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lol- whatever man are you seriously going to sit here and advocate that the music you DL at iTunes is worse quality than that you get from an illegal file sharing site? Hi zero quality control.
Like to advertise that you've never been on OiNK? Which if you had been, or if you asked anyone who knows anything about torrent trackers, you'd know that it was one of the biggest sites with control freak admins who'd promptly delete your upload for being any less than 192kbps or a transcode..even if it's V0 MP3 to like 256kbps MP3.

Zero quality control indeed. You've got to be joking. OiNK defined quality control - to the extreme.

You better not move to LA or New York. ;)
Normal ticket price is $12, a Saturday night movie at the premiere theaters will run you $16.
I know it's crazy!
Man, I have no idea what you're talking about. Not even Arclight charges that much on weekend nights. I go to the theaters at the grove, century city, and the new landmark that opened recently, and none of them charge that much. All of them have stadium seating and decent seats and a good selection of movies. Usually the concession stand will cost more than the tickets. Where the heck do you watch your movies?

edit: I might also add that I'd define all three of the theaters I frequent as being "premiere", as well as Arclight. And as far as I remember, Arclight charged the most out of everybody. The only prices I see are around $12/adult on saturday nights. So again, where do you watch your movies? I'm curious as to how much you're being ripped off, I'd love to steer clear of those theaters :)
 
I agree that downloading music is a viable promotional tool, as long as it's done with the consent of the artist. However, the difference here is that when bands are giving their demos out for free at concerts, and encouraging you to rip them to various computers and share them, you actually have their permission to do so. Downloading songs that are available for purchase without the copyright holder or artist's permission can in absolutely no way be considered anything other than flat-out theft.

That last sentence is true if we're just concerned with what's legal and what isn't. Laws, though, are supposed to codify ethics people generally agree on. If a law has reached the point that thousands upon thousands of otherwise well-behaved people can be deemed to have broken it, then something is obviously awry.

I have no interest in profiting off of the creativity of others. I wouldn't steal CDs even if presented with an easy opportunity. I respect musicians who try to advance the cause of music and regularly support such artists by attending live shows. From the twisted perspective of the music industry (and Hobgobble too, apparently), though, I am a repeat and large-scale thief of music. According to them, I have robbed artists of thousands of dollars in royalties and the industry of tens of thousands of dollar in sales. My friends, who are all enormous fans and consumers of music, are thieves too. The only peers of mine I can think of who don't habitually "steal" music are the ones who don't really like music.

So how did we get to the point that the most ardent music fanatics are the biggest enemies of the music industry? A short answer would be that the industry couldn't care less about music or artists. And realistically, no one should expect a largely unregulated enterprise to care about such things if they interfere with profit. In my mind, a better answer is that politicians deserve the blame for letting the situation get to where it is and still not stepping in to take a stand for common sense.

We live in a world where well-intentioned college students are convicted as thieves while Sony BMG legally victimizes people every day with its predatory music club. As disgusted as I am with the current situation, I'm confident reason will prevail in the end as the Big Three collapse under their own weight. In the mean time, though, R.I.P. OiNK's Pink Palace.
 
Zero quality control indeed. You've got to be joking. OiNK defined quality control - to the extreme.


Man, I have no idea what you're talking about. Not even Arclight charges that much on weekend nights. I go to the theaters at the grove, century city, and the new landmark that opened recently, and none of them charge that much. All of them have stadium seating and decent seats and a good selection of movies. Usually the concession stand will cost more than the tickets. Where the heck do you watch your movies?

edit: I might also add that I'd define all three of the theaters I frequent as being "premiere", as well as Arclight. And as far as I remember, Arclight charged the most out of everybody. The only prices I see are around $12/adult on saturday nights. So again, where do you watch your movies? I'm curious as to how much you're being ripped off, I'd love to steer clear of those theaters :)

Quality control, did they have 24bit audio, not just crappy CD quality? I suppose if you are used to listening via $20 earbuds you'd never notice the difference. Try some Shure $300+ earbuds, or ultimate ears, etc.

as to theatres, I suppose we can give her a break, but I've lived on the westside twice as long as her and I have only been to the Bridge IMAX once, nicer than the crappy new landmark poser theatres with those chiropractors dream louge bean bag couches up front, and average uncomfortable seats behind those along with pre-made designer pizza merely reheated on premisses to a totally unsatisfying over-priced mess, poser wine bar that has pitfully limited selection of crappy brand name wines...other than the it's fine :D @Westside Pavilion (they were supposed to install a 4k projector, but Sony had problems with it, so Landmark nixed the contract :( ).

