No! Those brighter colors are totally 100% artificial. If you're into photography, you're wanting to match the image on the screen to what's going to show up in prints and glossy pretty much kills that ability.
Anti-glare provides more accurate colors. Glossy provides more vivid colors.
Different brains have different levels of immersion. When one looks at a screen, he is not necessarily focusing in the same way and absorbing the same experience. Different peoples' minds work differently.
I noticed a pattern over the years. Uptight analytical types prefer the cold un-pretty functionalism of anti-glare while more artistic imaginative types like more of an indulging experience. We are all looking at these screens from different eyes. If you like math, get the anti-glare, if you like art, get the glossy.
Thats a more realistic way to put this old debate in context it seems.
Neither one is "more accurate" than the other. People keep making analogies to sound-engineering studio monitors alluding to the idea that uglier is more correct or true to the translation. With sound monitors this is true that raw accuracy translates better but this is not the same dynamic over here in the screen world.
Heres my question... what if you print something on glossy paper? Which viewing experience is more correct? (lol)
At the end of the day, blacks look better and truer on the glossy. Neither one is a more accurate representation of what will come out of the printer than the other. They both function the same.
To say a glossy is unusable for photography is ridiculous.
Photographers, like Bike Riding Enthusiasts, have very anti-mainstream cult-like mentalities about certain things all stemming from hatred/insecurity.
Championing anti-glare and trashing glossy is one such illogical bias lacking in sound reasoning and critical thinking..
...just sayin
