I think it's more than presumptuous for you to say what another person can, or cannot, hear since you are not them. My son is a fairly talented musician who says that, to him, vinyl sounds "warmer"; me, I can't hear it, just the pops and hisses but I don't tell him that he can't hear it. And, as you mentioned, he is a huge fan of tubes, for the same reason, the quality of the sound.
So, you are like a blind man telling a sighted person that they cannot see the color red.
Its not a random etherial thing we're measuring. Its quantifiable. You can measure exactly how sound sounds each way. There differences don't exist in a positive way.
Its like someone looking at math equations and describing which one is more warmer. It is what it is.
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As much as a claim there's no difference, I say this with the understanding that there is huge variation in the ability to actually convert the digital information to sound waves. ie speakers in particular make an enourmous difference as does room acoustics etc. I'm saying given a sufficiently high sample rate and resolution, that digital is more accurate than a vinyl recording.Nope - what I hear is not only a bright crickle noise that reminds me of a fireplace (the needle produces this sound no matter what you do) - I also hear a more refined dominance of the mid-frequency region. This combined with the subtle imperfection of analog playback I guess is what makes it feel "warm" while the clean and perfect digital recording sounds "cold". I challenge you to listen to the same (and today digitally recorded) track on the same Amp once on CD and then on Vinyl (not mp3, as it wouldn't stand a chance).
I personally didn't believe this stuff either until I heard the DDD-version of November Rain on CD against the DDA version on Vinyl (Picture Disc with 45 rpm).
You sure can reproduce this kind of sound with digital media using a dedicated Equalizer. Nevertheless go and check the EQ-settings in iTunes. What you see is dumb loudness accustomed stuff taking over - meaning boost the high and boost the low.
Considering tube amps and Monster cables - yeah, if I had the money to burn I'd sure use that with my guitar rather than Line6 digital offers. And my guitar is the only area, where I like the distorted 10-0-10 profile as a good heavy metal sound.![]()
You could imitate the distortion effects you hear as warmth in software, postprocessing a digital source.
Cant comment on a specific setting in iTunes playback. Thats like saying all vinyl sounds bad because of your particular amplifier. Technically speaking, digital is a more accurate description of music. Its huge appeal is that it can be moved around, copied without ANY loss of information vs. the original copy. Algorithms can be implemented to transform the sound as desired to do any level of equalization.
If there are differences in a DDD vs DDA recording, that could be an issue with the original recording and processing equipment, not with the fundamental technology being used. Vinyl is inherently an inferior medium, as are tubes...
BTW, playing a vinyl record involves quite delicate equalization. Handling analog equalization can't be handled perfectly so there are discrepancies depending on cartridge and amplifier, etc. Similar equalization isn't necessary in digital recordings. Some of the early issues regarding digital vs. analog was that studios were still using equipment that used equalization for records.