Get a reserved seat @the Bridge and it will cost you $14-17.

http://www.thebridgecinema.com/guide/showtimes.asp?l=7801

Directors Room has much nicer full leather stadium seating though,

Oooh, "Se, jie" (Lust, Caution) only costs $14 at the Arclight this Saturday ($11 week nights).
http://www.arclightcinemas.com/(nvb...ckets.aspx?cinemacode=1001&txtSessionId=29061
I'll go to the over 21 screening, get buzzed on Champagne and blow (j/k, j/k) and then get thrown out of the theatre for getting too fresh with the females...have you seen the keywords for this movie on imdb, woohoo!?

http://www.imdb.com/title/tt0808357/keywords

Meh, I'll wait for the netflix DVD rental, and übergeek will d/l it via torrents :)...cheap bastards we are :p .

So anyone, where can I get a top quality copy of the bootleg of RH's 'High N Dry' from the UK Radio show in the mid'90s? (don't think it's the Planet Acoustic version, and I wouldn't mind having a top quality copy of Planet Acoustic either, but I could be wrong). When I used to watch Smallville in th early years, they had unknown artists that were not even on iTunes...have no idea where they found out abou them?

Before that, the original TV series (Miami Vice doesn't count, they only had bigger named artists) for newer music was Dawson's Creek (even if most of what they played was kind of 'mainstream' alternative indie pop/rock...still, quality tunes that were not being played on radio until after they aired on DC). 103.1FM 'Passport Approved' radio/internet streaming program is then the only other source of new music here in Lala land.


http://www.indie1031.com/3092_Shows.php?id=21
 
Quality control, did they have 24bit audio, not just crappy CD quality? I suppose if you are used to listening via $20 earbuds you'd never notice the difference. Try some Shure $300+ earbuds, or ultimate ears, etc.


yes they did. anyways that site was one of the largest collections of anal audiophiles online anywhere. and yes they had headphones (and audio equipment in general) that was more expensive that some 300 dollar shures.
 
I think this quote sums it up nicely..
"Yes, it provided a way to get free versions of widely available popular albums, but it also archived and cataloged the last 50 years of music better than any other place on Earth. Many of which are not readily available for purchase anywhere. It was an excellent record of one field of human achievement and now its gone ... How about the Clash's "Vanilla Tapes" that were lost on a subway train 30 years ago? On Oink, but not in stores.
It was the digital music version of the burning of the Library at Alexandria.

They destroyed the greatest historical archive of rock so they could make a couple more bucks off Rhianna's "Umbrella"."
 
It will be back in one way or another. I just hope the owner will "donate" the bgackup of the site to someone else.
 
Quality control, did they have 24bit audio, not just crappy CD quality?...
Have you been on Oink? I was satisfied with pretty much anything, as I liked it a lot for the amount of time people seemed to put into uploading quality stuff. By quality control, I don't mean just ultra-snobby audiophile quality downloads, which I'm sure was on there. I'm also including the tagging, album art and all those other little things that make a difference.

