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sunset_against_the_grain_by_jasonbeck-d2xtql7.jpg

1/4000, f/4.0, 70mm, iso 200
 
Board rests in the sand.

CnC über-appreciated.



SS: 1/1600, Aperture: f/8.0, ISO 200, Exp. Bias: -1.00
 
I like this a lot. The blue colour is striking, the composition is interesting and there is movement which keeps it interesting. Above all, there is fish :). Nice pictures on your Flickr too.

Great shot. The colors and motion make for a really dynamic image. That blue looks somewhat overcooked, though.

Thanks, I'll look at toning the blue down a bit.

Queen Mary 2 in Sydney Harbor:

SM-3336.jpg
 
For that photo it was extended to 16 feet. Normally I have it set to 12 feet because 16 can get sketchy on certain cars.

Here it is (12 feet). The viper is a friends, the white one is mine. Just a standard setup (2 suction cups and super clamps, but the boom arm is modified)





Yeah the mounting was interesting. Mounted window to window (front glass to back glass) and the rig came out about 2-3 feet in front of the car.

This is the cool stuff I want to see as a photographer! Well as much as the final photo too! Did you build that yourself or buy it somewhere? I remember seeing a place to buy from online but they are insanely expensive.
 
It was really really bright hair, it seemed a shame to not mention it in the title.

EDIT: Here's the original shot


Wow, not only light blue hair, but a matching blue wall! And with an orange guitar for some counterpoint. I can't imagine why in the world you decided to dump the color! That scene is a real find--very well seen, but the color is what really makes it. I think it's best to do a black-and-white conversion when you gain something by losing the color, either because the color is weak or else because it's distracting. In this case, I'd run with the color, making it nice and punchy and allowing your viewers to revel in it.

CnC über-appreciated.



SS: 1/1600, Aperture: f/8.0, ISO 200, Exp. Bias: -1.00

OK, here you go: For starters, the light is quite harsh. It looks like bright, midday sun, which washes out colors and gives harsh shadows. Also, with the strong lines pointing us out to the horizon, it's a pity there is nothing out there to entertain the eye; some nice clouds at sunset would be great in a composition like this.

Little Langdale...

littlelangdale.jpg

Wonderful. You've been on a roll lately.
 
Bali, the male Sumatra tiger at the Point Defiance Zoo and Aquarium. He has fathered three litters of cubs. Two in California and the current one here. The big guy has cancer, but is responding well to chemotherapy. He goes off for an MRI shortly. Wonder how they do that on 250 lb. cats... The photo is a bit fuzzy but I like the character.



Dale
 
Well, I suggest you give it up :(

Spoken like a true Englishman... still chuckling. I am sure the poster will learn the meaning of dynamic range and eventually apply the tool as needed.

I was testing a new software called HDR Expose by Unified Color. They stress using HDR for natural results but it has the capability to get into the artistic (as well as overcooked) results. I shot the image below with 9 exposures (only using 5) to deal with the extreme desert noonday sun. I was very pleased with the detail in the deep shadows and highlight areas while retaining a good natural contrast. Not the most scenic but it shows that HDR can help deal with a high range of light levels. The detail is in the Olive Tree as well as the concrete and shaded/highlight areas.

BTW, I have no commercial interest in Unified Color... just a user.

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