store unpaid-for material. This way, on top of the material people do pay for, the record companies are getting paid on the devices storing the copied music.
Perhaps Apple can get the music labels to pay a fee for every CD sold because it's possible they may have used Logic Pro in the studio during the recording of the music.
If Zune is even somewhat successful, this can get very bad.
It could lead to software style licenses for hardware.
Imagine TV or VCR manufactures paying money to every TV station?
Basically, you will not own your TV, you just purchased license to watch TV. On top of that, "please pay for any content".
I think the UK use to do that, I beleive people in the UK had to have, I think, an antenna license to watch TV
As MacDailyNews said yesterday:
"To share hardware profits with the music labels makes no sense. Did phonograph makers share record player profits with music labels? No. Did Sony share Walkman profits with music labels? No. Do AM/FM radio makers share profits with music labels? No. Do TV makers share profits with TV networks and producers? No."
... encourages the idea that it's perfectly fine to pirate music, after all if that's why they're getting the money...
"We feel that everyone should give us money for everything, and that we shouldn't have to do anything in return."
Typical music industry rep. It's almost enough to make me want to steal music. The friggin' nerve!
Tell Universal what you think: communications@umusic.com
Not that it will do much good, but the more negative reaction they get from this move, the better. I told them I was digusted by their labeling me a criminal and that I would no longer buy any of their music.
I'm really over corporate greed. We talk about how it needs to change, yet every day there's another example of a company getting greedier - and no one does anything.
This has nothing to do with Zune or M$ in my mind. It's about using "fairness to the artist" as a cover for yet another cash grab by the industry. I used to champion the idea of buying CDs because it is the "right" thing to do. Now I'm no longer certain. Why respect someone (or some company) that does not respect me?
Sorry artists, but (once again) you're the losers.![]()
For what it's worth, and as someone in the music industry, let me just try to clarify one thing: From the outside, big labels must seem like corrupt businesses considering the finances involved in making and selling a record. I mean, $50 million to produce and sell a CD? Well the truth is that nearly 90% of all albums produced do not generate enough sales to cover their cost of recording (paying the studio, the session musicians, copyright fees, etc); therefore, it is up to the remaining 10%(ish) to make up for the lost revenue. It is those top few grossing CDs that are relied on to allow the creation of everything else (most likely the music YOU listen to).
Because of piracy, even those top grossing CDs are no longer producing enough revenue to support the vast majority of small artists, and so the record labels are forced to cut off the bottom rungs one by one. This, in turn, has caused those lesser known artists to turn to independent and P2P methods of sale, which (in turn) draws even more revenue from the companies.
I recently had the pleasure of talking with Steve Barnett, chairman and CEO of Columbia Records, who acknowledges this very serious problem and desperately seeks change from all parties involved. He explained that back when he was AC/DCs manager, bands werent expected to have a hit record until maybe their 3rd or 4th album. A&R reps would look for bands based on their potential to grow, not their immediate potential to earn profit. However, because record labels can no longer afford to take risks due to low record sales, only those artists who they can guarantee to have a hit record are picked up, and all those potential talents are swept aside. In todays market, as he explains, little bands like the Beatles, Led Zeppelin and the Rolling Stones never would have made it because no one would have taken a chance on them.
Think of all the wonderful artists well never hear about because no one can afford to take the risk today
This is unbelievable. As others have said, should they now get a cut of every radio sold? What about tv? Do the cable companies get a cut of every tv sold? You know, come to think of it, my lamps, tv's, refrigerator, etc, would be useless without electricity. Maybe the electrical companies should get a cut for every item I buy that I can plug into the wall.
For what it's worth, and as someone in the music industry, let me just try to clarify one thing: From the outside, big labels must seem like corrupt businesses considering the finances involved in making and selling a record.
Perhaps Apple can get the music labels to pay a fee for every CD sold because it's possible they may have used Logic Pro in the studio during the recording of the music.
Well boo-hoo to the record companies. If it cost's so much to record, manufacture and market these CD's then that's their problem.
They should try signing the 'new' Led Zeppelins, Rolling Stones and AC/DC's who will produce music that will sell consistently over decades, instead of the crap that gets released today and is forgotten tomorrow.
It will be: Bit Torrent here I come = no money for the music companies from me.