Meanwhile on the sites with truly zero quality control...I love those tracks labelled "Track 01" by "Unknown Artist" from "Unknown Album"....not.
as to theatres, I suppose we can give her a break, but I've lived on the westside twice as long as her and I have only been to the Bridge IMAX once...
I've been there a few times but I'm not a fan, mostly cause I hate the 405. All the other theaters I've named are within walking/driving distance. Besides, between the movie theaters at century city and the grove, they show all the movies I'm willing to watch before it comes out on DVD at somewhat reasonable prices.
Get a reserved seat @the Bridge and it will cost you $14-17.
Probably not wrong. But the other four I've named probably will have the same movie for cheaper. $14-17 is by far not the norm when it comes to theater pricing. Maybe like on holiday weekend evenings...
Meh, I'll wait for the netflix DVD rental, and übergeek will d/l it via torrents :)...cheap bastards we are :p .
What I always found sad was that I can usually find at the minimum the screener of the movie months before R1 dvd release (i.e. the latest R5 (region 5, screener quality) release of Resident Evil: Extinction is out already..while the R1 retail DVD release date is not even determined - Amazon wants to give you showtimes :D ...and the Harry Potter and the Order of the Phoenix DVD-R is out already, and again, you can only preorder it on Amazon with no date yet). Sometimes you'll find R1 retail a few weeks in advance too. So when I go to Blockbuster or look around on Netflix it's sort of weird to be like "hey, but I saw that movie on that site a long time...oh.". :)

btw, I loooove indie 103.1. When my iPhone is dead/being stupid with iPod crashing all the time, I listen to that station happily. Like, I sort of really hate jonesy's jukebox, but TK and check one two is usually on during my commute and I <3 :)
They destroyed the greatest historical archive of rock so they could make a couple more bucks off Rhianna's "Umbrella".
I'm pretty certain it'll be back. Maybe not as OiNK, but as a better replacement. Just takes time. There's no point in taking down these sites. History has shown to us time after time that scene/torrent/p2p takedowns have never really worked. It's time for a new and better strategy...but apparently it's just better to sue customers and to take down OiNK and then make a fool of themselves in the media ********ting about it. They can issue retractions all they want, but "first" impressions do a lot on the public..as seen here:
Good job too... hope the book gets thrown at him, that the profits get impounded and used to pay court costs. How people believe that these kind of people are somehow helping artists, production people and an entire industry staggers me. Living off the work of others...
Not trying to criticize you BV, but what you're saying is what pretty much what everyone I know who's never been on OiNK has been saying. The media reported that this was a pay-to-get-in site with the owner making a bunch of money and making everyone out to be sniveling little thieves releasing music before it shows up. But that was hardly the case, as much as you'd like to argue it.

I think this has done more harm than good. Argue all you want about the finer points of piracy, but this will not stop it. If anything, I think sufficient numbers of people are pissed off enough to be motivated to do better. The irrelevant piracy arguments come up all the time, but hey. All these FBI, Interpol, police, international groups and what have you have been spending a LOT of money and time trying to take down so much. Initially they cripple...taking down sites and servers. In the end, they end up making the community even stronger and bigger. Fantastic way to take down sites :D
 
Not trying to criticize you BV, but what you're saying is what pretty much what everyone I know who's never been on OiNK has been saying.


It doesn't matter, Janey. Funnily enough, I take some pride in not using sites like this and paying for the music that I enjoy. And that's because I'm a creator as well... I pay for the software that I use, and the rest comes from work which I'm legitimately entitled to use for work. I pay fees for stock photography... I believe that content creators and enablers should be rewarded for the risks they take and the work they produce.

Somehow, I think the involvement of Interpol says a bit more about the situation than many of the users think was entirely harmless.

And as for the comparison between the Alexandra library and this? Fatuous. There are copies of these files everywhere...

No-one's saying you can stop piracy; but what I want to see is people be honest, hold up their hands and say: 'Yeah, I do it because I can get stuff for free' instead of trying to justify their actions by ridiculous arguments about the music industry or whatever.

The main thing here is respecting the concept of copyright and intellectual property rights... if artists want to give stuff away for free, that's their choice to make, not yours or anyone elses.
 
It doesn't matter, Janey. Funnily enough, I take some pride in not using sites like this and paying for the music that I enjoy....
Think even less of me for enjoying sites like these, but I appreciated the tastes of others on that site, which has led me to buy CDs and go to concerts for some of the artists I've discovered that aren't on iTunes or that I can't usually find anywhere else. Oft repeated statement in this thread, but it's true. Stuff I wouldn't even hear on the radio or find on other peoples' iPods. And like others have pointed out, a lot of the content was recordings of live shows and international music.

