I didn't have high expectations for this series, although I hoped that, at least, they would set it after the war against the Dominion. This post-Burn future always leaves me feeling a bit like they've burned their bridges for a return to TNG/DS9... and there was already a well-defined universe to expand on.
In Starleet Academy, I still have to figure out where the Star Trek part is, but all ST series historically take several seasons to get going. Unfortunately, this new trend of 8/10 episodes per season doesn't even allow them to get started.
The problem with doing that, however, is that there would be no enemy left to fight or part of the galaxy to explore. Janeway handled the rest of the Borg that didn't return for Picard, Odo cured the Founders, Martok was ruling the Klingon Empire peacefully, Rom was Nagus, and the only thing that really wasn't resolved was what happened with Bajor. There was no more war at that point in time. And not only was Sisko done, but Avery was done; not with Star Trek, but acting full stop. He has not appeared in any TV show or event since DS9, and notwithstanding a few rare convention appearances, has completely checked out of acting.
The only way anything there could fit in after the Dominion War would be something during/after ST: Online, which would force the producers to fully come out and declare that all of ST: Online is canon, which for the most still hasn't been acknowlodged.
Overall, I really struggled with "Series Acclimation Mil". The opening annoyed me so much I stopped watching as soon as the credits started and it took me a few days to come back to it and even then, I had it on in the background as I was playing video games.
I admit I find it a bit weird how Lower Decks and Prodigy handled comedy so deftly, while Discovery, Strange New Worlds and Starfleet Academy seem to struggle with it so hard. I'd normally just chalk it up to different writers, but Tawny Newsome (Ensign Beckett Mariner on Lower Decks) co-wrote this episode of Academy.
Not only did she write the episode, she was Illa.
But another thing that struck me with the episode: It had the vibe of the Robin Williams monologues at the end of episodes of
Mork and Mindy, when he would call Orson (Welles). The scenes where SAM would talk to the watchers from Kasq completely reminded me of how Mork would talk to Orson.
Within the first 5 minutes of the show, I could easily see and draw the parallels between the Kasq and the Prophets, so you could see where the episode was going. I think the big issue with the episode that everyone may be upset about is that it didn't go through the entire question of "what happened to..." for the entire DS9 cast. Nothing about Bashir or Kira (we know what happened to Sisko, Dax, Odo, Worf, Rom, Quark, Nog, etc.) But most importantly, nothing about Jake or Kasidy, until now. How they addressed that did give closure (bloody hell, Lofton looks so much like Brooks!), also provided us with one major thing: If it weren't for Lofton, this episode would never have happened. Brooks checked out of acting, but never checked out of being Lofton's friend and second father figure, and Lofton never forgot that. Newsome wanted Lofton for this episode, and Lofton wanted to have Brooks come in for a couple of things, but wanted it to be on Brooks' terms. What they decided on, which Brooks absolutely approved of, was that while Brooks is a phenomenal singer, he made a spoken word Jazz album after DS9 had ended. The epilogue that was spoken by Brooks at the end of the episode is from that album, which Lofton suggested, which is why they wanted to give him a producer credit for the episode.
Once one gets under the expectations they have for series and the episode, this particular episode was well done (the B plot in this could have been done without, but that's a different story).
BL.