Apropos of nothing: For anyone who doesn’t follow Photocascadia, you may be interested to see this article on “Female Landscape Photographers Who Inspire.” I was delighted to see them devote an article to women and feel honored to be included. Check it out to find some great photographers whose work may be new to you: LINK.
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Good questions, themumu. The amount of processing I do varies a lot. Some types of scenes require a lot of tonal and color work to emphasize what I want to express about them, or just to overcome the basic limitations of the camera. Controlling eye movement and the hierarchy of elements is really 90 percent of what I might work on in post. The one thing I won’t do is add anything that didn’t exist to begin with (so no compositing). So even when a photo has required a lot of effort in processing, it never looks radically different from the raw file(s) with their basic conversion settings applied (a raw file itself looks like nothing because it’s just data, of course!).
As for the second question, about pre-visualization, that too varies a little bit. For the most part, when I’m actually shooting a scene, I have a very clear sense of where I’ll be going with it, and I shoot my frames accordingly. I might need to shoot multiple focus points for a focus blend or shoot bracketed images for exposure blending. If I’m shooting water, I might shoot with different turns of the polarizer to combine those in post. Sunstars typically require an extra shot with my finger covering the sun. I might shoot in multiple directions for a big stitch. And so forth. You have to know where you’re going to know how to get there. Nonetheless, some photos just stop speaking to me until I take them in a new direction. Translating the idea into visual elements that actually work together can be tricky business, and I sometimes have to reprocess an image numerous times to be happy with it. I’m very fortunate to be in an excellent critique group that helps me to get out of the woods in those cases.
Anyway, for the photo that I just posted, I wanted that light hitting the mountain in the distance to take priority while still allowing the sense of light splashing across the icy features of the lake and snow. That was a difficult balance to pull off, requiring an overall dark presentation. I’m still not sure that I nailed it 100%, but I think it “puts me there” well enough when I look at the photo now.
I hope I answered your questions!
Great Grey Owl
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Finally some success this past weekend after numerous trips out of the city and countless hours out in the bitter cold. For me, it was worth every moment.
This is a really nice shot MCH-1138. Great colours and use of depth of field. You get the feeling he's ancient and probably is.
Lately I've been yearning for a change of scenery, thinking how lovely it would be if I moved to Europe (something on the south end), or some tropical island. Looking at my archive of photos I realize that's because I have already seen so much that my location has to offer, and while it's no longer new and fresh, it's still beautiful. But... new is always better.
Webster's Falls.
Untitled by FriskyFreeze, on Flickr
Found this on BBC site. I'm sure a lot of you enjoy this!
Barry
http://www.bbc.co.uk/news/in-pictures-25859664
So back to the library, but inside this time. I was shooting off the balcony upstairs and I liked the repartition of the hand rails and the pattern of the floor. But this lady was leaning back taking a picture of me taking a picture, so I thought I would return the compliment and shoot her.
[url=http://farm8.staticflickr.com/7366/12414637925_2931bd758b_b.jpg]Image[/URL]
Comments always appreciated.
Sometimes if you over process an image skin tones can look a bit plasticy so this one is straight out of the camera to avoid that...
Image
Fujfilm XE1 with Rokkor 50mm 1.4, F4, 1/80, ISO1000
so back to the library, but inside this time. I was shooting off the balcony upstairs and i liked the repartition of the hand rails and the pattern of the floor. But this lady was leaning back taking a picture of me taking a picture, so i thought i would return the compliment and shoot her.
comments always appreciated.
So back to the library, but inside this time. I was shooting off the balcony upstairs and I liked the repartition of the hand rails and the pattern of the floor. But this lady was leaning back taking a picture of me taking a picture, so I thought I would return the compliment and shoot her.