If indie artists and record companies and artists worldwide sold ALL of their music DRM free on iTunes at a reasonable quality and price ($5-10/album, adjust for other factors), sign me up. Alas, no such thing exists, and every time I look on iTunes I'm bombarded with Colbie Caillat's nauseating "Bubbly", and every time I read Ars or /., there's some mention of some company wanting more money from iTunes so they're not renewing their long term contract, blah blah. Meanwhile, please find me a brick and mortar retailer that sells some of the music I listen to..or find me a reputable online one that does. Except for possibly at Amoeba and one or two hole-in-the-wall-type stores, I can't find anything other than mainstream crap at stores like Best Buy.

Besides, what I loved most on oink is the fantastic listing of what other people have listened to. Not even iTunes does that. iTunes only gives you similar artists. Even within the same artist, there are albums I absolutely cannot stand, and others I'll listen to for days on end. And if I go to a store, the most I can ask is the advice of a few people..or some friends. Not a huge group of people. What oink did in that regard was PERFECT.

I don't pirate anything because I'm out to get all those content creators I think deserve no money. I think they do. But there's more to this argument than getting rid of piracy. It's other more novel ways of selling things that the record companies are hating. I used to think they were on the right track with iTunes Store. But listening to all the greed, I'm disgusted. If I could personally give the money straight to the creators and the small army of people helping them, I'd love to. But this system doesn't work like that so easily.

I'm not necessarily endorsing piracy because I want to pay my own price - that price being free. It's just that I think it's a balance (for me) between what I think is a complete ripoff. So, like I said above. Find me a store that doesn't suck, and I'll go. Meanwhile, I'll be sticking with my half-used-to-be-oink and half-concerts/purchases.

Yeah, I know what you're going to say already. You don't have to say it. This is my thing, and it works for me, illegal or not. Apparently enough people are dissatisfied that they're willing to do something like it as well.

Isn't it time for a seachange, rather than endless discussions about current piracy?
Somehow, I think the involvement of Interpol says a bit more about the situation than many of the users think was entirely harmless.
So I assume you think the FBI with all their takedowns also means a lot? If Interpol goes after any of the non-top-...100 uploaders on and donators to the site, I'll be shocked. In fact, if they go for the staff with the exception of OiNK, i'll be shocked. There have been bigger groups taken down (think scene), and even then only groups and servers disappeared, and most people were never charged. And you know what scene is? Big enough that I'd bet that a HUGE and obscene amount of pirated material would not exist without it. End users can "upload" all they want, but scene is responsible for the vast majority of movie releases, at the least. And like I said, even with scene group takedowns, at most they crippled the scene for a short bit until new groups replaced the old ones, and most people involved who were arrested and had their hardware confiscated weren't even charged with anything. Best of all? They obviously had illegal content on these servers, meanwhile OiNK doesn't (maybe on his personal computer, but not on site servers). So if these international massive piracy groups responsible for so much aren't charged with anything, what makes you think oink will? oink is pocket change...miniscule..irrelevant..in comparison to these groups.

So, Interpol can go after 200k users all they want. It'll be absurd and pointless and unheard of. Especially with the lack of information oink servers have on users.

No-one's saying you can stop piracy; but what I want to see is people be honest, hold up their hands and say: 'Yeah, I do it because I can get stuff for free' instead of trying to justify their actions by ridiculous arguments about the music industry or whatever.
I am being completely honest. I get some of the music for free, but I also buy a fair amount of music from iTunes/Amazon/Amoeba. I purchased Radiohead's In Rainbows. This is far from being black and white. I'm sure many of oink's users would agree with me. As freely available as the music was, many had their own completely legal copies.

