Nooooo not at all. You missed my next post with my feature requests. I'm just giving people a hard time about complaining that FCP isn't good enough. It has bugs, and it's quirky, but it mostly works.
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Nooooo not at all. You missed my next post with my feature requests. I'm just giving people a hard time about complaining that FCP isn't good enough. It has bugs, and it's quirky, but it mostly works.
So wait,on the projects you're working on,is everyone using recorders to record direct to prores or do you enjoy having to waste time converting everything you get?
Then I'm guessing you do your cross fades manualy?
edit:and I do get your point,it works,but other competitors over the last couple years have brought improvements that I'd like to also see in FCP
I forgot the most obvious thing that has been missing since FCP has existed. When outputting to tape, we shouldn't have to drag a sequence over to "Assemble". We should be able to hit the Assemble button for the current sequence open.
Also, I hate how the Preview takes up the whole screen. I much prefer the Avid way where you can see your sequence and playhead move live. It would be awesome if FCP allowed you to zoom in/out during edit to tape so you could check your work as you output.
Also, I hate how the Preview takes up the whole screen. I much prefer the Avid way where you can see your sequence and playhead move live. It would be awesome if FCP allowed you to zoom in/out during edit to tape so you could check your work as you output.
I almost never have to convert. All clients I work with require ProRes deliverables, and any tapeless material I get is ProRes. If I capture I use ProRes.
I just delete any transitions before. It's not that hard.
I know trust me. I have a HUGE LIST of improvements, but overall FCP still works well for me for 90% of my projects.
Good for you
Used to be like that for me but on the projects I work on everybody's gone crazy over DSLRs so I'm stuck with converting.
People just love to complain. Yes Apple has been a little behind in the NLE business lately. They can't be on top all the time. Avid has made fantastic strides lately, and so has Adobe, although I would never advise using Premiere. You have to remember though Avid made a lot of bad moves, from nearly dropping Mac support to their closed hardware system. Just recently have they finally started to look like they got it together. FCP is being updated today, so all this nonsense about apple neglecting the pro market can stop. You may not like the update, but from what I've heard (not much) it's going to be pretty amazing.
Good for you
Used to be like that for me but on the projects I work on everybody's gone crazy over DSLRs so I'm stuck with converting.
I know. I'm lucky that I don't have to deal with that. That's what I mean by different people, different workflows. If I had to work with the DSLR workflow, it would drive me crazy. Dealing with source files, converting, proxies, offline, online.
One thing I have never had to deal with in FCP is having an offline/online workflow. It's saved me a lot of headaches I used to have to deal with in Avid. Not that Avid was bad, but capturing once is always easier than twice.
BTW, apparently this site is doing live blogging:
http://www.finalcutmtl.org/2011/04/10/supermeet-live-sur-final-cut-mtl
That's about all I could find.
http://www.finalcutmtl.org/2011/04/10/supermeet-live-sur-final-cut-mtl
That's about all I could find.
And for you english-only forum members, here's the translated version:
http://translate.google.com/transla...ve-sur-final-cut-mtl&hl=en&safe=off&prmd=ivns
Yeah no kidding...they should have taken the "New" off the page at least a year ago.