As much as I'd like to respect artists' decision about copyrights and "stealing" their music..and as much as I do, do you just not listen or watch to whatever it is you want if it's prohibitively expensive or just outright unavailable other than through downloads? Yeah, old argument, I know. But it's completely legitimate. And for that matter, more and more well known artists are beginning to take advantage of p2p. Not only artists, all sorts of content creators. It's free promotion in a good way. And the effect p2p has is documented and known. And the idea of giving away songs for free and then advertising on the site like crazy has been thrown around in this thread (or, I vaguely remember), some crazy new idea like that could just help the industry more than it can hurt. Piracy is not entirely evil. You may think that, but a lot of things say otherwise.

So, go on all you want about respecting copyrights but saying no to p2p. It's not going away, more artists are realizing what it can do for them, piracy does not necessarily displace legitimate purchases, and none of this has to sacrifice copyrights.


edit: on second reading, I guess I'm rambling all over the place. There's one thing I want to make really clear.

BV, I resent that you're acting like I'm completely evil (well, evil in general, but it also applies to me) because I paid for some of my purchases and I stole others, and therefore I blatantly have no respect for copyrights. I am aware of my actions. I'd love to change the way things work. But painting people who have MASSIVE legitimate collections who go to a dozen concerts a month and purchase all sorts of stuff while still downloading the occasional album with the same brush used for people who steal every single song is ridiculous (and I fall in between those two, I'm neither nor). Yeah, maybe to you it seems like that because it's one of those "once you do it" things, but because I download one song doesn't mean I automatically won't buy it later on or something stupid.
 
...do you just not listen or watch to whatever it is you want if it's prohibitively expensive or just outright unavailable other than through downloads?

Personally, no. Because I don't believe anyone has the right to get what they want, not need, for absolutely nothing... if it's not available, then it's not available. Doesn't really bother me.

I don't think less of you, I just hope that you realise that any creative endeavour for commercial gain can't run on empty.

There is an argument for the music industry re-evaluating its distribution models, but no-one is forced to use the iTMS... I don't use it because I want lossless files for which I'm prepared to pay the rights holders, and if certain artists distributed their files directly that way, then I'd probably be a customer.

But if I can find the CD I want; lossless, DRM-free, a perfect backup... I'll scour a number of places to get it and I don't mind if it takes three weeks to get from Japan or wherever.

There are plenty of other ways to hear and hear about new music than torrenting, and wanting a good brick and mortar retailer of music yet pirating is a contradiction... and also, people say that CDs are a ripoff? How much should they cost? They're not cheap things to create or produce.

Funny thing about a good CD is that you will get years of listening out of it. If anything, DVDs are a ripoff, there are so few films that you can watch more than twice...
 
That last sentence is true if we're just concerned with what's legal and what isn't. Laws, though, are supposed to codify ethics people generally agree on. If a law has reached the point that thousands upon thousands of otherwise well-behaved people can be deemed to have broken it, then something is obviously awry.

So, speeding should be legalized? There should be no penalty for not paying taxes? Just because it's an unpopular law that is broken by 'thousands upon thousands of otherwise well-behaved people ' is by no means justification for breaking it - legally or otherwise. Law is not optional.

Try using the 'everyone else was doing it' defense in front of a judge and see how far that gets you. It hasn't worked for the people who've been sued by the RIAA.

And, for what it's worth, I am not a fan of the music industry or (especially) the RIAA's methods of suing file sharers. As much as I enjoy watching the RIAA get screwed over, I feel somewhat slimy taking their side in this. But I just cannot condone or justify the acquisition of songs without the artist or copyright holder's permission. It's stealing, and any attempt to rationalize it is BS.
 
ThePirateBay is going to bring back OiNK under the domain BOiNK.cd

The site will be public and rely on the former members of the OiNK community to upload torrents to rebuild the database.

http://torrentfreak.com/the-pirate-bay-to-bring-back-oink-071026/

http://www.digg.com/offbeat_news/The_Pirate_Bay_To_Bring_Back_OiNK
It's a publicity stunt. Same with bring suprnova 'back'

The nice thing about Oink was that it was private - meaning the speeds were good and there was a really really high amount of quality control. And since it had a ratio, people shared their own music to stay on the site. So there was always new stuff being added in various quality formats (mp3 V0, FLAC, mp3 320kbps or 192kbps or aac and so on). With a public tracker, none of these things are going to happen. Oink's selection surpassed anything else out there :\
 
Personally, no.
I've discovered so much good music and movies this way..
I don't think less of you, I just hope that you realise that any creative endeavour for commercial gain can't run on empty.
I understand that, but I believe some sort of compromise can happen. Not everyone, especially not everyone on oink, was out to steal every single song they wanted to listen to. When most people are willing to pay something, there's opportunity for a new business endeavor right there.
There is an argument for the music industry re-evaluating its distribution models, but no-one is forced to use the iTMS... I don't use it because I want lossless files for which I'm prepared to pay the rights holders, and if certain artists distributed their files directly that way, then I'd probably be a customer.
I would imagine most people would be satisfied with something between the current crap and lossless, but a choice, perhaps at a higher cost (because lossless requires more bandwidth) would be a nice thing to have. I mean, other than allofmp3's other problems, wasn't that their business model? You pay by how big the file was...lower quality == cheap, higher quality == more expensive. I would also imagine they also want non-DRM **** that'll play on more than 5 computers and their non-Apple media player. I'm just throwing iTunes store out there as an example of something that has even more potential than it does right now, but the record companies are bitching about their contracts and wanting even MORE money out there. I can't help but be sad when I see what NBC did about their iTunes contract.
But if I can find the CD I want; lossless, DRM-free, a perfect backup... I'll scour a number of places to get it and I don't mind if it takes three weeks to get from Japan or wherever.
Well, if you can find your music, then good for you. If at a reasonable price, even better. This is not the case with a fair amount of music out there.
There are plenty of other ways to hear and hear about new music than torrenting, and wanting a good brick and mortar retailer of music yet pirating is a contradiction... and also, people say that CDs are a ripoff? How much should they cost? They're not cheap things to create or produce.
You've got to be kidding me. I want a good brick and mortar music retailer because mainstream ones are complete crap and are identical to what I'd find on iTunes for the most part. I thought I made it fairly clear that piracy doesn't displace purchases. In fact, one might even go as far as to suggest that piracy to an extent to some people would make them want to purchase the music. Especially not-mainstream crap. This is the only part of the argument I take issue to, just because you seem to think since I pirated the new Serj Tankian album a few weeks ago that I'm not going to buy it.

Maybe I should chalk this up to you just not really getting what OiNK was, whether or not you want to, just because you're willing to pass it off as just your average site where everyone loves to steal music and buy none of it legitimately (hey, where'd the uploads come from anyway..lots of them were personal rips. oh yeah. :rolleyes: ).

As for CD pricing? I think $10 is pushing it, but I think it's a fair price. I know many people work on them and they're not cheap to create or produce. But it's not like they sell all of like 5 CDs in the entire country.
Funny thing about a good CD is that you will get years of listening out of it. If anything, DVDs are a ripoff, there are so few films that you can watch more than twice...
I never said they weren't.

So, speeding should be legalized? There should be no penalty for not paying taxes? Just because it's an unpopular law that is broken by 'thousands upon thousands of otherwise well-behaved people ' is by no means justification for breaking it - legally or otherwise. Law is not optional.
I think that's enough with the piracy discussion. Nobody here is discussing anything particularly new in regards to it. The much more useful discussion to have is what to do to make people want to purchase the music, not to ****ing scare their brains out by pretending like you're gonna sue them by squeezing a ridiculous useless settlement out of them.
Try using the 'everyone else was doing it' defense in front of a judge and see how far that gets you. It hasn't worked for the people who've been sued by the RIAA.
And just how many have successfully been sued. Um, Jammie Thomas. Name any others? A Sony exec said what everyone already knew. That this was a HUGE money loser for the RIAA because they can't prove that these people did anything (instead, they make experts perjure themselves in court by saying outright lies). The only thing this does is to make consumers..their own customers..believe that they will be sued by sharing music. Not downloading, but sharing. Even then it's not really working that well. And their settlement/lawsuit campaign..yeah, like I said, you'd have to be crazy to believe that it's actually working in their favor.

And, for what it's worth, I am not a fan of the music industry or (especially) the RIAA's methods of suing file sharers. As much as I enjoy watching the RIAA get screwed over, I feel somewhat slimy taking their side in this. But I just cannot condone or justify the acquisition of songs without the artist or copyright holder's permission. It's stealing, and any attempt to rationalize it is BS.
The way they are going about dealing with this issue is the problem. We all know it's stealing. It's that they're doing no better, and in fact, they're losing massive amounts of money trying to sue their own customers.
 
Maybe I should chalk this up to you just not really getting what OiNK was


I get what it was. At its most fundamental, it was a space for people to break copyright laws... that's all I need to know and I don't have any sympathy for those who are upset it's gone.

You had a space where you could share illicit files, and surprise surprise, it was shut down by applying the laws that everyone knew they were evading. Tough. Deal with it. I'm not the one that has to modify my music acquiring habits afterwards... it's funny how I can manage to hear about new music and bands without torrenting a single file, isn't it?
 
I get what it was. At its most fundamental, it was a space for people to break copyright laws... that's all I need to know and I don't have any sympathy for those who are upset it's gone.

You had a space where you could share illicit files, and surprise surprise, it was shut down by applying the laws that everyone knew they were evading. Tough. Deal with it. I'm not the one that has to modify my music acquiring habits afterwards... it's funny how I can manage to hear about new music and bands without torrenting a single file, isn't it?
No it wasn't. It was a place for people to share music. Not everything on there was copyrighted. Not all the bands dislike their music being shared. Not everyone that downloaded a song is scum of the earth like you seem to think.

If Macrumors was to close down and people were to say "**** em, they're Mac users, they don't count for anything," wouldn't you be upset?

I'd be willing to bet that people who used Oink had a much wider taste in music then those who didn't. Because the social aspect of oink alone - seeing what other people downloaded and listened to, that's huge. The fact that you could then go and get that music at high quality is amazing. And if the cd actually sucked, there was nothing lost. Not like if i imported a cd from a band and it turns out to be crap.

I don't know how broad the new music you hear about is, but the stuff i find on radio / reviews is much much narrower then compared to what i used to find on oink. And i know others who are the same way.
 
For the most part, illicitly.

No, no you don't.
How do you know? You weren't on Oink. Oink had an incredibly active forums and IRC channel. The people there were as knowledgeable about audio stuff as people here are about mac's. It wasnt just a place to download/upload music.

And i just said i dont know how broad your taste in music is. Do you really need to echo my posts, or are you going to add something new?

Also, what'd you think of that Artic Monkeys quote? you never did respond :)
 
The same goes for me. There are loads of legal ways to find out about, and hear, new music.

ive "stolen" some very specific and rare vinyl rips from oink, stuff which has a known physical quantity in the low double digits, thanks to oink i get to listen to some of the earliest known recordings of one of my favorite bands. one i have supported monetarily in the past and intend on supporting in the future. without oink these rare recordings would be available to the 30 or so people who actually own the album. how else could this be possible?
 
No it wasn't. It was a place for people to share music. Not everything on there was copyrighted. Not all the bands dislike their music being shared. Not everyone that downloaded a song is scum of the earth like you seem to think.

If Macrumors was to close down and people were to say "**** em, they're Mac users, they don't count for anything," wouldn't you be upset?

I'd be willing to bet that people who used Oink had a much wider taste in music then those who didn't. Because the social aspect of oink alone - seeing what other people downloaded and listened to, that's huge. The fact that you could then go and get that music at high quality is amazing. And if the cd actually sucked, there was nothing lost. Not like if i imported a cd from a band and it turns out to be crap.

I don't know how broad the new music you hear about is, but the stuff i find on radio / reviews is much much narrower then compared to what i used to find on oink. And i know others who are the same way.
I miss the IRC channel

:(
 
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